An close-up image of a person holding a wooden ceremonial mask. According to the documentation included with the filmstrip, the description of the image states "A very old ceremonial mask used at potlatches."
Item is an image of a section of a rock with petroglyphs highlighted with chalk. According to annotations, petroglyphs were pecked on granite and pictograms were chalked, and image was taken by E. F. Meade. Original slide incl
Item is a close-up image of a rock with petroglyphs highlighted with chalk. According to annotations, image was taken by E. F. Meade. Original slide included number 31.
Item is a close-up image of chalked petroglyphs carved on a rock. According to annotations, image was taken by E. F. Meade. Original slide included number 3544.
Item is a close-up image of a chalked petroglyph carved on the ground. According to annotations, image is of a c taken in Englishman's River, Parksville, by E. F. Meade. Original slide included number 14
Item is a close-up image of chalked petroglyphs carved on a rock. According to annotations, image was taken by E. F. Meade. Original slide included number 3544.
Item is a close-up image of a chalked petroglyph pecked on a rock. According to annotation, image was taken by E. F. Meade. Original slide included number 3545.
Image depicts a totem pole in Masset, Haida Gwaii, B. C. Inscribed on the image is "totem Poles, Massett [sic] Q. C. I." Handwritten inscription below the image reads "R. Maynard, Artist". Handwritten inscription on the verso reads "Charles Edenshaw in prov. museum." Printed on the verso Is the photographer information in the inscription "R. MAYNARD, PHOTOGRAPHIC ARTIST and Dealer in All Kinds of Photographic Materials. Stereoscopic and Large Views of British Columbia and Vancouver Island for Sale. Cor. Douglas & Johnson Streets, Victoria, B. C."
Image is portrait of Charles Edenshaw leaning on frontal house post in Skidegate, Haida Gwaii, B. C. Inscribed on the image is "Indian Totem Poles at Skidegate Q. C. I." Handwritten inscription below the image reads "R. Maynard, Artist". Handwritten inscription on the verso reads "Charles Edenshaw in prov. museum." Printed on the verso Is the photographer information in the inscription "R. MAYNARD, PHOTOGRAPHIC ARTIST and Dealer in All Kinds of Photographic Materials. Stereoscopic and Large Views of British Columbia and Vancouver Island for Sale. Cor. Douglas & Johnson Streets, Victoria, B. C."
Fonds documents Brant’s pre-doctoral research in Burma. As a Fulbright scholar working with the United States Educational Foundation, Brant submitted quarterly reports to the foundation detailing his arrival and adjustment to life in Burma, as well as his sociological research in the community of Tadagale and other areas of the country. Brant also provided the U.S. Foreign Service with his observations of life in the Shan States, where Brant and his wife first lived when they arrived in Burma in 1949. After returning to the United States in 1950, Brant published articles on the research he completed while in Burma. Records in this series include academic and government reports; articles; Brant’s curriculum vitae; a digitized slide show and 8 mm movie; a grant application; notes; and photographic negatives and prints. It is likely that most of the photographs were taken by Jane Brant, but these are not identified.
The pole was re-adzed and re-painted by Kwakwaka'wakw carver Mungo Martin before shipping to UBC in 1947. Repainted and repaired by Ellen Neel (1949) and by Mungo Martin (1950-51). It stood at Totem Pole Park, UBC Campus until it was re-located to the Museum's Great Hall ca. 1976.
