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Image is of Doreen Jensen and Bill Reid conversing, post-ceremony. Unidentified persons mill about near table with cedar bark. Bill McLennan far right.

Image of carving by Bill Reid, 7waasru (Wasgo). The carving was commissioned by the University of British Columbia for display in Totem Park, originally. The sculpture was moved to the Museum of Anthropology in 1978.

Item is a colour image of Bill Reid observing the construction of the Haida house at the Haida Village at Totem Park at the University of British Columbia (UBC). The Memorial Pole appears on the left; the Double Mortuary Pole appears on the right

Item is a colour image of Bill Reid watching memorial pole being raised in the Haida Village at Totem Park at the University of British Columbia (UBC)

Item is a colour image of Bill Reid watching memorial pole being raised in the Haida Village at Totem Park at the University of British Columbia (UBC)

Image of a pole carved as the frontal pole for the front of the Haida house at UBC, for display in Totem Park. Moved to the new Museum of Anthropology grounds in 1978. Pole was removed from the Haida House in 2000-09 and placed in a greenhouse tent for conservation treatment and drying. A new pole was raised outside to replace it (see MOA object Nb1.752). Jim Hart, with Reg Davidson, Michael Nicoll and Tyler Crosby, performed a small informal ceremony for the re-raising of the pole on Oct. 30, 2002 (with Martine Reid in attendance). Pole was then re-raised in the Great Hall of the Museum on Oct. 31, 2002.

Photograph of Bill Reid on the UBC campus, probably in Totem Park, leaning against what appears to be the upper cross-beam of a house post.

Image features a profile view of Bill Reid using a traditional, well-sharpened tool, called adze to cut away the outer the sap wood of a log. The blurred profile view of a second person appears on the far right hand side of the photograph.

Image is of Bill Reid using adze to make his first cut. Doreen Jensen and unidentified persons stand behind him, watching the process.

Image is of Bill Reid using adze to make his first cut. Unidentified persons stand behind him, watching the process.

Image of artist Bill Reid standing in the remains of a house on Anthony Island. Reid is at a slight distance from the camera, seen in silhouette standing at either the front or rear of the structure. A note, possibly written by Audrey Hawthorn, accompanies this slide. See item a039485 in this file for this note.

Bill Reid appears blurry as he stands in front of the canoe log with Norman at the left side of image.

Section of a house frontal totem pole for the Haida House at totem park.

Image is of Rob't, Mercy, Norman, and Bill Reid during welcome ceremony. Bill Reid is speaking with folded notes in his hands. Mercy holds an umbrella while Norman holds a paddle.

Bill Reid and a crowd at the opening of the new Museum of Anthropology building.

Image features Bill Reid shaking hands with Norman Tait in front of the canoe log.

Image is of Bill Reid standing in front of the canoe log with Norman Tait at the very left of image.

Bill Reid and Doug Cranmer carving the dogfish panel for the double mortuary pole to be placed near the Haida House in Totem Park.

Bill Reid and Doug Cranmer carving the frontal plaque of double mortuary pole to be displayed near the Haida house at totem park. The pole (A50032) is now at MOA, on the grounds behind the museum.

Bill Reid stands near the interior house post of the Haida House. The date of this photograph is uncertain but may have been taken around 1960 when the structure was originally being built. The post in the photograph was carved by Bill Reid and Doug Cranmer.