Affichage de 308 résultats

Series consists of material relating to exhibitions mounted by the museum. Record forms in this series include correspondence, memoranda, notes, sketches, maps, newspaper clippings, insurance evaluations, inventories, ephemera, sketches, maps, receipts, plans and photographs.

The series is arranged into five subseries:
Subseries A: Loan Requests, Correspondence and Planning
Subseries B: Long-term exhibits
Subseries C: Temporary exhibits
Subseries D: Traveling Exhibitions
Subseries E: Loans in

Series consists of records relating to exhibition planning carried out by Rosa Ho in her capacity as Curator of Art and Public programmes. Included in the records are planning records for exhibitions, installations, and performances hosted by and produced in whole or in part by the Museum of Anthropology.
Records include correspondence, memoranda, financial records, artist lists, object lists, artifact descriptions, exhibition programs, hand written notes, exhibition announcements, designs for labels, photographs, transcripts, grant proposals, loan agreements, artifacts, newspaper clippings, photocopied scholarly articles, a grant application for the “Chilcotin War” project, a Musqueam weaving proposal, a telephone transcription, an audio cassette and exhibition proposals.

Series consists of correspondence and memoranda, reports, handwritten notations, draft copies, cue cards, comment book, photographs, negatives, contact sheets, slides, application grants specific to exhibitions and other textual and graphic records related to the preparation of exhibitions within the Museum.

Series consists of records relating to museum exhibits that were In House (MOA based exhibit displayed at MOA), Traveling In (exhibits from outside institutions), and/or Traveling Out (a MOA based exhibit that travels for exhibition outside of MOA). The records include correspondence, interdepartmental memoranda, loan agreements, exhibit receipts, exhibit proposals and forms, news releases, pamphlets, newspaper clippings, colour photocopies, display labels, negatives, slides, and photographs.

The records are divided into the following sub-series:

A Trapline Lifeline 1987-1992
B Beyond Revival 1988
C I Have Seen the Other Side of the World

• Masks of the Northwest Coast 1988
  D Gifts & Giving 1988
  E Lyle Wilson: When Worlds Collide 1988-1989
  F Images from the Inside Passage 1985-1989
  G Everything Politics – Australian Aboriginal Political
  Art in Print & Poster 1988-1989
  H Ghosts in the Machine, Phase II 1988-1989
  I A Coat of Many Colours 1988-1991
  J From Classical to Modern: Javanese Shadow Play Figures 1988-1991
  K Sacred Objects & Holy Presence 1989-1990
  L Fieldnotes 1989-1991
  M Transforming Image 1988-1995
  N Proud to be Musqueam 1988-1996
  O The Inside Passage – 1792 1989-1995
  P Great Canada Exhibit 1990-1991
  Q World Aids Day 1990
  R Fragments: The E. Sonner Donation of African Sculpture 1990-1991
  S Asia Pacific Foundation 1990-1993
  T David Neel 1990-1993
  U British Columbia Contemporary Ceramics 1991
  V Denendeh 1991
  W Savage Graces: “After Image” by Gerald McMaster 1992
  X Thunderbird & Whale 1992
  Y Cantonese Opera 1991-1996
  Z Eulachon – A Fish to Cure Humanity, The Grease Trails 1977-1995
  AA Saltglazed Stoneware 1992
  BB Dragon Jars 1992-1993
  CC Maiolica/Majolica 1992-1993
  DD Echoes 1992-1996
  EE Ron Hamilton 1994
  FF Cannery Days 1994-1995
  GG Sally Michener 1994-1996
  HH Maui: Turning Back the Sky 1995-1997
  II Written in the Earth 1992-1998
  JJ Ancient Lives: The Maya of Guatemala 1998
  KK Exhibit “A” – Objects of Intrigue 1998-1999
  LL Chinese Trade Ceramics 1998-2000
  MM Celadon 1991-2002
  NN Looking at Labels 1994
  OO La Force de la Tradition (virtual exhibit) 1995-1997
  PP T’ang Horses [ca. 1992]
  QQ Of Other Spaces 2001
  RR A Break in the Ice: Prints and Drawings from the
  Linda J. Lemmens Collection 1999
  SS Viewpoints: A student exhibition 2002
  TT A Guide to Visible Storage 2001
  UU Man Ray 2010-2011
  VV Tatau 2008-2009
  WW Ways of Knowing 2008
  XX The Village is Tilting 2008-2009
  YY Pleased to Meet You: Introductions 2012
  ZZ Paradise Lost? 2013
  AAA A Green Dress: Objects, Memory and the Museum 2011
  BBB Koerner European Ceramics Gallery [ca. 1990-20--]
  CCC Spirit of Islam: Experiencing Islam through Calligraphy 1999-2003
  DDD Pasifika: Island Journeys 1999-2003
  EEE Visions of Enlightenment: Buddhist Art at MOA 2011-2012

Series consists of records related to the administration and realization of exhibits that Halpin organized at the Museum of Anthropology. Records include correspondence, memoranda, handwritten notes, draft copies, proposals, brochures, newspaper clippings, newsletters, loan forms, photocopies of photos and articles, photographs, negatives, contact prints, travel insurance slips, grant applications, reports, and budgets. Many of the files include research conducted on specific artists featured in various exhibitions as well as pictures of their works of art, gallery plans, rough drafts of labels, and bibliographies compiled for research purposes.

