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Series consists of slides representing the inventory of Central Coast Salish art photographed by Dr. Kew during his visits to various North American museums and the British Museum in preparation for the exhibition Visions of Power Symbols of Wealth: Central Coast Salish Sculpture and Engraving. The images illustrate a wide variety of traditional art objects including masks, adzes, spindle whorls, mat creasers, and totems poles, as well as various jewelry, instruments, and utensils. The series also includes two volumes of the Central Coast Salish Computerized Art Inventory, which provides a detailed physical description of each art object.

Series consists of textual records and photographs related to funding received by the Public Relations and Communications Office and the Museum of Anthropology. Includes records related to public relations budgets, campaigns to raise funds for the museum, grants and trusts applied for or received by the museum, as well as records regarding sponsorship by Corporate Friends of the Museum and museum members.

The series has been divided into the following sub-series:

A. Public Relations budget files, 1981-1989
B. Fundraising files, 1985-1986
C. Grants and trusts files, 1983-1985
D. Corporate Friends of the Museum files, 1981-1986
E. Museum of Anthropology membership files, [198-]-1989

Series consists of textual records, photographs, and other graphic material related to the advertising and promotional activities of the Public Relations and Communications Office, as well as its function as liaison with the media and its use of various forms of media to communicate with the public. Includes records relating to Museum of Anthropology advertisements and publicity, as well as records related to the Office’s media contacts and relations, television and film projects filmed at the museum, as well as records related to the production and distribution of Museum of Anthropology publications.

The series includes the following sub-series:

A. General media activities files, 1975-2014
B. Proposal files, 1977-1985
C. Coupon book and museum passes promotion files,1983-2014
D. Tourism related promotions files,1980-2015
E. Television and film files, 1981-2012
F. Museum publications files, 1981-2004

Series consists of records related to the research and composition of the W. and M. Koerner collection catalogues.

This series consists entirely of graphic materials. While the materials are not accompanied by any contextual information, it can be assumed that the images found in this series were taken by Ruus on various trips. Specifically this photographic documentation examines textiles from China, Macedonia, Croatia, Slovakia, the Circum-Polar region, India, the South Western United States, South America, the Middle-East and Europe. Record forms included in this series are slides, photographs, and memoranda.

This series consists of records collected for a research project, which involved documenting the Northwest Coast objects within German museums. In June of 1989 Duffek went to Berlin to photograph a portion of the collection of Northwest Coast artifacts collected by Johan Adrian Jacobsen from 1881-1883. This collection is predominantly at Berlins Museum Für Völkeskunde (now called the Ethnologiesches Museum Berlin, Staatliche Museen zu Berlin Preussischer Kulturbesitz). On this trip, she also visited the Hamburg Museum fur Volkerkund, Museum fur Nolkerkunde in Lubeck, the Nationalmuseet in Kopenhagan, and the Statens Ethnografiska Museum in Stockholm. Marjorie Halpin got a UBC research grant and hired Duffek as a research assistant although Duffek initiated the project itself. The series consists of notes, slides, contact sheets and negatives for the project.

Series consists of records relating to exhibition planning carried out by Rosa Ho in her capacity as Curator of Art and Public programmes. Included in the records are planning records for exhibitions, installations, and performances hosted by and produced in whole or in part by the Museum of Anthropology.
Records include correspondence, memoranda, financial records, artist lists, object lists, artifact descriptions, exhibition programs, hand written notes, exhibition announcements, designs for labels, photographs, transcripts, grant proposals, loan agreements, artifacts, newspaper clippings, photocopied scholarly articles, a grant application for the “Chilcotin War” project, a Musqueam weaving proposal, a telephone transcription, an audio cassette and exhibition proposals.

Series consists of records pertaining to the Museum of Anthropology’s collections and to legal issues surrounding the housing of cultural artifacts. Areas of focus include records on Chinese cultural property guidelines and the Shaw Collection, Inuit art and discussions on ownership of Archeological materials.
Records include minutes, email print outs, newspaper clippings written in Chinese characters, transcriptions of First Nations’ myths and legends, object lists, interview transcriptions, scholarly articles, correspondence, handwritten notes, consultation service forms, agendas, reports, audio cassettes and a b&w photograph.

