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Bill Reid
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Bill Reid

Series consists of records created and collected by McLennan relating to Bill Reid and his art held both in private collections and at the MOA. Projects included in these records are the installation of Raven and the First Men in the MOA and The Spirit of Haida Gwaii at the Vancouver International Airport. Photographs also document jewelry designed by Bill Reid, along with small sculptures, large scale sculptures, ivory and argillite works and drums.

Douglas & McIntyre fonds

  • 42
  • Fundo
  • 1954 - 1985

The fonds consists of 83 images associated with two books published by Douglas & McIntyre: Bill Reid by Doris Shadbolt and The Raven Steals the Light by Bill Reid. The photographers responsible for these images are R. Dereth, R. Keziere, R. Lum and B. McLemore.

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[Bill] Reid's Haida canoe photos 1984 Feb. - May

Photographs show the carving of Bill Reid's Lootaas (Loo Taas) canoe, which was carved in 1984 at MOA for Expo '86. The canoe now resides at the Haida Heritage Centre.

Note that accompanied photographs: "These are not Hilary Stewart photos - whose?" It is not clear who wrote this note. The negatives are in file 02 of this series.

[Bill Reid's] Haida canoe - various photos, extras, or not being used

Negatives show the carving of Bill Reid's Lootaas (Loo Taas) canoe, which was carved in 1984 at MOA for Expo '86. The canoe now resides at the Haida Heritage Centre.

See file 03 in this series for prints of these negatives.

File also includes Hilary's notes about and sketches of the canoe, newspaper clippings, and MOA/UBC press releases.

Bill Reid

Consists of collected material about or by artist Bill Reid, with whom Hilary was acquainted. Includes clippings, reproductions of Reid's work, pamphlets, obituaries, correspondence, and a photograph.

George Szanto fonds

  • 138
  • Fundo
  • May 1962

Fonds consists of eight slides of totem poles being raised in the Haida Village at the University of British Columbia (UBC). The slides are dated May, 1962. The photographs were taken by George Szanto, the son-in-law of Geoffrey Andrew who was the Dean and Deputy President of UBC from 1947 to 1962.

The totem poles represented in the images were carved by Haida artist Bill Reid and 'Namgis artist Doug Cranmer. They were originally situated at UBC's Totem Park. They are now located on the grounds behind the Museum of Anthropology, and modelled on a 19th century Haida village.

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