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Image taken at a pole raising ceremony in Masset. The pole was carved by Robert Davidson, Jr. This image is looking down onto a man (Davidson?) painting the pole, with a crowd gathered nearby.

Image taken at a pole raising ceremony in Masset. The pole was carved by Robert Davidson, Jr. This image shows the pole laying on the ground, with ropes attached to raise it. A crowd is gathered, some of whom are holding onto the rope.

Image taken at a pole raising ceremony in Masset. The pole was carved by Robert Davidson, Jr. This image shows the crowd gathered for the pole raising. The most prominent person in the photograph is a woman wearing what appears to be a ceremonial dress, holding up a long stick.

Image taken at a pole raising ceremony in Masset. The pole was carved by Robert Davidson, Jr. This image shows a small group of dancers.

Image taken at a pole raising ceremony in Masset. The pole was carved by Robert Davidson, Jr. This image is an aerial view of the pole raising area and crowd. The pole is still on the ground, with a number of people next to the pull. They appear to be pushing the pole toward the hole in the ground in which it will stand.

Image taken at a pole raising ceremony in Masset. The pole was carved by Robert Davidson, Jr. This image shows the pole still on its side, propped up on logs on the ground. A number of individuals are standing around the base of the pole, possibly positioning it to go into the hole in the ground where the pole will stand. A church is in the background.

Image taken at a pole raising ceremony in Masset. The pole was carved by Robert Davidson, Jr. This image shows a the upper portion of the pole after it has been raised.

Image taken at a pole raising ceremony in Masset. The pole was carved by Robert Davidson, Jr. This image shows a the pole already raised, with the crowd still gathered around it.

Image taken at a pole raising ceremony in Masset. The pole was carved by Robert Davidson, Jr. This image shows a crowd gathered for the event, including a group of three older men seated in the foreground, in what appears to be ceremonial dress.

Image taken at a pole raising ceremony in Masset. The pole was carved by Robert Davidson, Jr. This image is an aerial shot showing the totem pole lying on the ground near the hole in the ground into which it will be propped. Ropes are attached to the pole to raise it, and the process of moving the pole into a whole in the ground has been started.

Image taken at a pole raising ceremony in Masset. The pole was carved by Robert Davidson, Jr. This image is an aerial shot showing the totem pole lying on the ground near the hole in the ground into which it will be propped. Ropes are attached to the pole to raise it, and the process of moving the pole into a whole in the ground has been started.

Image taken at a pole raising ceremony in Masset. The pole was carved by Robert Davidson, Jr. This image is an aerial shot showing the totem pole lying on the ground near the hole in the ground into which it will be propped. Ropes are attached to the pole to raise it, and the process of moving the pole into a whole in the ground has been started.

Image taken at a pole raising ceremony in Masset. The pole was carved by Robert Davidson, Jr. This image shows the lower part of the totem pole after it has been placed into a hole in the ground where it will stand. A number of individuals are shoveling dirt around the base to hold it in place.

Image taken at a pole raising ceremony in Masset. The pole was carved by Robert Davidson, Jr. This image shows the pole while it is still lying on the ground. A crowd is gathered around it, and a few children are sitting on or leaning against the pole.

Image is portrait of Charles Edenshaw leaning on frontal house post in Skidegate, Haida Gwaii, B. C. Inscribed on the image is "Indian Totem Poles at Skidegate Q. C. I." Handwritten inscription below the image reads "R. Maynard, Artist". Handwritten inscription on the verso reads "Charles Edenshaw in prov. museum." Printed on the verso Is the photographer information in the inscription "R. MAYNARD, PHOTOGRAPHIC ARTIST and Dealer in All Kinds of Photographic Materials. Stereoscopic and Large Views of British Columbia and Vancouver Island for Sale. Cor. Douglas & Johnson Streets, Victoria, B. C."

Series of Haida Mortuary poles from SGang Gwaay photographed by Charles F. Newcombe in 1901. The third pole from the left was taken down in 1957 and held at the University of British Columbia and the Museum of Anthropology. In 2009 it was taken down from the Great Hall in the Museum of Anthropology and placed into massive carving storage in preparation for repatriation to the Haida nation.

Image of a totem pole on Anthony Island, Haida Gwaii. This appears to be a pole now housed at the Museum of Anthropology (museum item #A50018). This museum item is described as follows: "Base section of a wooden pole, crescent-shaped in cross section and carved in shallow and deep relief. From the top down: a large seated bear with a small wolf between and in its ears and a downward facing frog emerging from the bear’s mouth. In between its arms and legs is a downward facing wolf... Stood outside at the center of the Mountain House, which belonged to the lineage of 'Those Born in the Southern Part of the Islands' of the Eagle Moiety of the Kunghit Haida. Stood near the centre of the village facing the beach along a small bay on the east side of Anthony Island. Island and village also called Skunggwai, or Red Cod Island."