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Parte de Anthony Carter fonds
File consists of image of Haida artist Rufus Moody, taken in what appears to be a home. A woman identified as Lucette is featured as well in a number of the images, possibly his wife. Also included is an image of some of his argillite carvings.
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Argilite carvings, Sharon Hitchcock
Parte de Anthony Carter fonds
Image of argillite carvings by Haida artist Sharon Hitchcock, located at the Museum of Anthropology at the University of British Columbia.
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Argilite carvings, Claud Davidson
Parte de Anthony Carter fonds
Image of two argillite carvings by Claude Davidson, located at the Museum of Anthropology at the University of British Columbia.
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Argilite carvings, Claud Davidson
Parte de Anthony Carter fonds
Image of two argillite carvings by Claude Davidson, located at the Museum of Anthropology at the University of British Columbia.
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Parte de Anthony Carter fonds
Image of Chief Dan George speaking at the opening of Centennial display at Vancouver Public Library.
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Parte de Anthony Carter fonds
Image of Chief Dan George speaking at the opening of Centennial display at Vancouver Public Library.
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Parte de Anthony Carter fonds
Image of Chief Dan George cutting a ribbon at the opening of Centennial display at Vancouver Public Library.
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Kitty (Cathy) Ferry: Fish Taxonomy
Parte de Paddling to Where I Stand collection
Kitty (Cathy) Ferry talks about fish taxonomy with Martine de Widerspach-Thor (Reid) in English and Kwakwala. Recorded at Mrs. Kitty Ferry's house in Vancouver. Item was labelled as tape number III.
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Fonds consists of eight slides of totem poles being raised in the Haida Village at the University of British Columbia (UBC). The slides are dated May, 1962. The photographs were taken by George Szanto, the son-in-law of Geoffrey Andrew who was the Dean and Deputy President of UBC from 1947 to 1962.
The totem poles represented in the images were carved by Haida artist Bill Reid and 'Namgis artist Doug Cranmer. They were originally situated at UBC's Totem Park. They are now located on the grounds behind the Museum of Anthropology, and modelled on a 19th century Haida village.
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Kwakiutl house frame #4, Totem Park, UBC, Vancouver
Parte de E. Polly Hammer fonds
UBC Totem Park – (Sea-Lion and Thunderbird House) c. 1900 Knight Inlet. No longer on display. Now in storage at MOA.
(Replica)?, Haida grave house #5, Totem Park, UBC, Vancouver
Parte de E. Polly Hammer fonds
Mortuary House frontal pole by Bill Reid and Doug Cranmer (1960-61) moved from Totem Park to MOA in 1978.
(Replica)? Haida dwelling house, Totem Park, UBC, Vancouver
Parte de E. Polly Hammer fonds
Mortuary House frontal pole by Bill Reid and Doug Cranmer (1960-61) moved from Totem Park to MOA in 1978.
(Replicas)?, mortuary poles (Haida), dwelling house and sea wolf, Totem Park, UBC, Vancouver
Parte de E. Polly Hammer fonds
MOA Object ID numbers correspond to poles in the image from left to right.
A50030 carved by Bill Reid and Doug Cranmer (1961-62) as the frontal pole for the front of the Haida house, at the University of British Columbia, for display in Totem Park. Moved to the new Museum of Anthropology grounds in 1978. Pole was removed from the Haida House in 2000-09 and placed in a greenhouse tent for conservation treatment and drying. Pole was then re-raised in the Great Hall of the Museum on Oct. 31, 2002.
(Replica)?, Haida memorial pole #4, 6, Totem Park, UBC, Vancouver
Parte de E. Polly Hammer fonds
Double mortuary pole by Bill Reid and Doug Cranmer (1960-61). Moved from Totem Park to MOA in 1978.
(Replica)?, Haida sea wolf #2, Totem Park - UBC, Vancouver
Parte de E. Polly Hammer fonds
The Wasgo is a monster of Haida legend that had the ability to transform between wolf and sea creature. Carved and painted by Bill Reid and Doug Cranmer in 1962.
Kwakiutl (carved by Mungo Martin), Alert Bay sea lion pole #2, Totem Park - UBC, Vancouver
Parte de E. Polly Hammer fonds
Originally carved by Mungo Martin in 1902 (Alert Bay). Refurbished by Mungo Martin in 1949. Erected in UBC Totem Park and moved to MOA Great Hall c. 1976.
Kwakiutl, new Mungo Martin pole #1, Totem Park, UBC, Vancouver
Parte de E. Polly Hammer fonds
Carved by Mungo Martin 1951. Erected in UBC Totem Park. Moved to MOA in 1970’s but not erected in Great Hall until 2012 after repairs.
Kwakiutl, raven totem pole #3, Totem Park, UBC, Vancouver
Parte de E. Polly Hammer fonds
Carved by Charlie James c. 1900 (Fort Rupert). Collected by Marius Barbeau and Arthur Price. The pole was re-adzed and re-painted by Kwakwaka'wakw carver Mungo Martin before shipping in 1947. Repainted and repaired by Ellen Neel (1949) and by Mungo Martin (1950-51). It stood at Totem Pole Park, UBC Campus until it was re-located to the Museum's Great Hall c. 1976.
Kwakiutl, top of eagle crest pole, Totem Park, UBC, Vancouver
Parte de E. Polly Hammer fonds
One of a pair purchased in 1947 from collectors Marius Barbeau and Arthur Price. Collected from Alert Bay. The piece was repainted and repaired (including the replacement of the wings) by Ellen Neel (1949) and by Mungo Martin (1950-51).
Parte de E. Polly Hammer fonds
This pole was on display at UBC in Totem Park in the 1960’s and 1970’s and moved to the Museum in the late 1970’s. It was carved in 1914 in Tsaxis (Fort Rupert) by George Hunt Sr. for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters". The pole was collected by Marius Barbeau and Arthur Price in 1947. The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.
Iconography: Kolus is a young thunderbird. Thunderbird is a supernatural bird identifiable by the presence of ear-like projections or horns on the head, and a re-curved beak. The pole alludes to the story of Tongas people in south Alaska, who migrated south.