Nisga'a

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Photographs from album

File contains images of the First Nation artists involved with the <i>Through My Eyes</i> exhibit. The images show them looking at objects in the Vancouver Museum's collection. The artists shown in the photographs are Cyril Carpenter, Ben Davidson, Robert Davidson, Norman Tait, Isabel Rorick, Doreen Jensen, Judge Alfred Scow, Lyle Wilson, Dolly Watts, Bill Reid, Glen Tallio, Richard Hunt, Terry Starr, Tim Paul, Richard Summer, Dempsey Bob, Jim Hart, and William White.

Norman Tait

File contains images of Norman Tait and his work at various stages of his career. In addition is a copy of transcript of an interview with Norman Tait conducted by Marjorie Halpin.

Village People

File contains images of various First Nations Cultural groups from the Pacific Northwest. The images include negatives and slides of Northwest Coast villages, totem poles, longhouses, and First Nations peoples dressed in regalia.

Nisga'a

File mainly contains historical images of the Nisga'a villages, peoples, and of Nisga'a totem poles. Other images are of modern day Nisga'a totem poles housed in museums in Canada and the United States. The textual records contained in this file are catalogue cards which provide some of the photograph's context, providing information such as the location of the photograph, the people in the photographs, which museum and/or archive collection the image belongs to, and/or the image's catalogue number.

Ketchikan and Kitwancool Totems and Views

File consists of slides depicting totems and views labeled as in Kispiox, Kitwancool, Ketchikan, Haida, Kitseguckla, Skedans, and Kingcome. File also consists of slides documenting two of Minn Sjolseth's paintings entitled "En av de Siste" (sp?) and "Peace."

Kingcome Inlet & Gwayasdums (Gilford Island)

File consists of images of the Kingcome Inlet and Gilford Island, both in the central coast area of British Columbia. Scenery and individuals from the area are featured.

Anthony Carter

Nass River (Nisga'a nation), 1970

File consists of images from the Nass River valley in British Columbia. Subjects include scenery, people, and village scenes.

Anthony Carter

"Nass River"

Image of totem poles, canoes, and longhouses(?) in the Nass River valley of BC.

Anthony Carter

Able Derek, Old Aiyansh, Nass River, Nisga'a

Portrait of Able Derek, Nisga'a. A similar portrait of him is printed on page 136 of Carter's book Abundant Rivers, with the caption: Abel Derek at Gitlakdamix, now called Old Aiyanch 'I am just a common man.'"

Anthony Carter

Able Derek, Old Aiyansh, Nass River, Nisga'a

Portrait of Able Derek, Nisga'a. A similar portrait of him is printed on page 136 of Carter's book Abundant Rivers, with the caption: Abel Derek at Gitlakdamix, now called Old Aiyanch 'I am just a common man.'"

Anthony Carter

[Bessie Haizinqua, Nisga'a]

Image of Bessie Haizinqua in the old village of Aiyanch. A colour version of this image is printed on page 138 of Carter's book Abundant Rivers, with the caption: "Bessie Haizinqua - a proud young Nishga woman. Walking along the pathway through the old village of Aiyanch. She carried a bowl of bear meat; the scene was primitive and beautiful."

Anthony Carter

Able Derek, Old Aiyansh, Nass River, Nisga'a

Portrait of Able Derek, Nisga'a. A similar portrait of him is printed on page 136 of Carter's book Abundant Rivers, with the caption: Abel Derek at Gitlakdamix, now called Old Aiyanch 'I am just a common man.'"

Anthony Carter

Lecture on Women and bears, February 26, 1974

Item is an audio recording of a lecture given by Wilson Duff on “Women and Bears.” Duff uses the story of the woman who married a bear, represented in a Haida sculpture, to frame a discussion of the disenfranchisement of First Nations women under the Indian Act, the Lavell case (AG v. Lavell, 1971) and the Bedard case (R v. Bedard, 1973), and Haida and Nisga’a art. Lecture is recorded on both Side A and Side B.