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Part of Stanley E. Read fonds
Image depicts a totem pole erected in a farming area. It stands behind a rail fence and in front of a wooden barn. Read's notes state: "The Owl, or Grave-of-Gurhsan, form representation of the mythic owl. The pole dates from about 1913, was carved by Arthur Wilson, of Larksail phratry."
Pole in storage shed, Dr. Ames
Part of Harry B. Hawthorn fonds
Image of totem poles in the storage shed at the Museum of Anthropology. The image may have been taken by former MOA director Michael Ames.
Part of Virginia Kehoe fonds
Image depicts Doug Cranmer carving a pole using an adze.
![Pole at Totem Bite [Bight], Ketchikan, Alaska](/uploads/r/null/d/b/5/db5e6d85c62918a8d63493be8204b917df00c4d338a8eed44b919aa3ba0c5ed9/a040165c_142.jpg)
Pole at Totem Bite [Bight], Ketchikan, Alaska
Part of E. Polly Hammer fonds
Part of Virginia Kehoe fonds
Image depicts a carver, possibly Godfrey Hunt, working on a partially carved totem pole. Depicted images include a Thunderbird and a figure holding a copper. This may be the St. Catherines. Ontario Centennial Confederation pole, carved in 1967.
Piece of totem pole in museum (?)
Part of Anthony Carter fonds
Image of a piece of on old totem pole, sitting on a block. It appears to be located in a museum, possibly the Museum of Anthropology at the University of British Columbia.
Anthony Carter
Part of Robert Reford fonds
Item is an image of a group of people sitting for the photograph. Other people, buildings, and totem poles are visible in the background. According to annotations, photograph was taken in G?aw (also known as Old Massett) in the Haida Gwaii archipielago
Part of Robert Reford fonds
Item is an image of a group of people by a building and a totem pole, other buildings and poles visible in the background. According to annotations, photograph was taken in G?aw (also known as Old Massett) in the Haida Gwaii archipielago
Partially carved totem pole draped in tarps
Part of Virginia Kehoe fonds
Image depicts a partially carved pole draped in tarps. A building is visible behind the pole.
Part of Virginia Kehoe fonds
Image depicts a partially carved totem pole resting on the ground. Doug Cranmer is visible in the lower left corner of the image; another carver works on the pole. A can of paint is visible, but not in use.
Part of Virginia Kehoe fonds
Image depicts Doug Cranmer in the early stages of carving a totem pole. Cranmer squats on one side of the pole while another man stands on the opposite side.
Part of Virginia Kehoe fonds
Image depicts a partially carved totem pole resting on the ground.
Part of Virginia Kehoe fonds
Image depicts a partially carved totem pole lying on the ground. One end of the pole has had rough cuts made; the other end still has bark.
Part of Virginia Kehoe fonds
Image depicts three carvers working on a totem pole. The centre carver is Doug Cranmer; the man on Cramner's right may be Godfrey Hunt. A woman works, possibly sanding, image right.
Part of Virginia Kehoe fonds
Image depicts a carver working on a partially carved pole. The pole is lying on the ground outside.
Part of Virginia Kehoe fonds
Image depicts a partially carved pole.
Part of Virginia Kehoe fonds
Image depicts Douglas Cranmer painting a totem pole which is outside.
Part of Virginia Kehoe fonds
Image depicts painting a totem pole. A woman paints in the foreground; Doug Cranmer stands at the other end of the pole.
Part of Virginia Kehoe fonds
Image depicts a carver, possibly Godfrey Hunt, painting a totem pole. 1960s vintage cars are visible in the background.
Part of Virginia Kehoe fonds
Image depicts a nearly completed totem pole outside. A can of black paint is visible on the path. This pole may be the St. Catharines Ontario Centennial pole carved in 1967.