Woven materials on display in Montréal
- 132-1-C-D-a042505
- Pièce
- 1969-1970
Fait partie de MOA General Media collection
Woven materials on display in Montréal for the Museum of Anthropology's Northwest Coast exhibit for "Man and His World."
857 résultats avec objets numériques Afficher les résultats avec des objets numériques
Woven materials on display in Montréal
Fait partie de MOA General Media collection
Woven materials on display in Montréal for the Museum of Anthropology's Northwest Coast exhibit for "Man and His World."
Fait partie de Carol Mayer fonds
Fait partie de William McLennan (MOA Curator) fonds
File contains photo-copies of images of First Nation community members in Alert Bay and at St. Mike's Residential School. The photographs were taken to community elders who had been at the residential school so that they could annotate the photographs. Not all of the images in the file were used in the exhibit.
Fait partie de MOA General Media collection
Woodworking tools on display in Montréal for the Museum of Anthropology's Northwest Coast exhibit for "Man and His World."
Fait partie de MOA General Media collection
Woodworking tools on display in Montréal for the Museum of Anthropology's Northwest Coast exhibit for "Man and His World."
Fait partie de MOA General Media collection
Woodworking tools on display in Montréal for the Museum of Anthropology's Northwest Coast exhibit for "Man and His World."
Woodworking equipment and bentwood boxes on display in Montréal
Fait partie de MOA General Media collection
Woodworking equipment and bentwood boxes on display in Montréal for the Museum of Anthropology's Northwest Coast exhibit for "Man and His World".
Woodworking equipment and bentwood boxes on display in Montréal
Fait partie de MOA General Media collection
Woodworking equipment and bentwood boxes on display in Montréal for the Museum of Anthropology's Northwest Coast exhibit for "Man and His World".
Fait partie de Robert Reford fonds
Item is an image of a woman walking away from the camera with three buildings and a totem pole in the background. According to annotations, photograph was taken in G?aw (also known as Old Massett) in the Haida Gwaii archipielago
Fait partie de Robert Reford fonds
Item is an image of a woman by a building. According to annotations, photograph was taken in G?aw (also known as Old Massett) in the Haida Gwaii archipielago
Without Masks-Media Coverage-2014-Laura Murray PR
Fait partie de Director's fonds
Without Masks: Contemporary Afro-Cuban Art
Fait partie de MOA Publications and Ephemera collection
Without Masks: Contemporary Afro-Cuban Art
Fait partie de David Cunningham fonds
Sans titre
Without Masks: Contemporary Afro-Cuban Art
Fait partie de Skooker Broome fonds
Subseries consists of records related to the graphic design for the Without Masks exhibit, on display at the Museum of Anthropology May 2 - November 2, 2014. The exhibit was curated by Cuban poet, art critic and curator Orlando Hernández.
Without Masks: Contemporary Afro Cuban Art [exhibition planning binder]
Fait partie de Director's fonds
Within The Pear Garden: Chinese Opera Costumes
Fait partie de Exhibit Comment Books and Guest Registers/Guest Books collection
File contains 1 comment book from the exhibition Within The Pear Garden: Chinese Opera Costumes (student exhibit), 1981
Fait partie de Karen Duffek fonds
Fait partie de Karen Duffek fonds
Willy White: “My Ancestors Are Still Dancing”
Fait partie de Karen Duffek fonds
The records in this sub-series relate to Willy White’s 2002 exhibition on Chilkat and Raven’s Tail weaving, My Ancestors Are Still Laughing. During his exhibition at the Museum of Anthropology, Willy White began weaving a gwishalaayt, or Chilkat robe. The weaving was later finished at his home in Prince Rupert, British Columbia. In 2004, a “taking off of the loom” ceremony and feast was held to celebrate the completion of the gwishalaayt. Though Elizabeth Johnson was the curator for this exhibition, Duffek worked closely with her, and the files relate to Duffek’s involvement with in the process. File contents relate to exhibition research and planning, draft exhibit texts, correspondences, transcripts of interview with the weavers, and recordings of the final ceremony.
Fait partie de Public Relations and Communications Office fonds