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Portrait of Chief Dan George in traditional dress, holding a hand drum. The North Shore mountains are visible in the background.

Portrait of Chief Dan George, taken outdoors.

Portrait of Chief Dan George, holding a carved pipe and staff. This same image, or a similar one, is printed on page 13 of Carter's book Abundant Rivers.

Portrait of Able Derek, Nisga'a. A similar portrait of him is printed on page 136 of Carter's book Abundant Rivers, with the caption: Abel Derek at Gitlakdamix, now called Old Aiyanch 'I am just a common man.'"

Portrait of David Gunanoot, Chief of Gitxen. A similar portrait of him is printed on page 107 of Carter's book Abundant Rivers.

Image of the hands of an older Stl'al'lmx woman on the Mount Currie Reserve near Pemberton, BC.

Image of totem pole carved by Charles James.

The pole was re-adzed and re-painted by Kwakwaka'wakw carver Mungo Martin before shipping to UBC in 1947. Repainted and repaired by Ellen Neel (1949) and by Mungo Martin (1950-51). It stood at Totem Pole Park, UBC Campus until it was re-located to the Museum's Great Hall ca. 1976.

Image of two argillite carvings by Claude Davidson, located at the Museum of Anthropology at the University of British Columbia.

Items from the Museum of Anthropology including house posts, feast dishes, a bentwood box, and model totem poles, on display in Montréal for the Northwest Coast exhibit for "Man and His World".

Items from the Museum of Anthropology including house posts, feast dishes, a bentwood box, and model totem poles, on display in Montréal for the Northwest Coast exhibit for "Man and His World".

A bentwood box, mask, spoons and other items on display in Montréal for the Museum of Anthropology's Northwest Coast exhibit for "Man and His World".

Fonds consists of records relating to the numerous culture and language projects that Powell and Jensen worked on since 1976. The communities with which they worked include:
• The Quileute of La Push
• The Kwakwaka’wakw of Alert Bay
• The Gitxsan of Kispiox, Gitanyow, and surrounding villages
• The Nuu-chah-nulth of Vancouver Island
• The Musqueam of Vancouver
• The Seton Lake St'at'imc (Lillooet) of Shalalth
• The Shuswap of Alkali Lake, Soda Creek, Dog Creek, Canim Lake, and Sugar Cane
• The Haisla of Kitamaat
• The Nisga’a of Gingolx (Kincolith) and New Aiyansh

Most of the projects had an end goal to produce a book, language education materials, or teacher training materials. Often the education materials incorporated cultural lessons throughout. The records created in the production of the books are varied and reflect the intrinsic connection between language, culture, and daily activities in the communities. Powell and Jensen were co-editors for nearly all of the language books and materials produced. Although some of the projects reflected in the records were done primarily by Powell or primarily by Jensen, the vast majority of the work involves collaboration between the two in some aspect. As Jensen and Powell immersed themselves in the communities they worked for, often their personal photographs and records are interspersed with those relating to their work. This community involvement enhanced their relationships with the people with whom they were working and allowed them to experience and participate in cultural activities as part of those communities. This close relationship is reflected in and is integral to their work. Jensen and Powell have two sons: Nels, born in 1978, and Luke, born in 1981. Their sons travelled with them to the communities in which they worked and lived, and on their work trips and sabbaticals. Nels and Luke are also present in many of the photographic records.

The records contain a mixture of research, field notes, administrative records, and publications at various stages, in addition to audio and visual records. Field notes, for the most part handwritten, and archival research into language and culture groups was undertaken by Powell, whilst the majority of the photography, found in a variety of formats, was done by Jensen. Manuscripts and final publications were a combined effort and are included at various stages. Administrative records, including grant proposals, are found throughout.

Fonds consists of 13 series of records. Series are arranged according to community and/or project, and include:

1. Quileute
2. Chinook Jargon
3. Kwak’wala (U’Mista)
4. Gitxsan
5. Nuu-chah-nulth
6. Salishan
7. Shuswap
8. Haisla
9. Tait
10. Northwest Coast artists
11. Northwest Coast groups
12. UBC totems/events
13. Publications

A view of snow-covered mountains that surround a lake.

This is a group portrait of many individuals standing outside. Some wear native dress; some appear on horseback; still others stand next to horses.

This group shot depicts a man on horseback, women standing, and several other horses. Most appear to be wearing native dress.

An individual, possibly a young man, in native dress sits astride a horse. Several other individuals on horseback are visible behind him.

Nine men, some in native dress and others in western clothing, pose for the camera on horseback, standing, and kneeling. A building is visible copy right in the background.

Item is an image of a group of people holding what appears to looms. According to annotations, photograph was taken at York Factory, Manitoba

Item is an image of a bridge over a river. According to annotations, the bridge was made by the indigenous peoples in the area and the location may be the Skeena River.

Item is an image of a woman by a building. There are some buildings, poles, and canoes in the background. According to annotations, photograph was taken in G?aw (also known as Old Massett) in the Haida Gwaii archipielago