- 1-2-W-1 (12.4)
- File
- 2001-2002
File contains archival images and documents photocopied for research as well as correspondence and meeting minutes.
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File contains archival images and documents photocopied for research as well as correspondence and meeting minutes.
File contains photographs of a pole raising ceremony. Included are images of drummers, and community members in regalia, and totem poles.
Karen Duffek
File contains photographs of a pole raising ceremony. Included are images of drummers, and community members in regalia, and transporting and raising the totem pole.
File contains the print titled "Our Grandmother" by Jim Hart and a computer printed image showing First Nations members in regalia.
This file contains images of totem poles collected for research. Some images are from the collections of other institutions.
Carving and installation at MOA
File contains images showing the final touches being done on the pole as well as ceremony and raising the pole at the Museum of Anthropology.
File contains images showing the ceremony and pole raising at the Museum of Anthropology.
File contains images showing the Respect to Bill Reid Pole being unloaded from the flat bed truck.
Subseries contains images mostly taken by McLennan that show the Bill Reid pole which sat outside the Museum of Anthropology at UBC being taken down and moved inside the museum because it was no longer stable due to weathering. This spurred a project funded with a Canada Council grant to then create a new pole to put up in its place. This pole was carved by Jim Hart and called the Respect to Bill Reid pole.
File contains images showing the celebration continued in the Haida House at the Museum of Anthropology with song, dance, and speeches.
Transforming image research photos
File contains images used for research during the image recovery project and the Transforming Image Exhibit.
Initial carving stages at Haida Gwaii
File contains images showing artists beginning to work on Bill Reid's pole..
Vancouver International Airport Musqueam Welcome Area
Image of the Vancouver International Airport Musqueam Welcome Area. The image may have been taken at the opening celebrations.
Susan Point carving Flight (Spindle Whorl)
Image of Susan Point (Musqueam) carving Flight (Spindle Whorl) in a workshop. The work appears to be near completion.
Image of Susan Point carving. She is likely carving the work Flight (Spindle Whorl).
File contains images of various different pieces of Northwest Coast artwork located at YVR. These artwork pieces include: the cedar crabs from the <i>Pacific Passage</i> installation; <i>Hetux, Thunderbird, the Keeper of the Sky</i> installation; the whaling canoe from the <i>Rainbow off the Beach</i> installation; the <i>Origins of Light</i> installation; the <i>The Supernatural Worlds: The Land, The Sea, The Sky</i> installation; and the <i> Musqueam Welcoming Area</i> installation, which includes several Salish weavings.
Don Bain Massive Carvings Documentation Project
Subseries consists of records collected or created by Don Bain during the course of his Massive Carvings Documentation Project. This project took place in the early to mid 1990s. The Massive Carvings Documentation Project was intended to compile information directly related to the poles and massive carvings in the Museum of Anthropology (MOA) collection into a set of Totem Pole Files. The Totem Pole Files were intended to be accessible to MOA staff, volunteers, students, and the general public. The subseries is divided into two sub subseries:
a. Totem pole files
b. Working files
File contains images of newly carved totem poles by Stan Bevan along with accompanying correspondence regarding the poles and biography for both Stan Bevan and Ken McNeil.
Part of Reverend Thomas Crosby fonds
Image depicts canoes, house, house posts, and totem poles on a shoreline in Masset, Haida Gwaii, B. C. Handwritten inscription on the verso reads "This is a Indian Village in Masset B. C. at the turn of the century. As you can see there are a lot of wooden shacks, totem poles and canoes. it is a very wild and remote area [redacted]. grandfather Crosby used to travel to these remoat [sic] villages by canoe." Image appears to be reproduction of a039351.
Part of Reverend Thomas Crosby fonds
Image depicts exterior view of Chief Wiah's Monster House and frontal house post in Masset, Haida Gwaii, B. C. In front of the house are ten seated figures. Image appears to be reproduction of a039353.