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Subseries contains files related to Miriam Clavir's service to the Task Force on Museums and First Peoples. It contains correspondence between members and stakeholders, meeting minutes, drafts of reports, reports, and Mrs. Clavir's handwritten notes. A substantial portion of the subseries consists of submissions to the task force made by various stakeholders, which consists of reports and papers related to the relationship between First Nations and Canadian museums and institutions in general.

Consists of photographs documenting the work of various artists that assisted Norman Tait in the period that Jensen was photographing his work. Most of the photographs included in this sub-series are of the various side projects that the artists would spend time on whilst major projects such as totem poles were in progress. Artists photographed in this sub-series are: Norman Tait, Isaac Tait, Robert “Chip” Tait, Ron Telek , Wayne Young, Valerie Tait, Alver Tait, Bernice __ .

Subseries contains records and colour slides related to the Tahltan Porject at the Museum of Anthropology

Subseries contains two files containing records related to the exhibit about the artist Jane Ash Poitras.

Subseries consists of photographs documenting various Sunday programs at the MOA and the children attending them. Programs include those for the visually impaired, related to visible storage, related to Japanese heritage and culture, the Punch and Judy show, Evelyn Roth’s giant salmon and others that are unidentified. Photographs were taken by McLennan, Jean Hamilton and Stephen Inglis.

ref # 1-2-A

Subseries consists of research material created by Sawyer, as well as his students, regarding Northwest coast artifacts. The majority of this research pertains to a specific type of artifact known as the “Jenna Cass” mask. This portrait mask was created by the Haida First Nations, and is known for its colouring and pronounced lebret piercing. Textual materials in this subseries include reports, iconic analysis, handwritten notes, memos, correspondence, and photocopies of articles related to Jenna Cass and other artifacts research. Graphic materials include photographs, slides, film negatives, and drawings of Jenna Cass masks. Other materials not related to the Jenna Cass research include photocopies of published articles related to Northwest coast artifacts.

ref # 13-1-D

Sub-series consists of records related to Cunningham's role in the execution of the student exhibits for the course Anthropology 431. Records include student reports, exhibit schedules, course syllabus, and exhibit labels.

Sub-series consists of textual records including the report by Lindsey Rivers titled “An Evaluation of the Museum of Anthropology Summer Internship Programme” which was submitted for Anthropology 431, Museum Principles and Techniques, April 1983.

This subseries relates to Ruus’s investigation of the use of visible storage at the Museum Fur Völkerkunde in Berlin. Records in this series consist of slides, negatives and photographs.

Subseries consists of material related to the production of Stewart's book Stone, bone, antler & shell : artifacts of the Northwest coast, first published in 1996. This book was based on Stewart's earlier book Artifacts of the Northwest Coast Indians.

Subseries consists of records relating to staff retreats from 1978 to 1982. The records included in this series are notes.