Series consists of records generated during the preparation and documentation of exhibitions at the Museum.

Series consist of records created, received, and/or used by Skooker Broome in his capacity as Designer. The records relate to planning, designing, and installing of various exhibits at the Museum of Anthropology. Series contain some or all of the following kinds of records: correspondence, notes, reports, exhibition records, photographic materials, multimedia formats, and administrative and financial records relating to Skooker Broome’s function as Designer.

The series is arranged into 23 subseries:

Subseries A: The Spirit of Islam: Experiencing Islam through Calligraphy
Subseries B: Exhibit A: Objects of Intrigue
Subseries C: Gallery 3 Exhibit
Subseries D: From Under the Delta Exhibition
Subseries E: Heredity: Heredity Chiefs of the Haida
Subseries F: Katagami: Gift Wrap on Recycled Paper
Subseries G: Victor Shaw Collection
Subseries H: Lyle Wilson: When Worlds Collide
Subseries I: Eulachon: A Fish to Cure Humanity
Subseries J: Anth. 302 – Anthropology of South Asia – Student Exhibit
Subseries K: Gulf of Georgia Cannery National Historic Site, B.C.
Subseries L: Maya Exhibit
Subseries M: Safar/Voyage: Contemporary Works by Arab, Iranian and Turkish Artists
Subseries N: Paradise Lost? Contemporary Works from the Pacific
Subseries O: Anspayaxw: An Installation For Voice, Image, and Sound
Subseries P: Speaking to Memory: Images and Voices from St. Michael's Residential School
Subseries Q: The Marvellous Real: Art from Mexico, 1926 - 2011
Subseries R: Without Masks: Contemporary Afro-Cuban Art
Subseries S: Claiming Space: Voices of Urban Aboriginal Youth
Subseries T: c̓ əsnaʔəm: the city before the city
Subseries U: Heaven, Hell and Somewhere In Between: Portuguese Popular Art
Subseries V: “Don't give it up!” The Lives and Stories of the Mabel Stanley Collection
Subseries W: Pigapicha! 100 Years of Studio Photography in Nairobi

Series consists of numerous sub-series: Raven Sculpture Exhibit, Air Canada Exhibit, Hospital Exhibit, Dowries from Kutch Exhibit, Echo Dance Exhibit, Students’ Exhibit, Teaching Exhibit, Potlatch Exhibit, Open House Exhibit, Touchables Exhibit. The series includes correspondence, drafts and final exhibit labels and captions, memorandums, records of acquisitions for exhibits, brochures, business cards, meeting minutes, information, draft evaluations, descriptions and depictions of exhibit display cases, printed background information, press clippings, agendas, and schematic of tour route. Photographs document the 1977 MoA exhibit for the visually impaired.

Series documents Cunningham’s responsibilities as exhibits designer, and consists of records related to the planning and implementation of various exhibits since the late 1980s. In addition to his role as designer, Cunningham has also been involved in producing exhibit proposals; assisting with travelling exhibits; and developing exhibition policies and guidelines. Records include artists’ statements and artwork; banners; calligraphy; case lists; contact prints/proofs; contracts; correspondence; exhibition catalogues; exhibition panels; exhibition proposals; exhibition text; guidelines; invitations; labels; loan agreements; measurements; memoranda; minutes; negatives; object lists; photographs; photocopy of artworks; plans; policies; reports; schedules; and sketches.

The records are divided into the following sub-series:

A Guidelines 1992-1994

B Long-term installations [ca. 1992]-2000

C Proposals 1988-1996

D Schedules 1991-1993

E We Sing to the Universe: Poems and Drawings by Ron Hamilton [1994]-1994

F Fragments: The E. Sonner Donation of African Sculpture 1990-1991

G A Coat of Many Colours: Two Centuries of Jewish Life in Canada 1990-1991

H Ancient Cloth / Ancient Code? 1990-1992

I Savage Graces: After Images by Gerald McMaster 1990-1993

J A Rare Flower: A Century of Cantonese Opera in Canada 1989-1997

K Inside Passage: 1792 1993

L Multiplicity: A New Cultural Strategy 1989-[ca. 1993]

