Museum of Anthropology

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Museum of Anthropology

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Museum of Anthropology

2774 Archival description results for Museum of Anthropology

77 results directly related Exclude narrower terms

Mungo Martin and Charles Docherty working on a totem pole

Mungo Martin and Charles Docherty working on a totem pole. Charles Docherty, a carpenter, was hired as his assistant. The pole in the background was originally carved by Charlie James and was later restored by Mungo Martin. It stood in Totem Park at UBC until it was moved to the Great Hall of the Museum of Anthropology.

Mungo Martin and Charles Docherty working on a totem pole

Mungo Martin and Charles Docherty working on a totem pole. Charles Docherty, a carpenter, was hired as his assistant. The pole in the background was carved by Charlie James and was restored by Mungo Martin. It stood in Totem Park at UBC until it was moved to the Great Hall of the Museum of Anthropology.

Mungo Martin and Charles Docherty working on a totem pole

Photograph of Mungo Martin working on a totem pole. Charles Docherty, a carpenter, was hired as his assistant. This pole was originally carved by Charlie James and was later restored by Mungo Martin. It stood in Totem Park at UBC until it was moved to the Great Hall of the Museum of Anthropology.

Mungo Martin adzing a totem pole

Mungo Martin working on the restoration of a totem pole. This pole was originally carved by Charlie James. It was later restored by Mungo Martin and stood in Totem Park at UBC until it was moved to the Great Hall at the Museum of Anthropology.

Mungo Martin adzing a totem pole

Mungo Martin working on a totem pole. This pole was originally carved by Charlie James. It was later restored by Mungo Martin and Ellen Neel. It originally stood in Totem Park at UBC before it was moved to the Great Hall at the Museum of Anthropology.

Multiplicity: A New Cultural Strategy

The sub-series contains materials relating to the exhibit Multiplicity: A New Cultural Strategy, for which Duffek was the exhibition coordinator and Robert Houle was the guest curator. The exhibition took place from December 1993 through May of 1994. The exhibition featured works by contemporary First Nations artists who question the concept of the “other.” Records consist of articles, exhibit text and labels, internal reports, correspondences, artist biographies, and a report based on visitor interviews.

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