Exhibitions, Special Projects, and Publications
- 152-A
- Series
- 2010 - 2021
Part of Anthony Shelton fonds
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Exhibitions, Special Projects, and Publications
Part of Anthony Shelton fonds
Part of Karen Duffek fonds
Series consists of records relating to exhibits Karen Duffek curated or was involved with in another capacity. The records span the entire breadth of the intellectual creation process, including research, funding, administrative concerns, exhibition design and installation, and publication. The series includes supplemental information about artists’ careers, correspondences, contracts, final reporting, publications relating to artists and the exhibitions, grant applications, educational exhibit materials, transcripts of interviews and public lectures, event planning, budgets, photographs, as well as exhibition publication development.
The series is arranged into 12 sub-series, each one relating to a specific exhibition:
Sub-series 2-A: Robert Davidson: “The Abstract Edge” (2004-2005)
Sub-series 2-B: Edgar Heap of Birds: “Wheel: Overlays” (2007)
Sub-series 2-C: Mike Nicholl [Yahgulanaas]: “Meddling in the Museum” (2007-2008)
Sub-series 2-D: Willy White: “My Ancestors are still Dancing” (2002-2004)
Sub-series 2-E: Bill Reid: “Gathering Strength” (2000-2004)
Sub-series 2-F: Multiplicity: A New Cultural Strategy (1993-1994)
Sub-series 2-G: Carl Beam Exhibit (2011)
Sub-series 2-H: Nicholas Galanin: “Raven and the First Immigrant” (2010)
Sub-series 2-I: Annie Ross: “Forest One” (2012)
Sub-series 2-J: “A Green Dress: Objects, Memory, and the Museum” (2011-2012)
Sub-series 2-K: Ishiuchi Miyako “ひろしま Hiroshima” (2011-2012)
Sub-series 2-L: Border Zones: New Art Across Cultures (2010)
Sub-series 2-M: Bill Reid: Beyond Essential Form (1986)
Sub-series 2-N: Anspayaxw (Satellite Gallery, 2013)
Sub-series 2-O: Cindy Sherman meets Dzunuk'wa (Satellite Gallery 2014)
Part of Director's fonds
Series consists of correspondence, memoranda, minutes, reports, handwritten notations, draft copies, financial reports, proposals, brochures, pamphlets, newspaper clippings, photographs, programmes, grant applications, agreements and other textual and graphic records related to Museum of Anthropology exhibitions and the planning of them. Includes Exhibits Committee records.
The series is divided into the following subseries:
A. General Files 1979-1983
B. Planning Files 1973-2010
C. Long-Term Exhibits Files 1971-1994
D. Temporary Exhibits Files 1976-2017
E. Borrowed Exhibits Files 1981-2008
F. Exhibits Loaned Elsewhere Files 1985
G. Non-MOA Exhibits Research 1988-1990
H. Exhibit Openings 1999-2014
Series consists of records pertaining to exhibitions at the Museum of Anthropology from the 1960s to the present day, including programming and events related to specific exhibitions. Material includes exhibition press releases, invitations, proposals, catalogues, and programmes. Records of this series are arranged into files for each represented exhibition, organized chronologically.
Part of Pam Brown fonds
Part of Fuyubi Nakamura fonds
The series consists of materials related to Fuyubi Nakamura's participation in the creation and operation of exhibitions. Currently this exclusively relates to records of the exhibit (In)visible: The Spiritual World of Taiwan through Contemporary Art/形(無)形-台灣當代藝術的靈性世界 (November 20, 2015 – April 3, 2016).
Part of Darrin Morrison fonds
Series consists of material related to Morrison’s role as a designer and involvement with the creation, planning and implementation of several exhibits at MOA. The designer’s role is to develop the overall physical presentation of the exhibit, and to determine how the exhibit can be an effective visual communicator. The designer develops ways of showing objects, graphics, and text that make up the exhibition.
The series is comprised of twenty sub-series corresponding to each exhibit that Darrin Morrison was involved in. Material consists of correspondence, exhibit catalogs, brochures, poster and invitation proofs, budgets, slides, copy and 35 mm negatives, floppy disks, project descriptions, postcards, artist histories, class schedules, artifact lists, floor plans, and display case dimensions.
Part of Nuno Porto fonds
Series consists of records related to exhibitions in which Porto was involved. Material includes planning documents, correspondence, meeting minutes, research, and promotional material.
Nuno Porto
Series consists of material relating to exhibitions mounted by the museum. Record forms in this series include correspondence, memoranda, notes, sketches, maps, newspaper clippings, insurance evaluations, inventories, ephemera, sketches, maps, receipts, plans and photographs.
