Portrait of Able Derek, Nisga'a. A similar portrait of him is printed on page 136 of Carter's book Abundant Rivers, with the caption: Abel Derek at Gitlakdamix, now called Old Aiyanch 'I am just a common man.'"
Portrait of Able Derek, Nisga'a. A similar portrait of him is printed on page 136 of Carter's book Abundant Rivers, with the caption: Abel Derek at Gitlakdamix, now called Old Aiyanch 'I am just a common man.'"
Portrait of Able Derek, Nisga'a. A similar portrait of him is printed on page 136 of Carter's book Abundant Rivers, with the caption: Abel Derek at Gitlakdamix, now called Old Aiyanch 'I am just a common man.'"
Image of Able John wearing a mask. An image of John is printed on page 119 of Carter's book "From History's Locker," with the caption: "Able John, born at Ehahsitaht but now living at Gold River. A friendly happy man he carves authentic Nootka masks to supplement his the earnings."
Image of Able John wearing a mask. An image of John is printed on page 119 of Carter's book "From History's Locker," with the caption: "Able John, born at Ehahsitaht but now living at Gold River. A friendly happy man he carves authentic Nootka masks to supplement his the earnings."
Image is a portrait of a man wearing hooded furs and kayaking on a body of water. Wooden structures on the shore are visible in the background. Printed on the verso is the photographer information with the inscription "PHOTOGRAPHIE VON J. M. JACOBSEN ST. PAULI Hackhell's Passage 2te Bernhardstrasse 25 HAMBURG Gesetzlich deponirt. Brevete (S. G. D. G.) Registered." Around the border of the verso is printed " Neuer Pferdemarkt 13. KARL HAGENBECK'S THIERPARK HAMBURG". Handwritten inscription in pencil reads "Abraham in kayak".
Photograph of two women at the Big Market in Addis Ababa, Ethiopia in Fall 1971. The two women are wearing shemma cloth, a hand woven material ubiquitous in Ethiopia, but particularly in northern Ethiopia. Lorna R. Marsden purchased an example of a shemma cloth designed for special occasions during her travels which she later donated to the Museum of Anthropology in 2016. This image shows its typical and everyday use in the late 1960s and early 1970s in Ethiopia as a body and head wrap, wrap skirt and shawl.