This file contains a letter from Beth Van Dyke to Wilson Duff and a manuscript on silverwork among Northwest Coast First Nations that was included with the letter. The text discusses the development of silverwork through trade and economic relations with European settlers, with a focus on Tlingit and Haida silversmiths. Older traditions and records about copper and ironwork are also discussed.
Coppers
23 Archival description results for Coppers
Image of a painted piece of metal, showing a face and hands.
Anthony CarterImage shows a black and white line drawing, possibly of the object shown in item a037615 of this file.
Anthony CarterThis file contains a letter to Wilson Duff, written by Carol F. Jopling, requesting reference letters from Duff in order to apply for funding from the American Philosophical Society and the Arctic Institute of North America. Also included are Jopling's application materials. As discussed in the letter, Jopling sought funding to study Nuu-chah-nulth and Kwakwaka'wakw coppers. She expresses an interest in connecting these to slaves and unsubstantiated claims about cannibalism among these peoples. She also proposes to look into the importance of sea otters as seen in the symbolism of material culture.
Application materials suggest a different research interest, specifically looking at the material and technology used in producing these coppers to substantiate whether copper production was a local innovation or of European import.
Image of a man and woman holding a painted piece of metal, showing a face and hands.
Anthony CarterImage of a painted piece of metal, showing a face and hands.
Anthony CarterFile consists of images of painted and/or engraved coppers at the Museum of Anthropology at UBC. These images show final pieces as well as pieces as they are being made.
Anthony CarterImage of pieces of copper laid out on table.
Anthony CarterImage of a Jack Peters seated at a table with copper remnants. Peters is described in Carter's book "From History's Locker," as being the "only year-round resident" of Dead Point reserve ("Tga-tsuamuquame").The pieces of copper are "from one of the last great potlatches."
Anthony CarterImage of a Jack Peters seated at a table with copper remnants. Peters is described in Carter's book "From History's Locker," as being the "only year-round resident" of Dead Point reserve ("Tga-tsuamuquame").The pieces of copper are "from one of the last great potlatches."
Anthony CarterPhotocopy of a manuscript about coppers from Alert Bay, BC. Front page notes that it was "sent by GW(?) Hunt, Port Hardy, BC." It also has a stamp from the "Department of Mines geological Survey, received Mar 26, 1924. Division of Anthropology."
Original manuscript might be at UBC's Rare Books and Special Collections library.
Image of a painted piece of metal, showing a face and hands.
Anthony CarterImage of a painted piece of metal, showing a face and hands.
Anthony CarterImage of Mr. Jack Peters at Dead Point reserve. Peters, pictured here with a copper remnant, is pictured and discussed on pages 74 - 77 of Carter's book From History's Locker, where he is described as being "the only year-round resident of the village at the moment."
Anthony CarterImage of a man with a copper. Photograph was taken in an interior with a painting and a bookshelf on the background
Anthony CarterImage of a man with a copper. Photograph was taken in an interior with a painting and a bookshelf on the background
Anthony CarterImage of a man with a copper. Photograph was taken in an interior with a painting and a bookshelf on the background
Anthony Carter