Carving

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1530 Archival description results for Carving

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Carving a totem pole

Image depicts Douglas Cranmer in the process of carving a pole. The early cuts are made with a chain saw.

Using a chain saw

Image depicts carver Doug Cranmer using a chain saw to make early cuts on a pole.

Taping paper to a totem pole

Image depicts Doug Cranmer preparing to make a rubbing image (using kraft paper and crayon) of the carving on a totem pole. Another person, possibly Godfrey Hunt, assists by holding the paper.

Partially carved totem pole

Image depicts a partially carved totem pole resting on the ground. Doug Cranmer is visible in the lower left corner of the image; another carver works on the pole. A can of paint is visible, but not in use.

Partially carved pole

Image depicts three carvers working on a totem pole. The centre carver is Doug Cranmer; the man on Cramner's right may be Godfrey Hunt. A woman works, possibly sanding, image right.

Canoe Carving break

Image depicts a partially carved canoe outdoors with Godfrey Hunt and Douglas Cranmer sitting as the canoe is filled with water from a hose.

Constructing a canoe

Image depicts Douglas Cranmer with a partially finish canoe filled with water. He seems to be measuring, and possibly preparing to stretch the canoe's interior to make it wider.

Carving details

Image depicts a a closeup view of a carving. It is unfinished, and marks on the wood are visible.

Totem Park, UBC, Vancouver, Kwakiutl (#2 + 5 carved by Mungo Martin), Alert Bay sea lion pole #2, new Mungo Martin pole #5, frontal pole #6, eagle crest pole #7

This pole was on display at UBC in Totem Park in the 1960’s and 1970’s and moved to the Museum in the late 1970’s. It was carved in 1914 in Tsaxis (Fort Rupert) by George Hunt Sr. for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters". The pole was collected by Marius Barbeau and Arthur Price in 1947. The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.

Iconography: Kolus is a young thunderbird. Thunderbird is a supernatural bird identifiable by the presence of ear-like projections or horns on the head, and a re-curved beak. The pole alludes to the story of Tongas people in south Alaska, who migrated south.

Staff research, publications and productions

Subseries consists of material produced by museum staff, among them Wilson Duff, Harry and Audrey Hawthorn, Marjorie Halpin, and Gloria Cranmer Webster. There is extensive material on Audrey Hawthorn’s Art of the Kwakiutl Indians. Included in this subseries are ca. 2000 photographs which were collected for possible use in this book. Photographs are numbered A38-A17206 with many numbers missing throughout. The majority of photographs are of wooden masks, but they are also of bowls, bentwood boxes, paddles, rattles, totem poles, talking sticks, headdresses and frontlets, wooden figures and miniatures, whistles, spoons, silver bracelets, argillite carvings, button blankets, chilkat blankets, cedar head and neck rings, woodworking tools, stone tools, and fish hooks. Other record forms included in this subseries include correspondence, notes and published materials.

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