Series consists of correspondence between Audrey Hawthorn and Bill and Martine Reid, various invitations and programs to Bill Reid exhibits and a Haida House event, the funeral program for Bill Reid’s funeral, his obituary, various articles and newspaper clippings about Bill Reid and Haida art. Also in this series are photographs of Bill Reid and various participants with the Haida boat that was commissioned by Expo ’86. Other cards and notes in this series are addressed to Audrey Hawthorn by Michael Ames and Ruth Phillips. There are also several blank cards featuring Bill Reid’s art.
Construction of the Haida House at Totem Park. The man standing on the roof on the viewer's left may be Doug Cranmer while the man near the house on the viewer's right appears to be Bill Reid.
Image of artist Bill Reid standing in the remains of a house on Anthony Island. Reid is at a slight distance from the camera, seen in silhouette standing at either the front or rear of the structure. A note, possibly written by Audrey Hawthorn, accompanies this slide. See item a039485 in this file for this note.
Image of Wilson Duff, Harry Hawthorn, Bill Reid and John Smyly under a shelter on Skunnggwaii llanas (Anthony Island). The image was taken during the Ninstints expedition to retrieve 11 totem poles from the area.
Subseries contains the booklet produced as part of the Museum Notes program at the Museum of Anthropology titled Bill Reid: Beyond the Essential Form written by Karen Duffek.
Image of memorial pole when it stood at UBC's Totem Park. The pole is now part of MOA's collection.
The pole was carved at UBC for display in Totem Park. Moved to the new Museum of Anthropology grounds in 1978. This pole is based on the beaver pole standing at the north end of Skidegate. The raven figure was removed from the top of the pole in Sept. 2005 due to its poor condition and safety concerns .
Image of a pole carved as the frontal pole for the front of the Haida house, at UBC, for display in Totem Park. Moved to the new Museum of Anthropology grounds in 1978. Pole was removed from the Haida House in 2000-09 and placed in a greenhouse tent for conservation treatment and drying. A new pole was raised outside to replace it (see MOA object Nb1.752). Jim Hart, with Reg Davidson, Michael Nicoll and Tyler Crosby, performed a small informal ceremony for the re-raising of the pole on Oct. 30, 2002 (with Martine Reid in attendance). Pole was then re-raised in the Great Hall of the Museum on Oct. 31, 2002.
Image of memorial pole when it stood at UBC's Totem Park. The pole is now part of MOA's collection.
The pole was carved at UBC for display in Totem Park. Moved to the new Museum of Anthropology grounds in 1978. This pole is based on the beaver pole standing at the north end of Skidegate. The raven figure was removed from the top of the pole in Sept. 2005 due to its poor condition and safety concerns .
Image of memorial pole when it stood at UBC's Totem Park. The pole is now part of MOA's collection.
The pole was carved at UBC for display in Totem Park. Moved to the new Museum of Anthropology grounds in 1978. This pole is based on the beaver pole standing at the north end of Skidegate. The raven figure was removed from the top of the pole in Sept. 2005 due to its poor condition and safety concerns .
Item is the second of two audio recording of performers singing Haida songs at the opening reception of Celebration of the Raven. The recording is Reel #6 of the soundtrack for the film Celebration of the Raven, directed by Ken Kuramoto, which documented the work process and installation of Bill Reid’s carving titled The Raven and the First Men and its unveiling by the Prince of Wales in 1980.
Item is an audio recording of introductory speeches given during the opening reception of Celebration of the Raven. The recording is Reel #7 of the soundtrack for the film Celebration of the Raven, directed by Ken Kuramoto, which documented the work process and installation of Bill Reid’s carving titled The Raven and the First Men and its unveiling by the Prince of Wales in 1980. The recording begins with an unidentified speaker who acknowledges the two groups who co-hosted the event: the Haida of the Queen Charlotte Islands including the Chiefs, Chief Elders and the People as well as the Friends of the Museum of Anthropology, Corporate Friends and the Raven Committee. The recording is then interrupted. The following portion of the recording features a woman speaking, likely in Haida. The recording is interrupted several more times during various speeches so it is difficult to identify speakers. Lastly, Haida artist Bill Reid provides a tribute to the passing of Haida storyteller Solomon Wilson and then thanks various individuals involved in the creation of the sculpture including Walter Koerner and artists George Norris, Garry Edenshaw, Charles Edenshaw and others. The recording concludes with singing and drumming.
The fonds consists of 83 images associated with two books published by Douglas & McIntyre: Bill Reid by Doris Shadbolt and The Raven Steals the Light by Bill Reid. The photographers responsible for these images are R. Dereth, R. Keziere, R. Lum and B. McLemore.