The Volunteer Associates was formed in 1976, as a programme of volunteers at the Museum of Anthropology. On March 15th of that year, 16 members of a steering committee began the process of organizing the volunteer group. By April 1976, 34 members in total participated in their general meeting. In 1977, the Volunteer Associates enacted an official policy. They are a self-administered organization, designed to provide assistance and services to the museum and its staff. The Volunteer Associates is made up of various committees, whose members work with a committee head. The committee head, in turn, coordinates activities with a museum staff member.
Series consists of charter, correspondence, memorandums and minutes of meetings relating to the creation of the Volunteer Associates.

The Volunteer Associates was formed in 1976, as a programme of volunteers at the Museum of Anthropology. On March 15th of that year, 16 members of a steering committee began the process of organizing the volunteer group. By April 1976, 34 members in total participated in their general meeting. In 1977, the Volunteer Associates enacted an official policy. They are a self-administered organization, designed to provide assistance and services to the museum and its staff. The Volunteer Associates is made up of various committees, whose members work with a committee head. The committee head, in turn, coordinates activities with a museum staff member.
Series consists of charter, correspondence, memorandums and minutes of meetings relating to the creation of the Volunteer Associates.

Series consists of photographs documenting Northwest Coast artists and their work throughout the 1970s and 1980s

Jensen first began to photograph works of art for Bud Mintz around 1973 when he was working for Langara College. Before he opened his gallery she would go to the College to photograph the jewellery and art he had for sale. Often the pieces had been purchased and he wanted to document what he had sold. Once he opened his gallery of Indigenous art in South Vancouver, Jensen would go to the gallery to take pictures.

Through her work with Bud Mintz Jensen met many Northwest coast artists, both Indigenous and non-Indigenous. As she developed relationships with many of these artists, she documented them and their work.

Some of the later photographs of artists were taken to accompany articles and other work that Jensen was doing at the time.

Series contains graphic materials created by E. F. Meade, L. M. Greene, Dr. Akladakov (?), Arthur Goodland, Louis Poitras, Dick Pattinson, C. Gades, Dr. Foskett, and Morley Raven, and collected by E. F. Meade while documenting and studying petroglyphs and pictographs in the West Coast.
Series also contains some graphic materials documenting petroglyphs outside of Canada, including the United States of America, Russia, Scotland, and Guyana.

Series consists of reports, memos, correspondence and minutes relating to the Ways and Means Committee.

Series consists of records pertaining to negotiations and discussions between the Museum of Anthropology and British Columbia First Nations’ peoples. Records include correspondence, photographs, transcriptions, notes, proposals, a permit, minutes, articles, reports, memorial service cards on Edward Sparrow Sr. and on Edna Suzanne Grant, education and curriculum development reports, reports on the Musqueam territory and its people, a copy of the Nisga'a Treaty and repatriation information, a transcription of a First Nations’ story of The One Horned Goat at TDA’IM’LAX’AMID/The Dolly Watts Story, a drawing and photograph of the Osaka sculpture, a contract outlining artwork negotiations between the Museum of Anthropology and British Columbia First Nations artists, the Baker Lake Arts Symposium, an audio recording of an interview with Roberta Kennedy and a report written by Robin Lawrence on A Westcoast Dance Screen: First Nations Perspective.

Series consists of records pertaining to the operations of the Volunteer Associates and to the Anthropology Shop Volunteers. Also included are records relating to education programming.
Series contains training guidelines, bibliographies, newspaper clippings, gallery- guided walk instructions, curriculum development records, exhibit pamphlets, correspondence, photocopies of scholarly articles, handwritten notes, course agenda, evaluation reports, tape cassettes, and training session reports.

Series consists of records relating to Rosa Ho’s relations with individuals, organizations, and associations external to the Museum of Anthropology. Series contains correspondence, memoranda, newspaper clippings, photographs, publication drafts, conference records, and object lists.