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Image of an old totem pole at the Mamalilikulla village, Village Island. The pole is being held up by a rope.

Image of totem pole carved by Charles James.

The pole was re-adzed and re-painted by Kwakwaka'wakw carver Mungo Martin before shipping to UBC in 1947. Repainted and repaired by Ellen Neel (1949) and by Mungo Martin (1950-51). It stood at Totem Pole Park, UBC Campus until it was re-located to the Museum's Great Hall ca. 1976.

Fonds consists of records relating to the numerous culture and language projects that Powell and Jensen worked on since 1976. The communities with which they worked include:
• The Quileute of La Push
• The Kwakwaka’wakw of Alert Bay
• The Gitxsan of Kispiox, Gitanyow, and surrounding villages
• The Nuu-chah-nulth of Vancouver Island
• The Musqueam of Vancouver
• The Seton Lake St'at'imc (Lillooet) of Shalalth
• The Shuswap of Alkali Lake, Soda Creek, Dog Creek, Canim Lake, and Sugar Cane
• The Haisla of Kitamaat
• The Nisga’a of Gingolx (Kincolith) and New Aiyansh

Most of the projects had an end goal to produce a book, language education materials, or teacher training materials. Often the education materials incorporated cultural lessons throughout. The records created in the production of the books are varied and reflect the intrinsic connection between language, culture, and daily activities in the communities. Powell and Jensen were co-editors for nearly all of the language books and materials produced. Although some of the projects reflected in the records were done primarily by Powell or primarily by Jensen, the vast majority of the work involves collaboration between the two in some aspect. As Jensen and Powell immersed themselves in the communities they worked for, often their personal photographs and records are interspersed with those relating to their work. This community involvement enhanced their relationships with the people with whom they were working and allowed them to experience and participate in cultural activities as part of those communities. This close relationship is reflected in and is integral to their work. Jensen and Powell have two sons: Nels, born in 1978, and Luke, born in 1981. Their sons travelled with them to the communities in which they worked and lived, and on their work trips and sabbaticals. Nels and Luke are also present in many of the photographic records.

The records contain a mixture of research, field notes, administrative records, and publications at various stages, in addition to audio and visual records. Field notes, for the most part handwritten, and archival research into language and culture groups was undertaken by Powell, whilst the majority of the photography, found in a variety of formats, was done by Jensen. Manuscripts and final publications were a combined effort and are included at various stages. Administrative records, including grant proposals, are found throughout.

Fonds consists of 13 series of records. Series are arranged according to community and/or project, and include:

1. Quileute
2. Chinook Jargon
3. Kwak’wala (U’Mista)
4. Gitxsan
5. Nuu-chah-nulth
6. Salishan
7. Shuswap
8. Haisla
9. Tait
10. Northwest Coast artists
11. Northwest Coast groups
12. UBC totems/events
13. Publications

Image depicts the exhibition The Pacific Passage installed at the Vancouver International Airport. The focal point of the photograph is Hetux, a large Thunderbird sculpture created by artist Connie Watts (Nuu-chah-nulth, Gitxsan and Kwakwaka'wakw).

Photograph of the exterior of the longhouse in Alert Bay, BC.

Image of a memorial pole at Alert Bay. Inscription at the bottom held by the figure reads "In loving memory of Tlaowa Latle of the Qiowasudinuk (Kwakwaka'wakw: Kwikwasut'inuxw) Tribe. Died Nov. 9 [rest of inscription illegible].

One of a pair purchased in 1947 from collectors Marius Barbeau and Arthur Price. Collected from Alert Bay. The piece was repainted and repaired (including the replacement of the wings) by Ellen Neel (1949) and by Mungo Martin (1950-51).

Carved by Charlie James c. 1900 (Fort Rupert). Collected by Marius Barbeau and Arthur Price. The pole was re-adzed and re-painted by Kwakwaka'wakw carver Mungo Martin before shipping in 1947. Repainted and repaired by Ellen Neel (1949) and by Mungo Martin (1950-51). It stood at Totem Pole Park, UBC Campus until it was re-located to the Museum's Great Hall c. 1976.

Item is a hand-tinted glass lantern slide of five children in playing attitude with the sea in the background. Based on the original order of the collection, photograph might have been taken in Alert Bay and the children might have been students at St. Michael's Residential School. The Anglican Church established a day school at its mission in Alert Bay, British Columbia in 1878. It opened a small boarding school there in 1882 and an industrial school in 1894. In 1929, a new building was constructed. The school was known for the arts and crafts produced by the students and the two large totem poles in front of the school building. In 1947, two-dozen children ran away from the school. The subsequent investigation into conditions at the school led to the resignation of both the principal and the vice-principal. By 1969, when the federal government assumed administration of the school, all residents were attending local schools. The residence closed in 1974. (National Centre for Truth and Reconciliation)

Item is a hand-tinted glass lantern slide of a woman in a shawl. According to annotations, photograph was taken in Alert Bay.

Item is a photograph of a procession of people walking down a road in Alert Bay in ceremonial dress (button blankets, headdresses) and regular clothes. Mungo Martin and Daisy Neel lead the group in the front row.

Item is a photograph of men gathered together for an event celebrating British Columbia's centennial in Alert Bay in 1958. They are sitting down in front of a painted wall and some are wearing ceremonial dress, such as button blankets and woven cedar headbands. A drum and a painted dance screen [thunderbird?] on fabric are also visible. Men in the photograph include: Charles Nowell, Billy Assu, and George Scow.

A group stands for an event in Alert Bay. One of the women is Marjorie Halpin. This may be related to the raising of the memorial pole for Mungo Martin.

A close up image of the Mungo Martin Memorial pole during the raising ceremony in Alert Bay.

A detail of the Mungo Martin memorial pole before it was raised in Alert Bay.

Elders perform the ceremony for the raising of the Mungo Martin memorial pole in Alert Bay.

Image of the memorial held for the Kwakiutl Chief Mungo Martin. A similar image of the same scene is printed on page 29 of Carter's book "From History's Locker," with the caption: "Under the direction of Chief William Scow the assembled chiefs of the Kwakiutl Nation come forward to make speeches in honor of the late Chief Mungo Martin."

Image of the raising of a totem pole made in memory of the Kwakiutl Chief Mungo Martin. The pole was placed at his grave.

Portrait of Chief James King, Hakwamees band, Kingcome Inlet. A similar portrait is printed on page 47 of Carter's book "From History's Locker," with the caption: "Holding the speaker's staff is our equivalent of a master of ceremonies." Staff is now in MOA’s collection - object ID: A9181.