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Photograph of two house posts being carved in a carving shed in Alert Bay, BC. Four people, including Henry Speck, can be seen working on the poles. A child is watching.

Photograph of Henry Speck carving a house posts for a Bighouse in a carving shed in Alert Bay, BC.

Image of a totem pole in Montreal, carved by Henry Hunt. This is likely one of the poles that he carved for Expo 67. The pole is seen at night, lit up from below.

Series of Haida Mortuary poles from SGang Gwaay photographed by Charles F. Newcombe in 1901. The third pole from the left was taken down in 1957 and held at the University of British Columbia and the Museum of Anthropology. In 2009 it was taken down from the Great Hall in the Museum of Anthropology and placed into massive carving storage in preparation for repatriation to the Haida nation.

Series of Haida Mortuary poles from SGang Gwaay photographed by Charles F. Newcombe in 1901. The third pole from the left was taken down in 1957 and held at the University of British Columbia and the Museum of Anthropology. In 2009 it was taken down from the Great Hall in the Museum of Anthropology and placed into massive carving storage in preparation for repatriation to the Haida nation.

Image of old totem poles or carved posts in the village of Gwayasdums on Gilford Island, BC.

Image of a totem pole by Gilford Island carver Sam Johnson. The pole depicts the Eagle and "Tzonqua." A picture of Johnson with this pole is printed on page 54 of Carter's book From History's Locker.

Image of the upper part of an old totem pole at Kingcome Inlet.

This large group portrait includes men, women and children in both native and western dress. A priest stands on the far right of the image copy; structures and a totem pole stand in the distance.

Men preparing to lower the grizzly bear pole at T'aanuu Llnagaay. The pole was removed by the B.C. Totem Pole Preservation Committee and cut into four sections. It has since been displayed at UBC and at the Museum of Anthropology in these four sections.

Totem poles in the Great Hall at the Museum of Anthropology.

Totem poles in the Great Hall at the Museum of Anthropology.

Governor General Roland Michener and his wife Norah pose with a short totem pole. Trees and buildings are visible in the distance. Totem pole appears similar to a pole attributed to Arthur Shuaghnessy that was raised for Kamdatsa (Mrs. Tom Patch) of Village Island or New Vancouver, a woman who lived to be over 100 years old. That pole was eventually raised on her grave. This print appears to be a duplicate of item a033223a.

Governor General Roland Michener and his wife Norah pose with a short totem pole. Trees and buildings are visible in the distance. Totem pole appears similar to a pole attributed to Arthur Shuaghnessy that was raised for Kamdatsa (Mrs. Tom Patch) of Village Island or New Vancouver, a woman who lived to be over 100 years old. That pole was eventually raised on her grave.

Image of totem pole carved by George Hunt Sr. The pole is now part of the museum's collection.
This pole was originally carved for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters". The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.