The series is arranged into five subseries:
Subseries A: Loan Requests, Correspondence and Planning
Subseries B: Long-term exhibits
Subseries C: Temporary exhibits
Subseries D: Traveling Exhibitions
Subseries E: Loans in
Part of Rosa Ho fonds
Series consists of records relating to exhibition planning carried out by Rosa Ho in her capacity as Curator of Art and Public programmes. Included in the records are planning records for exhibitions, installations, and performances hosted by and produced in whole or in part by the Museum of Anthropology.
Records include correspondence, memoranda, financial records, artist lists, object lists, artifact descriptions, exhibition programs, hand written notes, exhibition announcements, designs for labels, photographs, transcripts, grant proposals, loan agreements, artifacts, newspaper clippings, photocopied scholarly articles, a grant application for the “Chilcotin War” project, a Musqueam weaving proposal, a telephone transcription, an audio cassette and exhibition proposals.
Part of Audrey Shane fonds
Series consists of correspondence and memoranda, reports, handwritten notations, draft copies, cue cards, comment book, photographs, negatives, contact sheets, slides, application grants specific to exhibitions and other textual and graphic records related to the preparation of exhibitions within the Museum.
Audrey Patricia Mackay Shane
Part of Carol Mayer fonds
Series consists of records relating to museum exhibits that were In House (MOA based exhibit displayed at MOA), Traveling In (exhibits from outside institutions), and/or Traveling Out (a MOA based exhibit that travels for exhibition outside of MOA). The records include correspondence, interdepartmental memoranda, loan agreements, exhibit receipts, exhibit proposals and forms, news releases, pamphlets, newspaper clippings, colour photocopies, display labels, negatives, slides, and photographs.
The records are divided into the following sub-series:
A Trapline Lifeline 1987-1992
B Beyond Revival 1988
C I Have Seen the Other Side of the World
Series consists of records related to the administration and realization of exhibits that Halpin organized at the Museum of Anthropology. Records include correspondence, memoranda, handwritten notes, draft copies, proposals, brochures, newspaper clippings, newsletters, loan forms, photocopies of photos and articles, photographs, negatives, contact prints, travel insurance slips, grant applications, reports, and budgets. Many of the files include research conducted on specific artists featured in various exhibitions as well as pictures of their works of art, gallery plans, rough drafts of labels, and bibliographies compiled for research purposes.
Part of Herb Watson fonds
Series consists of records generated during the preparation and documentation of exhibitions at the Museum.
James Herbert Watson
Part of Skooker Broome fonds
Series consist of records created, received, and/or used by Skooker Broome in his capacity as Designer. The records relate to planning, designing, and installing of various exhibits at the Museum of Anthropology. Series contain some or all of the following kinds of records: correspondence, notes, reports, exhibition records, photographic materials, multimedia formats, and administrative and financial records relating to Skooker Broome’s function as Designer.
The series is arranged into 23 subseries:
Subseries A: The Spirit of Islam: Experiencing Islam through Calligraphy
Subseries B: Exhibit A: Objects of Intrigue
Subseries C: Gallery 3 Exhibit
Subseries D: From Under the Delta Exhibition
Subseries E: Heredity: Heredity Chiefs of the Haida
Subseries F: Katagami: Gift Wrap on Recycled Paper
Subseries G: Victor Shaw Collection
Subseries H: Lyle Wilson: When Worlds Collide
Subseries I: Eulachon: A Fish to Cure Humanity
Subseries J: Anth. 302 – Anthropology of South Asia – Student Exhibit
Subseries K: Gulf of Georgia Cannery National Historic Site, B.C.
Subseries L: Maya Exhibit
Subseries M: Safar/Voyage: Contemporary Works by Arab, Iranian and Turkish Artists
Subseries N: Paradise Lost? Contemporary Works from the Pacific
Subseries O: Anspayaxw: An Installation For Voice, Image, and Sound
Subseries P: Speaking to Memory: Images and Voices from St. Michael's Residential School
Subseries Q: The Marvellous Real: Art from Mexico, 1926 - 2011
Subseries R: Without Masks: Contemporary Afro-Cuban Art
Subseries S: Claiming Space: Voices of Urban Aboriginal Youth
Subseries T: c̓ əsnaʔəm: the city before the city
Subseries U: Heaven, Hell and Somewhere In Between: Portuguese Popular Art
Subseries V: “Don't give it up!” The Lives and Stories of the Mabel Stanley Collection
Subseries W: Pigapicha! 100 Years of Studio Photography in Nairobi
Part of Margaret Stott fonds
Series consists of numerous sub-series: Raven Sculpture Exhibit, Air Canada Exhibit, Hospital Exhibit, Dowries from Kutch Exhibit, Echo Dance Exhibit, Students’ Exhibit, Teaching Exhibit, Potlatch Exhibit, Open House Exhibit, Touchables Exhibit. The series includes correspondence, drafts and final exhibit labels and captions, memorandums, records of acquisitions for exhibits, brochures, business cards, meeting minutes, information, draft evaluations, descriptions and depictions of exhibit display cases, printed background information, press clippings, agendas, and schematic of tour route. Photographs document the 1977 MoA exhibit for the visually impaired.
