Showing 591 results

View from the shore of lake with mountains in the distance. Several canoes are visible on the lake; many people can be seen walking toward the lake.

View from the shore of lake with mountains in the distance. Many people and horses are visible near the lake shore.

View from the shore of lake with mountains in the distance. Four canoes are visible on the lake; several people can be seen walking on image left and lower center.

Distant view of many individuals on horseback. A large building stands behind the riders, as well as trees and mountains in the distance.

View of two government buildings flying Canadian and British Columbia flags. Buildings are surrounded by a fence and a group of people stand on the left side of copy print. Along the right side of the copy print, individuals on horseback can be seen. Mountains and trees appear in the background.

View of a government building displaying both the Canadian and British Columbia flags. People on horseback are visible copy right; other people are visible copy left. Mountains and trees can be seen in the background.

Four men in native clothing sit astride horses and appear to be in motion, moving toward the left side of the copy print. Other horses are visible in the background.

This view depicts a woman standing next to a tipi-like tent structure in the mountains. A table stands in front of the tent. A clothesline can be seen on the left side of the copy print. Trees and mountains surround this open area.

This view depicts a cleared area with many downed logs in the foreground. A line of tents can be seen in the distance with trees in the background.

This view depicts a bridge across a body of water with mountains in the distance. The bridge appears to be only partially completed.

Image is a posed portrait of a woman wearing what appears to be a Coast Salish woven cedar hat and carrying a basket of clams on her back. In the lower righthand corner of the image is a handwritten inscription which reads "Victoria B.C. Clams". Photographer information printed on verso with the inscription "Mrs. R. Maynard, Photographic Artist, And Dealer in all Kinds of PHOTOGRAPHIC MATERIALS. Stereoscopic and Large Views of British Columbia and Vancouver Island for sale. Corner of Douglas and Johnson Sts, VICTORIA, B. C."

Fonds consists of records relating to the numerous culture and language projects that Powell and Jensen worked on since 1976. The communities with which they worked include:
• The Quileute of La Push
• The Kwakwaka’wakw of Alert Bay
• The Gitxsan of Kispiox, Gitanyow, and surrounding villages
• The Nuu-chah-nulth of Vancouver Island
• The Musqueam of Vancouver
• The Seton Lake St'at'imc (Lillooet) of Shalalth
• The Shuswap of Alkali Lake, Soda Creek, Dog Creek, Canim Lake, and Sugar Cane
• The Haisla of Kitamaat
• The Nisga’a of Gingolx (Kincolith) and New Aiyansh

Most of the projects had an end goal to produce a book, language education materials, or teacher training materials. Often the education materials incorporated cultural lessons throughout. The records created in the production of the books are varied and reflect the intrinsic connection between language, culture, and daily activities in the communities. Powell and Jensen were co-editors for nearly all of the language books and materials produced. Although some of the projects reflected in the records were done primarily by Powell or primarily by Jensen, the vast majority of the work involves collaboration between the two in some aspect. As Jensen and Powell immersed themselves in the communities they worked for, often their personal photographs and records are interspersed with those relating to their work. This community involvement enhanced their relationships with the people with whom they were working and allowed them to experience and participate in cultural activities as part of those communities. This close relationship is reflected in and is integral to their work. Jensen and Powell have two sons: Nels, born in 1978, and Luke, born in 1981. Their sons travelled with them to the communities in which they worked and lived, and on their work trips and sabbaticals. Nels and Luke are also present in many of the photographic records.

The records contain a mixture of research, field notes, administrative records, and publications at various stages, in addition to audio and visual records. Field notes, for the most part handwritten, and archival research into language and culture groups was undertaken by Powell, whilst the majority of the photography, found in a variety of formats, was done by Jensen. Manuscripts and final publications were a combined effort and are included at various stages. Administrative records, including grant proposals, are found throughout.

Fonds consists of 13 series of records. Series are arranged according to community and/or project, and include:

1. Quileute
2. Chinook Jargon
3. Kwak’wala (U’Mista)
4. Gitxsan
5. Nuu-chah-nulth
6. Salishan
7. Shuswap
8. Haisla
9. Tait
10. Northwest Coast artists
11. Northwest Coast groups
12. UBC totems/events
13. Publications

Image of the Vancouver International Airport Musqueam Welcome Area. The image may have been taken at the opening celebrations.

Image depicts two poles standing in an open area. The front pole features a human-like creature on visible portion. The back pole also includes a human figure at the bottom with an owl on top. The figures on the bottom may be crest figures (Leading In or Halfway Out) or a Man of the Wild. Read's note suggests that one of these may be a Pole of Hrkyadet at Kispiox.

An image of a drawing by the Kyuquot Elementary School children titled "Trolling for salmon on Denice M".

Image depicts a transformation mask created by artist Stan Wamiss (Kwakwaka'wakw) installed at the Vancouver International Airport.

Item is a series of two photographs showing the rooftops of houses and a totem pole in the foreground. The pole is known as the Nispiq Pole. It belonged to Chief Simon Walkus, Sr. and tells of the origins of the Wuikinuxv people.

Image depicts a short totem with a bear at the base, an uncarved portion, and a smaller animal at the top. The bear is noteworthy because of its realistic style.

Image depicts external view of a building, mortuary poles, and house posts in Masset, B. C. A bear sits atop the mortuary or memorial pole in the foreground. This may have been a mortuary figure with a receptacle in the side to receive a box of ashes or a child

Totem poles and houses said to be at Skedans. This image may be from a book by Marius Barbeau or Edward Linnaeus Keithahn.