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Image is of Norman, Reva, and unidentified persons standing near a small stage in the pole raising location at Capilano Mall. An open shop is visible in image background.

Image consists of a lineup of nine senior girls. The girl at the head of the line is identified as Ruth Staley, Mr. Staley's daughter.

Image shows a group of African prisoners chained together, with a guard standing nearby. The prisoners are crouching and digging in some way, possibly working on a road. The image was taken in the Congo region.

Display from the exhibit "North American Indian Basketry and Technology." Shows a close-up, readable view of the information placard. Many items for this exhibit were borrowed from the University of Washington to supplement the museum's collection.

Display from the exhibit "North American Indian Basketry and Technology." Shows several examples of baskets. Many items for this exhibit were borrowed from the University of Washington to supplement the museum's collection.

Item is a negative showing a group of soldiers forming two lines facing each other. The soldiers are carrying guns with bayonets. Mountains are visible in the distance.

Image depicts a totem pole in Masset, Haida Gwaii, B. C. Inscribed on the image is "totem Poles, Massett [sic] Q. C. I." Handwritten inscription below the image reads "R. Maynard, Artist". Handwritten inscription on the verso reads "Charles Edenshaw in prov. museum." Printed on the verso Is the photographer information in the inscription "R. MAYNARD, PHOTOGRAPHIC ARTIST and Dealer in All Kinds of Photographic Materials. Stereoscopic and Large Views of British Columbia and Vancouver Island for Sale. Cor. Douglas & Johnson Streets, Victoria, B. C."

Image is portrait of Charles Edenshaw leaning on frontal house post in Skidegate, Haida Gwaii, B. C. Inscribed on the image is "Indian Totem Poles at Skidegate Q. C. I." Handwritten inscription below the image reads "R. Maynard, Artist". Handwritten inscription on the verso reads "Charles Edenshaw in prov. museum." Printed on the verso Is the photographer information in the inscription "R. MAYNARD, PHOTOGRAPHIC ARTIST and Dealer in All Kinds of Photographic Materials. Stereoscopic and Large Views of British Columbia and Vancouver Island for Sale. Cor. Douglas & Johnson Streets, Victoria, B. C."

Image of totem pole carved by Charles James.

The pole was re-adzed and re-painted by Kwakwaka'wakw carver Mungo Martin before shipping to UBC in 1947. Repainted and repaired by Ellen Neel (1949) and by Mungo Martin (1950-51). It stood at Totem Pole Park, UBC Campus until it was re-located to the Museum's Great Hall ca. 1976.

The Charlie James totem pole being moved from Totem Park as part of its relocation to the new Museum of Anthropology building.

The Charlie James totem pole being moved from Totem Park as part of its relocation to the new Museum of Anthropology building.

The Charlie James totem pole being moved from Totem Park as part of its relocation to the new Museum of Anthropology building.

Charlie James' totem pole after restoration work by Mungo Martin. It is likely standing in Totem Park at UBC in this photograph. It was later moved to the Great Hall in the Museum of Anthropology.

Item is a photograph taken at close range of cherry blossoms. Reads, "Cherry Blossoms."

Portrait of Chief and Mrs. Nanakin, taken outside.

Portrait of Chief and Mrs. Nanakin, taken outside. Carter's wide, Minn Sjolseth is also in the portrait.

Image of Chief Anatlahash from the 1963 edition of Monuments in Cedar by Edward L Keithahn.

Image consists of Mrs. Hunter at left and a chief at centre presenting gifts to the Governor General Lord Tweedsmuir at right on occasion of his visit to Morley.

Chief Billy Assu of Cape Mudge wearing a Chilkat Robe and frontlet.

Chief Billy Assu of Cape Mudge wearing a Chilkat Robe and frontlet.