M Cannery Days: A Chapter in the Lives of the Heilsuk 1993-1994

N High Slack: An Installation by Judith Williams 1992-1994

O Reclaiming History: Ledger Drawings by Assiniboine Artist Hongeeeysa 1993-1995

P Trapline Lifeline 1990-1992

Q Our Chiefs and Elders: Photographs by David Neel, Kwagiutl 1989-1990

R Festival Hong Kong: Possessions from the Past: Objects from a Lifetime of Change and Contrasts: Hong Kong’s New Territories in the 20th Century 1991-1992

S Nunavutmiutankik Elisasiniq: A Tribute to the People of Nunavut 1998-1999

T Travelling exhibits 1990-1991

U Gathering Strength: New Generations in Northwest Coast Art [199-?]-2004

V Continuing Traditions: Coast Salish Basketry 2000-2001

W Musqueam Weavers 1999-2000

X Haida Metalwork [1999?]-1999

Y Kaxlaya Gvilas [200-]-2002

Z Proud to be Musqueam 1991-1993

AA Repatriation 2000-2002

BB To Wash Away the Tears 2002-2003

CC Artifacts 1995-[ca. 1996]

DD The Abstract Edge: Recent Works by Robert Davidson 2001-2005

EE Mehodihi: Well-Known Traditions of Tahltan People [200-]-2003

FF Connoisseur’s Collection: Chinese Ceramics from the Victor Shaw Donation 2000-2002

GG Written in the Earth 1993-2002

HH Recalling the Past: Early Chinese Art from the
Victor Shaw Collection 1997-1998

II Maui: Turning Back the Sky: Exhibition of Contemporary
Hawaiian Art 1996-1997

JJ El Corazon Del Mundo: At the Heart of the World
La Sierra Nevada de Santa Marta, Colombia 2002

KK The Art of Norval Morrisseau 1999-2000

LL Without Masks: Contemporary Afro-Cuban Art 2014

MM Safar/Voyage: Contemporary Works by Arab, Iranian and Turkish Artists 2013

NN The Smart One video

OO Luminescence: the Silver of Peru 2012

PP Inuit Prints and Drawings: Selections from the Permanent Collection 1988-1989

QQ Carl Beam 2011

RR Man Ray, African Art and the Modernist Lens 2010-2011

SS Jack Shadbolt and the Coastal Indian Image 1986

TT Speaking to Memory 2013

UU One Mind, One Heart 2013

VV Hiroshima 2011-2012

WW Mungo Martin: A Slender Thread 2004

XX "Pasifika: Island Journeys” - The Frank Burnett Collection of Pacific Arts 2003-2004

YY Exhibit unknown

ZZ: Recent acquisitions 2005

Series reflects the planning and organization of group excursions to cultural sites in British Columbia such as K’san and Alert Bay and internationally, such as Sri Lanka.

Textual records, porcupine quills, dried leaves, brochures and other materials which do not clearly fall into existing categories.

Series consists of artists’ statements, cards, diagrams, lecture notes, pamphlets, reports, student assignments, and syllabi relating to David Dunnett Cunningham’s responsibility as an instructor of Anthropology 431: Museum Principles and Techniques, and 432: The Anthropology of Public Representation, and a community course, Introduction to the Museum of Anthropology.

Series consists of a letter written by May Ashurrtt to Museum Director Michael Ames on October 31, 1977. The letter provides details of the donated photographs and the life of Frederich H. Maude, the photographer.

Series consists of correspondence and memoranda, lists, handwritten notations, evaluations, surveys, minutes, sample documentation cards, progress reports, location files, budgets and other textual material. Most records are related to the Museum’s participation in the National Inventory Programme (NIP), a computerized information system geared towards gathering and storing museum data as well as describing key items and collections within museums to enable retrieval of this information. The Canadian Heritage Information Network (CHIN) succeeded the NIP in 1984.

Series consists of Margaret Stott’s curriculum vitae. It describes her education, professional experience, exhibitions coordinated or curated, audio-visual publications, and publications. The series was created in 1991 to facilitate access to the sous-fonds.

Series contains correspondence regarding the authenticity of artifacts. Stott served as an expert examiner of Northwest Coast cultures; the series pertains to the evaluation of artifacts as being of “outstanding significance” for application to the Canadian Cultural Property Export Review Board. Series also contains copies of correspondence written by other MoA curators as well as background information.

Creative works written by Duff during his lifetime. Works include rough and completed drafts of poems and short stories.

Series consists of correspondence in the form of handwritten and typed letters from colleagues, past students, friends and publishers. Some files contain autographed articles or papers, and invitations enclosed with original letters.

Series includes correspondence related to the research and language documentation project and the book project. Correspondence is between Martine J. Reid and several people and institutions.