Part of David Cunningham fonds
Series documents Cunningham’s responsibilities as exhibits designer, and consists of records related to the planning and implementation of various exhibits since the late 1980s. In addition to his role as designer, Cunningham has also been involved in producing exhibit proposals; assisting with travelling exhibits; and developing exhibition policies and guidelines. Records include artists’ statements and artwork; banners; calligraphy; case lists; contact prints/proofs; contracts; correspondence; exhibition catalogues; exhibition panels; exhibition proposals; exhibition text; guidelines; invitations; labels; loan agreements; measurements; memoranda; minutes; negatives; object lists; photographs; photocopy of artworks; plans; policies; reports; schedules; and sketches.
The records are divided into the following sub-series:
A Guidelines 1992-1994
B Long-term installations [ca. 1992]-2000
C Proposals 1988-1996
D Schedules 1991-1993
E We Sing to the Universe: Poems and Drawings by Ron Hamilton [1994]-1994
F Fragments: The E. Sonner Donation of African Sculpture 1990-1991
G A Coat of Many Colours: Two Centuries of Jewish Life in Canada 1990-1991
H Ancient Cloth / Ancient Code? 1990-1992
I Savage Graces: After Images by Gerald McMaster 1990-1993
J A Rare Flower: A Century of Cantonese Opera in Canada 1989-1997
K Inside Passage: 1792 1993
L Multiplicity: A New Cultural Strategy 1989-[ca. 1993]
M Cannery Days: A Chapter in the Lives of the Heilsuk 1993-1994
N High Slack: An Installation by Judith Williams 1992-1994
O Reclaiming History: Ledger Drawings by Assiniboine Artist Hongeeeysa 1993-1995
P Trapline Lifeline 1990-1992
Q Our Chiefs and Elders: Photographs by David Neel, Kwagiutl 1989-1990
R Festival Hong Kong: Possessions from the Past: Objects from a Lifetime of Change and Contrasts: Hong Kong’s New Territories in the 20th Century 1991-1992
S Nunavutmiutankik Elisasiniq: A Tribute to the People of Nunavut 1998-1999
T Travelling exhibits 1990-1991
U Gathering Strength: New Generations in Northwest Coast Art [199-?]-2004
V Continuing Traditions: Coast Salish Basketry 2000-2001
W Musqueam Weavers 1999-2000
X Haida Metalwork [1999?]-1999
Y Kaxlaya Gvilas [200-]-2002
Z Proud to be Musqueam 1991-1993
AA Repatriation 2000-2002
BB To Wash Away the Tears 2002-2003
CC Artifacts 1995-[ca. 1996]
DD The Abstract Edge: Recent Works by Robert Davidson 2001-2005
EE Mehodihi: Well-Known Traditions of Tahltan People [200-]-2003
FF Connoisseur’s Collection: Chinese Ceramics from the Victor Shaw Donation 2000-2002
GG Written in the Earth 1993-2002
HH Recalling the Past: Early Chinese Art from the
Victor Shaw Collection 1997-1998
II Maui: Turning Back the Sky: Exhibition of Contemporary
Hawaiian Art 1996-1997
JJ El Corazon Del Mundo: At the Heart of the World
La Sierra Nevada de Santa Marta, Colombia 2002
KK The Art of Norval Morrisseau 1999-2000
LL Without Masks: Contemporary Afro-Cuban Art 2014
MM Safar/Voyage: Contemporary Works by Arab, Iranian and Turkish Artists 2013
NN The Smart One video
OO Luminescence: the Silver of Peru 2012
PP Inuit Prints and Drawings: Selections from the Permanent Collection 1988-1989
QQ Carl Beam 2011
RR Man Ray, African Art and the Modernist Lens 2010-2011
SS Jack Shadbolt and the Coastal Indian Image 1986
TT Speaking to Memory 2013
UU One Mind, One Heart 2013
VV Hiroshima 2011-2012
WW Mungo Martin: A Slender Thread 2004
XX "Pasifika: Island Journeys” - The Frank Burnett Collection of Pacific Arts 2003-2004
YY Exhibit unknown
ZZ: Recent acquisitions 2005
Part of Hindaleah (Hindy) Ratner fonds
Series reflects the planning and organization of group excursions to cultural sites in British Columbia such as K’san and Alert Bay and internationally, such as Sri Lanka.
Hindaleah Ratner
Part of MOA Shop fonds
Part of Wilson Duff fonds
Textual records, porcupine quills, dried leaves, brochures and other materials which do not clearly fall into existing categories.