- 132-3-B-1-MAN-019
- Item
- [195-]
Part of MOA General Media collection
Item is an audio recording of women and men singing Haida songs with drum accompaniment. There is no speaking in between songs.
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Part of MOA General Media collection
Item is an audio recording of women and men singing Haida songs with drum accompaniment. There is no speaking in between songs.
Part of MOA General Media collection
Item is an audio recording of women and men singing Haida songs with drum accompaniment. There is no speaking in between songs.
Part of MOA General Media collection
Item is a sound recording of singing in Haida along to drum accompaniment. There is also some speaking in between songs using the Haida language.
Part of MOA General Media collection
Item is an audio recording of women and men singing Haida songs with drum accompaniment. There is no speaking in between songs.
Part of MOA General Media collection
Item is an audio recording of women and men singing Haida songs with drum accompaniment. There is no speaking in between songs.
Haida,' Masset beach and small wooden buildings
Part of Anthony Carter fonds
Image of a beach with a few small boats and nearby buildings, in the village of Masset on Haida Gwaii.
Anthony Carter
Haida,' Masset gravel road with houses
Part of Anthony Carter fonds
Image of a residential road in the village of Masset on Haida Gwaii.
Anthony Carter
Haida,' Masset sunset or sunrise
Part of Anthony Carter fonds
Image of a sunset, taken from a beach in or near the village of Masset.
Anthony Carter
Haida,' Masset sunset or sunrise
Part of Anthony Carter fonds
Image of a sunset, taken from a beach in or near the village of Masset.
Anthony Carter
Haida,' Masset sunset or sunrise
Part of Anthony Carter fonds
Image of a sunset, taken from a beach in or near the village of Masset.
Anthony Carter
Handwritten note about Anthony Island slides
Part of Harry B. Hawthorn fonds
House beams, front or rear, Anthony Island
Part of Harry B. Hawthorn fonds
House frontal totem pole being lowered
Part of MOA General Media collection
House frontal totem pole being lowered on Tanu Island in 1954. This pole was cut into four sections and is displayed in these sections at the Museum of Anthropology.
House frontal totem pole, Anthony Island
Part of Harry B. Hawthorn fonds
Image of an old house post on Anthony Island, Haida Gwaii. This appears to the same as a post now housed at the Museum of Anthropology. This museum item is decribed as follows: "The lower section of a totem, crescent shaped in cross section, carved in shallow and deep relief. From top to bottom: bear with protruding tongue and raven on body, kneeling on head of unknown creature... Figures probably from historical narratives owned by lineages of house owner and wife. Grizzly bear was a crest of the lineages of the 'Striped Town People' and 'Sand Town People' of the Raven Moiety, to one of which the husband may have belonged. The supernatural Snag was also a crest of the 'Striped Town People'. Human arms of the raven or cormorant may indicate ability to transform from animal to human."
Part of MOA General Media collection
Image of several house frontal totem poles at Ninstints on Anthony Island. The totem pole in the foreground is recognizable as one that was transferred to the Museum of Anthropology in 1954. While the others likely were as well, they are more difficult to identify.
House of Chief Albert Edward Edenshaw
Part of Robert Reford fonds
Item is an image of two totem poles by two buildings. According to annotations, photograph is of the house of Chief Albert Edward Edenshaw, G?aw (also known as Old Massett) in the Haida Gwaii archipielago.
Part of Robert Reford fonds
Item is an image of two buildings, seven totem poles, and one cannon. According to annotations, photograph is of the house of Chief Wiah, Town Chief of G?aw (also known as Old Massett) in the Haida Gwaii archipielago.
Part of Reverend Thomas Crosby fonds
Image depicts the interior of Chief Wiah's Monster House at Masset, Haida Gwaii, B. C., including two house pits and central fireplace. Printed around the border of the image is the photographer information "PHOTOGRAPHED BY R. MAYNARD, VICTORIA, . . . B. C." Handwritten inscription on the border reads "Interior Indian house" Printed on the verso is the photographer information with the inscription "R. Maynard, Photographic Artist, AND DEALER IN ALL KINDS OF PHOTOGRAPHIC MATERIALS, COR. OF DOUGLAS AND JOHNSON STS., VICTORIA, B. C. -- Views of British Columbia and Vancouver Island for Sale." A handwritten inscription reads "House of Chief Wiah, Massett [sic]."
Part of Harry B. Hawthorn fonds
Image of a house post on Anthony Island, Haida Gwaii. This appears to be a post now housed at the Museum of Anthropology (museum item #A50016). This museum item is described as follows: "Totem, crescent shaped in cross section, carved in shallow and deep relief. From top to bottom: human with hands at right angles and fingertips touching. The arms are folded with the elbows resting on squared ears of figure below. Enclosed within this frame is a small human/hawk face with beak, surmounting the head, shoulders, and forepaws of an emerging bear cub. At the base is a bear from whose ears frogs look downward. The bear has curled nostrils; upturned mouth, raised forearms with five fingers folded over each palm, small human face between forearms... Stood at centre of back wall inside house called 'Raven House', belonging to the lineage of the'Sand Town People' of Raven moiety of Kunghit Haida. MacDonald lists it as house number 17... Pole standing when collected...Figures are crests belonging to the lineage of the owners of the house, the 'Sand Town People' of the Raven moiety. They may also refer to the Bear Mother myth."
Part of Harry B. Hawthorn fonds
Image of a house post on Anthony Island, Haida Gwaii. This appears to be a post now housed at the Museum of Anthropology (museum item #A50016). This museum item is described as follows: "Totem, crescent shaped in cross section, carved in shallow and deep relief. From top to bottom: human with hands at right angles and fingertips touching. The arms are folded with the elbows resting on squared ears of figure below. Enclosed within this frame is a small human/hawk face with beak, surmounting the head, shoulders, and forepaws of an emerging bear cub. At the base is a bear from whose ears frogs look downward. The bear has curled nostrils; upturned mouth, raised forearms with five fingers folded over each palm, small human face between forearms... Stood at centre of back wall inside house called 'Raven House', belonging to the lineage of the'Sand Town People' of Raven moiety of Kunghit Haida. MacDonald lists it as house number 17... Pole standing when collected...Figures are crests belonging to the lineage of the owners of the house, the 'Sand Town People' of the Raven moiety. They may also refer to the Bear Mother myth."