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File contains cabinet cards depicting villages, people, totem poles and house posts from in and around Haida Gwaii (Queen Charlotte Islands), as well as Northwest Coast indigenous cultural and ceremonial objects (artifacts and curios). File includes depictions of mission buildings of Reverend Thomas Crosby.

File contains photographs of steamships, houses, and houseposts from locations in and around Haida Gwaii (formerly Queen Charlotte Islands).

File consists of photographs taken at Anthony Island, Haida Gwaii, on a 1957 trip. The majority of the images appear to be at the Ninstints village site on Anthony Island.

An accrual of 20 slides was added to this file in March 2022, from accession 2022-3. Most appear to be duplicates of slides already in the file. These 20 slides have not been digitized.

File consists of photographs taken during a 1957 trip to Anthony Island, part of Haida Gwaii, to survey and/or acquire and preserve totem poles from the island. This expedition was undertaken as part of the B.C. Totem Pole Preservation Committee. This committee was set up in 1953 by members of MOA, UBC's Department of Anthropology, and the BC Provincial Museum, with support from the lumber and fishing industries. Their aim was to survey existing poles of the province, and to acquire and preserve all those not in use. H.R. MacMillan and W.C. Koerner supported the purchase and transportation of the poles which were brought to Vancouver and Victoria from coastal villages.

Members of the 1957 expedition included Wilson Duff, Michael Kew, Harry Hawthorn, John Smyly, and Bill Reid.

File consists of correspondence from 1966 and 1967 between Wilson Duff and K.O.L. Burridge, of the Pitt Rivers Museum, regarding Haida potlatch masks. Included is correspondence from 1902 between Franz Boas and E.B. Tylor, which notes a discussion between Charles Edenshaw and John Swanton. The file also consists of b&w photos of the masks and the article "The Haidas," from Harper's New Monthly Magazine, dated June-November 1882.

File consists of slides depicting a plaque, and various portraits, poles, and landscapes.

File consists of one slide labeled Village Island 1973, and several other unlabeled slides depicting totem poles. The slides seem to have been taken at the same time as those used in "From History's Locker."

File consists of slides depicting First Nations chiefs and elders, Carter's wife Minn Sjolseth with August Jacks, Johnny Seaweed, miscellaneous images from Mount Currie/Lil'wat First Nation, and a photograph labeled "Potlatch Masset 60s".

File contains an photograph of two young girls holding hands, likely in Haida Gwaii.

File consists of images from a pole raising ceremony in Masset, on Queen Charlotte Island, Haida Gwaii. The pole was carved by Robert Davidson, Jr. Images show the crowd, speakers (including Davidson), the process of raising the pole, and nearby scenery.

File consists of images of men, women, and a girl from Haida Gwaii.

File consists of images of the Yan village site in Haida Gwaii.

File consists of images from the Tanu village site in Haida Gwaii.

File consists of images of the Ninstins (or Ninstints) village site on Anthony Island, Haida Gwaii.

File consists of images taken in the village of Masset on Haida Gwaii. Subjects include copper paintings, a painting of a young Haida woman, and scenery.

File consists of images of Haida Gwaii. Subjects include the Skedans village site, the city of Skidegate, Maud Island, and Queen Charlotte City.

File consists of images taken at or near Slatechuck Mountain on Haida Gwaii (called Kaagan in the Haida language). This mountain, located near Queen Charlotte City, is best known as a source of argillite, a rare form of slate used in Haida art. Images in this file show individuals harvesting argillite, in addition to images of women harvesting and preparing spruce roots to weave baskets, and images of the Golden Spruce tree that formerly stood in the area.

File contains a portrait of Rudy Danielson, at Alliford Bay seated on a hillside holding a shotgun.

File consists of images of First Nations adults and children in Bella Coola, Klemtu, Bella Bella, Haida Gwaii, and Hartley Bay, BC.

File consists of slides depicting Minn Sjolseth's paintings and labeled "Longhouse Posts Totem, Village Island, BC, 1974," "Kitwanga Village, 1967," "'Intermission' Kwakiutl, 1974," "Kwakiutl Totems, Alert Bay 1971,", "Last Totem of Skidegate QCI," "Native Cariboo Child, 1973," "Final Rest 1973," "Kwakiutl Totem 1973," "Dominic Charlie, Weather Prophet, Squamish Tribe, 1972," "Wilderness Watch, 1973," and "Basket Weaver." Many of these paintings depict individuals also photographed by Anthony Carter for his book publications.