Woven materials on display in Montréal
- 132-1-C-D-a042505
- Item
- 1969-1970
Parte deMOA General Media collection
Woven materials on display in Montréal for the Museum of Anthropology's Northwest Coast exhibit for "Man and His World."
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Woven materials on display in Montréal
Parte deMOA General Media collection
Woven materials on display in Montréal for the Museum of Anthropology's Northwest Coast exhibit for "Man and His World."
Parte deCarol Mayer fonds
File contains photo-copies of images of First Nation community members in Alert Bay and at St. Mike's Residential School. The photographs were taken to community elders who had been at the residential school so that they could annotate the photographs. Not all of the images in the file were used in the exhibit.
Parte deMOA General Media collection
Woodworking tools on display in Montréal for the Museum of Anthropology's Northwest Coast exhibit for "Man and His World."
Parte deMOA General Media collection
Woodworking tools on display in Montréal for the Museum of Anthropology's Northwest Coast exhibit for "Man and His World."
Parte deMOA General Media collection
Woodworking tools on display in Montréal for the Museum of Anthropology's Northwest Coast exhibit for "Man and His World."
Woodworking equipment and bentwood boxes on display in Montréal
Parte deMOA General Media collection
Woodworking equipment and bentwood boxes on display in Montréal for the Museum of Anthropology's Northwest Coast exhibit for "Man and His World".
Woodworking equipment and bentwood boxes on display in Montréal
Parte deMOA General Media collection
Woodworking equipment and bentwood boxes on display in Montréal for the Museum of Anthropology's Northwest Coast exhibit for "Man and His World".
Parte deRobert Reford fonds
Item is an image of a woman walking away from the camera with three buildings and a totem pole in the background. According to annotations, photograph was taken in G?aw (also known as Old Massett) in the Haida Gwaii archipielago
Parte deRobert Reford fonds
Item is an image of a woman by a building. According to annotations, photograph was taken in G?aw (also known as Old Massett) in the Haida Gwaii archipielago
Without Masks-Media Coverage-2014-Laura Murray PR
Parte deDirector's fonds
Without Masks: Contemporary Afro-Cuban Art
Without Masks: Contemporary Afro-Cuban Art
Parte deDavid Cunningham fonds
Sin título
Without Masks: Contemporary Afro-Cuban Art
Parte deSkooker Broome fonds
Subseries consists of records related to the graphic design for the Without Masks exhibit, on display at the Museum of Anthropology May 2 - November 2, 2014. The exhibit was curated by Cuban poet, art critic and curator Orlando Hernández.
Without Masks: Contemporary Afro Cuban Art [exhibition planning binder]
Parte deDirector's fonds
Within The Pear Garden: Chinese Opera Costumes
Parte deExhibit Comment Books and Guest Registers/Guest Books collection
File contains 1 comment book from the exhibition Within The Pear Garden: Chinese Opera Costumes (student exhibit), 1981
Parte deKaren Duffek fonds
Parte deKaren Duffek fonds
Willy White: “My Ancestors Are Still Dancing”
Parte deKaren Duffek fonds
The records in this sub-series relate to Willy White’s 2002 exhibition on Chilkat and Raven’s Tail weaving, My Ancestors Are Still Laughing. During his exhibition at the Museum of Anthropology, Willy White began weaving a gwishalaayt, or Chilkat robe. The weaving was later finished at his home in Prince Rupert, British Columbia. In 2004, a “taking off of the loom” ceremony and feast was held to celebrate the completion of the gwishalaayt. Though Elizabeth Johnson was the curator for this exhibition, Duffek worked closely with her, and the files relate to Duffek’s involvement with in the process. File contents relate to exhibition research and planning, draft exhibit texts, correspondences, transcripts of interview with the weavers, and recordings of the final ceremony.