Masks and headdresses on display in the Vancouver Centennial Museum. This display was installed by the Museum of Anthropology as the opening exhibition of the Vancouver Centennial Museum.
Item is a photograph of artifacts of Northwest Coast cultural groups [Kwakwaka'wakw?], including: 3 carved and painted wooden masks, 1 carved and painted wooden headdress, and 1 unidentified wooden object displayed against a white sheet backdrop. The mask on the left might be a Kwakwaka'wakw representation of Dzunuk'wa, The Woman of the Woods. The mask in the middle has an abalone feature.
The fonds consists mainly of slides, negatives, and other material relating to Sinhalese (Sri Lankan) and other South Asian masks held at numerous repositories worldwide, studied by Ames in the late 1950s and early 1980s. Subjects also include people, places, temples, ceremonies, and daily life in Sri Lanka, Bangkok, Cambodia, and Singapore. Numerous research articles reproduced by Ames, as well as travel brochures, are included. Material from student exhibits related to South Asian masks is also included. The records have not been arranged into series since the entire fonds consists of closely related material.
This issue contains articles on current and upcoming exhibitions, renovations, the installation of murals at BC Children's Hospital, Amazonia: The Rights of Nature and related student workshops and forensic work, a Musqueam Teaching Kit, the Native Youth Program's night sky project, the Rachel and David Herman Collection of Byzantine Coins, the Museum of Lisbon exhibition From Carnival to Lucha Libre: Mexican Masks and Devotions, In a Different Light: Reflecting on Northwest Coast Art, The Fabric of Our Land: Salish Weaving, the MOA Journey to Papua New Guinea, and an interview with April Liu, Curator of Public Programs + Engagement.
Item is a negative showing two monks dressed in masks seated in front of a wooden post. There are groups of people milling in front of some buildings in the background.
Item is a negative showing a group of monks dressed in masks and robes, situated around a wooden post. Some appear to be holding a drum. There are groups of people seated in front of a large wall, watching the monks in the background.
Item is a negative showing a monk wearing a mask with feathers protruding from the back. There is a large group of people watching in the background. A mountain in the far distance is also visible.
Museum catalogue with display of Northwest Coast masks in visible storage at the Museum of Anthropology. This photograph illustrates how the catalogues available to museum visitors could be used to learn about the items on display.
The file contains images of Northwest Coast artifacts located in unidentified First Nation villages, and in various museums in North America. The artifacts include masks, paddles, carvings, rattles, fishing equipment, and household items such as bowls and spoons. The majority of images from various museums include information about the artifact such as what it is, the museum it's housed in, and the artifact's catalogue number.
Series consists of binders made up of photographs, quotations, background information and photocopied text from published sources. These binders were created to provide context to Koerner’s collection of Northwest Coast Indian art. These albums were compiled by Madeline Bronsdon Rowan, who was one of the curators at the Museum of Anthropology.
File contains historical images of Nuu-chah-nulth villages and peoples. There is a focus on totem poles and canoes. There are also photographs of a pole raising ceremony to commemorate the visit of Governor General Willingdon who came to Tofino/Ucluelet in the 1920s. There are images of James Rush, Chief Miste Laabats Hamtsiid, and Chief Joseph John, dressed in Nuu-chah-nulth regalia.
The collection consists of eight photographs likely taken in the Nuu-chah-nulth community in the 1920's. Some of the photographs may have been taken by Catherine, the daughter of an early Indian Agent named Augustus Cox. They include a number of images that appear to be a Samiilth or Saatlsaach ceremony, with K'aanaatla mimicking wolves. Some of these images are taken near a seaside village, which shows various types of structures and canoes. Other images taken on a beach show canoe runs, as well as two images of individuals in robes and headdresses. Another image shows a detailed view of two headdresses. There are also images of what seem to be preparations for a parade, with individuals dressed in costumes and decorated motorcars nearby.
![Mr. Wilson dressed in the traditional robes and mask of the [Nuu-chah-nulth]](/uploads/r/null/1/4/5/145a419cce223ccd01c9dd6dbd6f0b262aaa866764172d3e3e6f3f8cdb5ee2c6/a038130c_142.jpg)
