- 12-12-01-12-01-03-a036390
- Item
- February 1987
Parte deRonnie Tessler fonds
Image is of Bill Reid using adze to make his first cut. Unidentified persons stand behind him, watching the process.
89 resultados con objetos digitales Muestra los resultados con objetos digitales
Parte deRonnie Tessler fonds
Image is of Bill Reid using adze to make his first cut. Unidentified persons stand behind him, watching the process.
Parte deHarry B. Hawthorn fonds
Image of artist Bill Reid standing in the remains of a house on Anthony Island. Reid is at a slight distance from the camera, seen in silhouette standing at either the front or rear of the structure. A note, possibly written by Audrey Hawthorn, accompanies this slide. See item a039485 in this file for this note.
Bill Reid in front of canoe log
Parte deJoi Carlin fonds
Bill Reid appears blurry as he stands in front of the canoe log with Norman at the left side of image.
Parte deMOA General Media collection
Section of a house frontal totem pole for the Haida House at totem park.
Bill Reid discusses his carving The Raven and the First Men
Parte deMOA General Media collection
Artist Bill Reid discusses the Haida legend of the Raven and the First Men and his carving based on the legend which is on display at the UBC Museum of Anthropology.
Bill Reid: Beyond the essential form
Subseries contains the booklet produced as part of the Museum Notes program at the Museum of Anthropology titled Bill Reid: Beyond the Essential Form written by Karen Duffek.
Bill Reid: Beyond the Essential Form
Bill Reid at the welcome ceremony
Parte deJoi Carlin fonds
Image is of Rob't, Mercy, Norman, and Bill Reid during welcome ceremony. Bill Reid is speaking with folded notes in his hands. Mercy holds an umbrella while Norman holds a paddle.
Bill Reid at the opening of the Museum of Anthropology
Parte deMOA General Media collection
Bill Reid and a crowd at the opening of the new Museum of Anthropology building.
Bill Reid and Norman Tait handshake
Parte deJoi Carlin fonds
Image features Bill Reid shaking hands with Norman Tait in front of the canoe log.
Parte deJoi Carlin fonds
Image is of Bill Reid standing in front of the canoe log with Norman Tait at the very left of image.
Bill Reid and Doug Cranmer carving
Parte deMOA General Media collection
Bill Reid and Doug Cranmer carving the dogfish panel for the double mortuary pole to be placed near the Haida House in Totem Park.
Parte deMOA General Media collection
Bill Reid and Doug Cranmer carving the frontal plaque of double mortuary pole to be displayed near the Haida house at totem park. The pole (A50032) is now at MOA, on the grounds behind the museum.
Bill Reid and an interior house post
Parte deMOA General Media collection
Bill Reid stands near the interior house post of the Haida House. The date of this photograph is uncertain but may have been taken around 1960 when the structure was originally being built. The post in the photograph was carved by Bill Reid and Doug Cranmer.
Subseries contains an image showing prints of Bill Reid's work hanging in a theater.
Parte deHindaleah (Hindy) Ratner fonds
Parte deHindaleah (Hindy) Ratner fonds
[Bill] Reid - Misc[ellaneous] ["Beyond the Essential Form"]
Parte deHindaleah (Hindy) Ratner fonds
Bill Reid - Gold + Silver 1986
Parte deHindaleah (Hindy) Ratner fonds
Parte deHindaleah (Hindy) Ratner fonds