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Museum exhibitions Inglés
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Working set [photographs]

File contains photo-copies of images of First Nation community members in Alert Bay and at St. Mike's Residential School. The photographs were taken to community elders who had been at the residential school so that they could annotate the photographs. Not all of the images in the file were used in the exhibit.

Woman in G?aw

Woman in G?aw

Item is an image of a woman walking away from the camera with three buildings and a totem pole in the background. According to annotations, photograph was taken in G?aw (also known as Old Massett) in the Haida Gwaii archipielago

Woman in G?aw

Woman in G?aw

Item is an image of a woman by a building. According to annotations, photograph was taken in G?aw (also known as Old Massett) in the Haida Gwaii archipielago

Without Masks: Contemporary Afro-Cuban Art

Subseries consists of records related to the graphic design for the Without Masks exhibit, on display at the Museum of Anthropology May 2 - November 2, 2014. The exhibit was curated by Cuban poet, art critic and curator Orlando Hernández.

Willy White: “My Ancestors Are Still Dancing”

The records in this sub-series relate to Willy White’s 2002 exhibition on Chilkat and Raven’s Tail weaving, My Ancestors Are Still Laughing. During his exhibition at the Museum of Anthropology, Willy White began weaving a gwishalaayt, or Chilkat robe. The weaving was later finished at his home in Prince Rupert, British Columbia. In 2004, a “taking off of the loom” ceremony and feast was held to celebrate the completion of the gwishalaayt. Though Elizabeth Johnson was the curator for this exhibition, Duffek worked closely with her, and the files relate to Duffek’s involvement with in the process. File contents relate to exhibition research and planning, draft exhibit texts, correspondences, transcripts of interview with the weavers, and recordings of the final ceremony.

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