Multiplicity: A New Cultural Strategy

Elements area

Taxonomy

Subjects

Code

Scope note(s)

  • December 14, 1993 - May 22, 1994 (Gallery 5)

  • Guest Curator Robert Houle, Salteaux, presents artworks created as multiples, or works in series, by seven First Nations artists from Canada and the United States: Mary Anne Barkhouse (Kwakwaka’wakw), Dempsey Bob (Tahltan/Tlingit), Fay HeavyShield (Blood), Jaune Quick-to-See Smith (Flathead), Arthur Renwick (Haisla), Greg Staats (Mohawk), and Kay WalkingStick (Cherokee).

Source note(s)

    Display note(s)

      Hierarchical terms

      Multiplicity: A New Cultural Strategy

      Multiplicity: A New Cultural Strategy

        Equivalent terms

        Multiplicity: A New Cultural Strategy

          Associated terms

          Multiplicity: A New Cultural Strategy

            10 Archival description results for Multiplicity: A New Cultural Strategy

            10 results directly related Exclude narrower terms
            Karen Duffek fonds
            102 · Fonds · 1978 - 2012

            The fonds relate primarily to research Karen Duffek conducted and exhibitions she curated or was involved in. In addition, some files relate to publications Duffek wrote. Files consist of research materials, exhibition planning and implementation, publications and articles, correspondences, and artist interviews.
            The fonds is arranged into the following two series:

            1. Research Projects
            2. Exhibitions
             Karen Duffek
            Multiplicity: A New Cultural Strategy
            102-02-F · Subseries · 1990 - 1994
            Part of Karen Duffek fonds

            The sub-series contains materials relating to the exhibit Multiplicity: A New Cultural Strategy, for which Duffek was the exhibition coordinator and Robert Houle was the guest curator. The exhibition took place from December 1993 through May of 1994. The exhibition featured works by contemporary First Nations artists who question the concept of the “other.” Records consist of articles, exhibit text and labels, internal reports, correspondences, artist biographies, and a report based on visitor interviews.
            UBC Museum of Anthropology Annual Report April 1, 1993 - March 31, 1994
            124-02-01-19 · Item · 1994
            Part of MOA Publications and Ephemera collection

            The report outlines the museum's administrative activities and finances for the previous fiscal year as well as listing staff, attendance figures, acquisitions, exhibitions, educational activities, public programming, events, loans, research projects, publications of the museum and its staff, and media coverage of the museum. It includes descriptions of a visit from Presidents Clinton and Yeltsin and MOA's consultation on Coast Salish art in the Vancouver International Airport, among other initiatives.
            UBC Museum of Anthropology Annual Report April 1, 1994 - March 31, 1995
            124-02-01-20 · Item · 1995
            Part of MOA Publications and Ephemera collection

            The report outlines the museum's administrative activities and finances for the previous fiscal year as well as listing staff, attendance figures, acquisitions, exhibitions, educational activities, public programming, events, loans, research projects, publications of the museum and its staff, and media coverage of the museum. It includes descriptions of plans to make the museum collections publicly available on the internet, MOA's continued consultation with the Vancouver International Airport, and the final year of the prison outreach program, among other initiatives.