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Canoe Carving break

Image depicts a partially carved canoe outdoors with Godfrey Hunt and Douglas Cranmer sitting as the canoe is filled with water from a hose.

Constructing a canoe

Image depicts Douglas Cranmer with a partially finish canoe filled with water. He seems to be measuring, and possibly preparing to stretch the canoe's interior to make it wider.

Carving details

Image depicts a a closeup view of a carving. It is unfinished, and marks on the wood are visible.

Canoe drawing

Image depicts a drawing and text representing plans for a canoe, possibly the Nootka canoe carved by Douglas Cranmer for the Royal Museum of British Columbia in Victoria, B. C.

Carving a canoe

Image depicts a partially completed canoe, filled with water outside. A carver, possibly Godfrey Hunt, is also shown.

Constructing a canoe

Image depicts a partially completed canoe, filled with water outside. Two carvers, probably Douglas Cranmer and Godfrey Hunt, are also shown.

Totem Park, UBC, Vancouver, Kwakiutl (#2 + 5 carved by Mungo Martin), Alert Bay sea lion pole #2, new Mungo Martin pole #5, frontal pole #6, eagle crest pole #7

This pole was on display at UBC in Totem Park in the 1960’s and 1970’s and moved to the Museum in the late 1970’s. It was carved in 1914 in Tsaxis (Fort Rupert) by George Hunt Sr. for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters". The pole was collected by Marius Barbeau and Arthur Price in 1947. The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.

Iconography: Kolus is a young thunderbird. Thunderbird is a supernatural bird identifiable by the presence of ear-like projections or horns on the head, and a re-curved beak. The pole alludes to the story of Tongas people in south Alaska, who migrated south.

Book 5: Learning Kwak'wala The Sounds of Kwak'wala

Item consists of a recording of Learning Kwak'wala: Book 5 The Sounds of Kwak'wala, and it features Agnes Cranmer, Margaret Cook, and Jay Powell engaging in vocabulary and grammar exercises in the workbook, Jay Powell asks the questions in English and Agnes Cranmer and Margaret Cook give the response in Kwak’wala; Side A: pages 5-28, covers the names of most of the Kwak'wala speaking peoples and their dialects, the Kwak'wala alphabet, how to pronounce vowels, consonants, the glottal stop, and the barred Side B: pages 29-52, continues with how to pronounce the barred L, and covers the rest of the consonants, back consonant sounds, rounded consonant sounds, explosive consonant sounds, and double letter sounds, one English translation on page 33 refers to the cedar bark daces as "Indian dancing," also the English translation for someone of African descent on page 45 uses the word "Negro." Recorded on both sides.

Book 7, tape 2: Learning Kwak'wala

Item consists of a recording of Learning Kwak'wala: Book 7 This One That One, and it features Agnes Cranmer, Margaret Cook, and Jay Powell engaging in vocabulary and grammar exercises in the workbook, Jay Powell asks the questions in English and Agnes Cranmer and Margaret Cook give the response in Kwak’wala; Side A: pages 26-40, starts with exercises for buying something that is or is not in sight, and continues with who something is for when they are or are not present, the grammar for doing something and the subject is either present or absent, past tense forms, future tense forms, pointer words, action words without objects, and action words that take objects; Side B: pages 40-57, continues past tense exercises on page 40, and covers how to say and adjective does not apply to someone, when someone is not doing something, the words for very and really, positive and negative answer patterns, grammar to ask what someone is doing, and what someone did in the past. Recorded on both sides.

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