Affichage de 85 résultats

Image of Bill Reid's small boxwood sculpture "The Raven Discovering Mankind in a Clam Shell," which he completed in 1970. He was later commissioned to make a much larger version of this sculpture for the Museum of Anthropology, which he titled "The Raven and the First Men."

Image of an Bill Reid's bear sculpture, taken at the University of British Columbia. This sculpture is part of MOA's object collection.

Dr. Walter Koerner commissioned Reid to make this sculpture for his personal collection. It was originally commissioned for his backyard garden, but Koerner decided it looked too large for the space so he donated it to UBC. It was installed on the UBC campus in 1963, in the woods near International House. A bronze plaque made for that location reads: Haida Bear by Bill Reid Presented to UBC by Walter C. Koerner 1963. At some point, after the new Museum building was built, the bear was transferred to MOA and moved indoors.

Image of a pole carved as the frontal pole for the front of the Haida house, at UBC, for display in Totem Park. Moved to the new Museum of Anthropology grounds in 1978. Pole was removed from the Haida House in 2000-09 and placed in a greenhouse tent for conservation treatment and drying. A new pole was raised outside to replace it (see MOA object Nb1.752). Jim Hart, with Reg Davidson, Michael Nicoll and Tyler Crosby, performed a small informal ceremony for the re-raising of the pole on Oct. 30, 2002 (with Martine Reid in attendance). Pole was then re-raised in the Great Hall of the Museum on Oct. 31, 2002.

Image is of Doreen Jensen and Bill Reid conversing, post-ceremony. Unidentified persons mill about near table with cedar bark. Bill McLennan far right.

Image is of Bill Reid using adze to make his first cut. Unidentified persons stand behind him, watching the process.

Image is of Doreen Jensen and Bill Reid conversing with unidentified persons near canoe log.

Image is of Moya Waters, Bill Reid and Bill McLennan and unidentified persons consuming refreshments and conversing. Ron holds box of oranges in background.

Image is of Bill Reid standing in front of the canoe log with Norman Tait at the very left of image.

Item is a colour image of the construction of the Haida house at the Haida Village at Totem Park at the University of British Columbia (UBC). The Memorial Pole appears on the left; disassembled Wasgo appears in the centre; the House frontal post appears in the centre; the Double Mortuary Pole appears on the right. A woman and young child appear in the left foreground

Image shows the Haida and mortuary houses while they were being reassembled during relocation from Totem Park.

A photograph of the museum grounds facing the future site of the Haida house and Mortuary house. An unidentified man stands in the foreground.

Image shows the mortuary house while it was being reassembled.

Construction of the Haida House at Totem Park. The man standing on the roof on the viewer's left may be Doug Cranmer while the man near the house on the viewer's right appears to be Bill Reid.

Haida house, a house frontal totem pole, a mortuary pole, and the Wasgo sculpture, standing in Totem Park.

Double mortuary pole carved by Bill Reid and Doug Cranmer standing in totem park at UBC.

Section of the mortuary totem pole carved by Bill Reid and Doug Cranmer for the Haida House complex at Totem Park.

Wasgo carving by Bill Reid on display in Montréal for the Museum of Anthropology's Northwest Coast exhibit for "Man and His World."

Bill Reid and Doug Cranmer carving the dogfish panel for the double mortuary pole to be placed near the Haida House in Totem Park.

Image of artist Bill Reid standing in the remains of a house on Anthony Island. Reid is at a slight distance from the camera, seen in silhouette standing at either the front or rear of the structure. A note, possibly written by Audrey Hawthorn, accompanies this slide. See item a039485 in this file for this note.

Image of mortuary pole carved by Bill Reid and Doug Cranmer. The pole is part of MOA's collection.