An close-up image of a person holding a wooden ceremonial mask. According to the documentation included with the filmstrip, the description of the image states "A very old ceremonial mask used at potlatches."
Item is a hand-tinted glass lantern slide of twenty children and one adult holding house pennants with the names "Robins" and "Ravens" and shields in front of a building. Item is a duplicated of item no. S7-60, fonds 008 Missionary Society of the Church of England in Canada (MSCC) fonds, from the Anglican Church of Canada General Synod Archives. According to description from the Anglican Church of Canada General Synod Archives, Ravens (senior girls) and Robins (junior girls) pose with the shields won in intramural competition. The Anglican Church established a day school at its mission in Alert Bay, British Columbia in 1878. It opened a small boarding school there in 1882 and an industrial school in 1894. In 1929, a new building was constructed. The school was known for the arts and crafts produced by the students and the two large totem poles in front of the school building. In 1947, two-dozen children ran away from the school. The subsequent investigation into conditions at the school led to the resignation of both the principal and the vice-principal. By 1969, when the federal government assumed administration of the school, all residents were attending local schools. The residence closed in 1974. (National Centre for Truth and Reconciliation)
Item is a hand-tinted glass lantern slide of nine children in costumes in front of a building. Based on the original order of the collection, photograph might have been taken in Alert Bay.
Item is a hand-tinted glass lantern slide of the inside of a building with two house posts. Based on the original order of the collection, photograph might have been taken in Alert Bay.
File contains a combination of historical and modern day images of canoes used by First Nation groups living on the Northwest Coast. The historical images contain images of village life and uses of the canoe in a historical context. The modern day images show canoes housed in various museums in Canada and the United States. The textual records contained in this file are photocopies of images of canoes, both from historical photographs and of modern day photographs.
File consists of photographic prints depicting Oweekeno cultural objects from other institutions. Many of the prints are annotated with handwritten, stamped, or typed information about the contents of the images or their original repositories. The contents of this file were used to create object labels for MOA Object ID A50006 in MOA's Great Hall.
Image of a bear shaped interior house post. This appears to be a house post that was transferred from Hope Island to the Museum of Anthropology in 1956.
Image of two old house posts on Hope Island, BC. The post on the right appears to be the same as a post now housed at the Museum of Anthropology, that was collected from Hope Island in 1956. Both posts feature a human figure with large eyes. On one post, the figure is holding a small face near its waist. On the other post, the figure is holding what appears to be an animal of some kind. The Museum of Anthropology's website provides the following description of the posts: "The posts of the unfinished house of Ha'm'cit were carved by a man from Smith Inlet called Si.wit who moved to Xu'mtaspi and married Tom Omhyid's mother. Ha'm'cit died before the house was finished. (Information provided to Prof. Wilson Duff by Mungo Martin). The artist's potlatch name was P'aczsmaxw. Wayne Suttles places the Xu'mtaspi village as Nahwitti, in historic times, however it was occupied jointly by the Nahwitti, the Yalhinuxw, and the Noqemqilisala (of Hanson Lagoon)."
Image of a section of a totem pole, featuring a beaver, on Anthony Island, Haida Gwaii. This appears to be a pole now housed at the Museum of Anthropology (museum item #A50013). This museum item has the following description: "Base section of a wooden totem pole, crescent shaped in cross section and carved in shallow and deep relief. Depicted is a seated beaver with one potlatch ring between erect ears; protruding upper incisors; raised forepaws and hind paws grasping chewing sticks. Below its rectangular shaped crosshatched tail is a human face with large circular eyes. Traces of blue in eye sockets and around nostrils... Beaver was one of crests owned by the lineage of Chief Ninstints (Tom Price), 'Those Born Up the Inlet', of the Eagle moiety... Remainder of pole, except top figure, burned when the village was burned in 1892 by the Koskimo and the crew of a sealing schooner. ."
Image of an old house post on Anthony Island, Haida Gwaii. This appears to the same as a post now housed at the Museum of Anthropology. This museum item is decribed as follows: "The lower section of a totem, crescent shaped in cross section, carved in shallow and deep relief. From top to bottom: bear with protruding tongue and raven on body, kneeling on head of unknown creature... Figures probably from historical narratives owned by lineages of house owner and wife. Grizzly bear was a crest of the lineages of the 'Striped Town People' and 'Sand Town People' of the Raven Moiety, to one of which the husband may have belonged. The supernatural Snag was also a crest of the 'Striped Town People'. Human arms of the raven or cormorant may indicate ability to transform from animal to human."
Image of a house post on Anthony Island, Haida Gwaii. This appears to be a post now housed at the Museum of Anthropology (museum item #A50016). This museum item is described as follows: "Totem, crescent shaped in cross section, carved in shallow and deep relief. From top to bottom: human with hands at right angles and fingertips touching. The arms are folded with the elbows resting on squared ears of figure below. Enclosed within this frame is a small human/hawk face with beak, surmounting the head, shoulders, and forepaws of an emerging bear cub. At the base is a bear from whose ears frogs look downward. The bear has curled nostrils; upturned mouth, raised forearms with five fingers folded over each palm, small human face between forearms... Stood at centre of back wall inside house called 'Raven House', belonging to the lineage of the'Sand Town People' of Raven moiety of Kunghit Haida. MacDonald lists it as house number 17... Pole standing when collected...Figures are crests belonging to the lineage of the owners of the house, the 'Sand Town People' of the Raven moiety. They may also refer to the Bear Mother myth."
Image of artist Bill Reid standing in the remains of a house on Anthony Island. Reid is at a slight distance from the camera, seen in silhouette standing at either the front or rear of the structure. A note, possibly written by Audrey Hawthorn, accompanies this slide. See item a039485 in this file for this note.
