Some Bill Reid clippings, died March 14, 1998
- 122-03-24
- Dossiê
- 1998
Parte deHilary Stewart fonds
85 resultados con objetos digitales Muestra los resultados con objetos digitales
Some Bill Reid clippings, died March 14, 1998
Parte deHilary Stewart fonds
Subseries contains three files consisting of records related to the Bill Reid symposium which was titled “The Legacy of Bill Reid: A Critical Enquiry”. The records comprise planning of the symposium, research done after the symposium on related topics, and McLennan’s presentation.
Interviewees include:
Jim Hart (2 tapes)
Dorothy Grant
Terry Starr
Susan Point (re: [Time])
Norman Tait
Alexander Peters
Rita Barnes (re: feast dishes MOA's Great Hall, 2 Dec. 2002)
Glen Tallio
Robert Davidson
Dempsey Bob (2 tapes)
William White (2 tapes)
Stolo
Doreen Jensen
Richard Sumner (28 January 1997)
David Gladstone
Tim Paul
Richard Hunt (re: Shark mask)
Cryl Carpenter
Russell Smith
Bill Reid
Leona Sparrow
Alfred Scow
Masterworks by Haida Artist Bill Reid
Parte deJoi Carlin fonds
Image features a profile view of Bill Reid using a traditional, well-sharpened tool, called adze to cut away the outer the sap wood of a log. The blurred profile view of a second person appears on the far right hand side of the photograph.
Bill Reid and Norman Tait handshake
Parte deJoi Carlin fonds
Image features Bill Reid shaking hands with Norman Tait in front of the canoe log.
Parte deRonnie Tessler fonds
Image is of Bill Reid using adze to make his first cut. Doreen Jensen and unidentified persons stand behind him, watching the process.
Parte deRonnie Tessler fonds
Image is of Rob't Tait holding box of oranges that he offers to an unidentified person and Bill Reid as refreshments.
Parte deJoi Carlin fonds
Image features a profile view of Bill Reid using a traditional, well-sharpened tool, called adze to cut away the outer the sap wood of a log. The adze appears blurred as he is about to strike the log.
Parte deJoi Carlin fonds
Image is of Bill Reid standing in front of the canoe log and delivering his address at the welcome ceremony.
[Bill Reid, Doreen Jensen and guests post-ceremony]
Parte deRonnie Tessler fonds
Image is of Doreen Jensen and Bill Reid conversing, post-ceremony. Unidentified persons mill about near table with cedar bark. Bill McLennan far right.
Parte deRonnie Tessler fonds
Image is of Bill Reid using adze to make his first cut. Unidentified persons stand behind him, watching the process.
[Doreen Jensen, Bill Reid and guests]
Parte deRonnie Tessler fonds
Image is of Doreen Jensen and Bill Reid conversing with unidentified persons near canoe log.
Parte deRonnie Tessler fonds
Image is of Moya Waters, Bill Reid and Bill McLennan and unidentified persons consuming refreshments and conversing. Ron holds box of oranges in background.
Parte deJoi Carlin fonds
Image is of Bill Reid standing in front of the canoe log with Norman Tait at the very left of image.
The fonds consists of photographs documenting the welcome ceremony that occurred in February 1987 for the canoe project by Nisga’a carver Norman Tait. The Museum of Anthropology appears in the background of multiple pictures in which spectators can be seen gathered for the 1st cut ceremony of the canoe log. Norman The event included speeches as well as ceremonies and performances by Norman Tait and his close relatives. Joe David, Reva Robinson, and Bill Reid are among the other notable individuals that appear in these images.
Bill Reid in front of canoe log
Parte deJoi Carlin fonds
Bill Reid appears blurry as he stands in front of the canoe log with Norman at the left side of image.
Bill Reid at the welcome ceremony
Parte deJoi Carlin fonds
Image is of Rob't, Mercy, Norman, and Bill Reid during welcome ceremony. Bill Reid is speaking with folded notes in his hands. Mercy holds an umbrella while Norman holds a paddle.
Parte deJoi Carlin fonds
Image is of Bill Reid holding a piece of paper during his address at the welcome ceremony.
Bill Reid: Beyond the essential form
Subseries contains the booklet produced as part of the Museum Notes program at the Museum of Anthropology titled Bill Reid: Beyond the Essential Form written by Karen Duffek.