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Canada Carving Inglés
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Gitanyow

File consists of photographic prints depicting Gitanyow cultural objects from other institutions. Many of the prints are annotated with handwritten, stamped, or typed information about the contents of the images or their original repositories. The contents of this file were used to create object labels for MOA Object ID A50019 in MOA's Great Hall.

Gitxsan

File contains historical photographs of Gitxsan villages, with a specific focus on totem poles and various buildings in the villages. There are also some images of the Gitxsan people in regalia. The textual records contain information to some of the photographs, listing the photograph's title and the museum and/or archive it originated from.

Govenor [sic]and Mrs. Michner [sic], Alert Bay

Governor General Roland Michener and his wife Norah pose with a short totem pole. Trees and buildings are visible in the distance. Totem pole appears similar to a pole attributed to Arthur Shuaghnessy that was raised for Kamdatsa (Mrs. Tom Patch) of Village Island or New Vancouver, a woman who lived to be over 100 years old. That pole was eventually raised on her grave.

Governor and Mrs. Michener with short totem at Alert Bay

Governor General Roland Michener and his wife Norah pose with a short totem pole. Trees and buildings are visible in the distance. Totem pole appears similar to a pole attributed to Arthur Shuaghnessy that was raised for Kamdatsa (Mrs. Tom Patch) of Village Island or New Vancouver, a woman who lived to be over 100 years old. That pole was eventually raised on her grave. This print appears to be a duplicate of item a033223a.

Grizzly Bear Pole at T'aanuu Llnagaay

Men preparing to lower the grizzly bear pole at T'aanuu Llnagaay. The pole was removed by the B.C. Totem Pole Preservation Committee and cut into four sections. It has since been displayed at UBC and at the Museum of Anthropology in these four sections.

Gwayasdums (Gilford Island): totem pole

Image of a totem pole by Gilford Island carver Sam Johnson. The pole depicts the Eagle and "Tzonqua." A picture of Johnson with this pole is printed on page 54 of Carter's book From History's Locker.

Sin título

Gwayasdums, Gilford

Image of old totem poles or carved posts in the village of Gwayasdums on Gilford Island, BC.

Sin título

Haida

File consists of photographic prints depicting Haida cultural objects from other institutions. Many of the prints are annotated with handwritten, stamped, or typed information about the contents of the images or their original repositories. The contents of this file were used to create object labels for MOA Object ID A50000 a, b, c, & d; A50001; A50002 a, b, & c; A50012; A50013; A50014 a & b; A50015 a & b; A50017; A50018; A50021; and A50045 in MOA's Great Hall.

Haida

File mainly contains historical images of Haida and Tlingit villages and totem poles located on the Northwest Coast of British Columbia and Alaska. There are also images of Haida and Tlingit peoples dressed in regalia. Other photos include images of Haida and Tlingit artifacts, such as bentwood boxes and carvings, housed in various museums around the world. There are also images of a modern day ceremony in front of some totem poles and long houses. The textual records include photocopies of images of totem poles and Haida and Tlingit villages.

Haida mortuary poles at SGang Gwaay Llanagaay

Series of Haida Mortuary poles from SGang Gwaay photographed by Charles F. Newcombe in 1901. The third pole from the left was taken down in 1957 and held at the University of British Columbia and the Museum of Anthropology. In 2009 it was taken down from the Great Hall in the Museum of Anthropology and placed into massive carving storage in preparation for repatriation to the Haida nation.

Haida mortuary poles at SGang Gwaay Llanagaay

Series of Haida Mortuary poles from SGang Gwaay photographed by Charles F. Newcombe in 1901. The third pole from the left was taken down in 1957 and held at the University of British Columbia and the Museum of Anthropology. In 2009 it was taken down from the Great Hall in the Museum of Anthropology and placed into massive carving storage in preparation for repatriation to the Haida nation.

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