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British Columbia Item First Nations
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House frontal totem pole

A house frontal totem pole said to be from Oweekeno. This appears to be the totem pole that was taken from Rivers Inlet to the Museum of Anthropology in 1956, as part of the B.C. Totem Pole Preservation Committee.

House frontal totem pole, Anthony Island

Image of an old house post on Anthony Island, Haida Gwaii. This appears to the same as a post now housed at the Museum of Anthropology. This museum item is decribed as follows: "The lower section of a totem, crescent shaped in cross section, carved in shallow and deep relief. From top to bottom: bear with protruding tongue and raven on body, kneeling on head of unknown creature... Figures probably from historical narratives owned by lineages of house owner and wife. Grizzly bear was a crest of the lineages of the 'Striped Town People' and 'Sand Town People' of the Raven Moiety, to one of which the husband may have belonged. The supernatural Snag was also a crest of the 'Striped Town People'. Human arms of the raven or cormorant may indicate ability to transform from animal to human."

House frontal totem poles

Image of several house frontal totem poles at Ninstints on Anthony Island. The totem pole in the foreground is recognizable as one that was transferred to the Museum of Anthropology in 1954. While the others likely were as well, they are more difficult to identify.

House of Chief Albert Edward Edenshaw

Item is an image of two totem poles by two buildings. According to annotations, photograph is of the house of Chief Albert Edward Edenshaw, G?aw (also known as Old Massett) in the Haida Gwaii archipielago.

House of Chief Wiah, Massett

Image depicts the interior of Chief Wiah's Monster House at Masset, Haida Gwaii, B. C., including two house pits and central fireplace. Printed around the border of the image is the photographer information "PHOTOGRAPHED BY R. MAYNARD, VICTORIA, . . . B. C." Handwritten inscription on the border reads "Interior Indian house" Printed on the verso is the photographer information with the inscription "R. Maynard, Photographic Artist, AND DEALER IN ALL KINDS OF PHOTOGRAPHIC MATERIALS, COR. OF DOUGLAS AND JOHNSON STS., VICTORIA, B. C. -- Views of British Columbia and Vancouver Island for Sale." A handwritten inscription reads "House of Chief Wiah, Massett [sic]."

House of Wiiseks/Wiigyet of Gitsegukla Totem Pole

Image of a totem pole in Gitsegukla owned by Gary Hill Sr. of the house of Wiiseks/Wiigyet. The pole was cut down and as of March 2019 there are plans to make another one.

Additional images of this pole are printed on page 122 of Carter's book Abundant Rivers.

Anthony Carter

House post, Anthony Island

Image of a house post on Anthony Island, Haida Gwaii. This appears to be a post now housed at the Museum of Anthropology (museum item #A50016). This museum item is described as follows: "Totem, crescent shaped in cross section, carved in shallow and deep relief. From top to bottom: human with hands at right angles and fingertips touching. The arms are folded with the elbows resting on squared ears of figure below. Enclosed within this frame is a small human/hawk face with beak, surmounting the head, shoulders, and forepaws of an emerging bear cub. At the base is a bear from whose ears frogs look downward. The bear has curled nostrils; upturned mouth, raised forearms with five fingers folded over each palm, small human face between forearms... Stood at centre of back wall inside house called 'Raven House', belonging to the lineage of the'Sand Town People' of Raven moiety of Kunghit Haida. MacDonald lists it as house number 17... Pole standing when collected...Figures are crests belonging to the lineage of the owners of the house, the 'Sand Town People' of the Raven moiety. They may also refer to the Bear Mother myth."

House post, Anthony Island

Image of a house post on Anthony Island, Haida Gwaii. This appears to be a post now housed at the Museum of Anthropology (museum item #A50016). This museum item is described as follows: "Totem, crescent shaped in cross section, carved in shallow and deep relief. From top to bottom: human with hands at right angles and fingertips touching. The arms are folded with the elbows resting on squared ears of figure below. Enclosed within this frame is a small human/hawk face with beak, surmounting the head, shoulders, and forepaws of an emerging bear cub. At the base is a bear from whose ears frogs look downward. The bear has curled nostrils; upturned mouth, raised forearms with five fingers folded over each palm, small human face between forearms... Stood at centre of back wall inside house called 'Raven House', belonging to the lineage of the'Sand Town People' of Raven moiety of Kunghit Haida. MacDonald lists it as house number 17... Pole standing when collected...Figures are crests belonging to the lineage of the owners of the house, the 'Sand Town People' of the Raven moiety. They may also refer to the Bear Mother myth."

House posts and beam, Quatsino, BC

Image of the houseposts and beam of what once was a longhouse in Quatsino, BC, on the north end of Vancouver Island. These posts appear to be the same as posts now houses at the Museum of Anthropology (museum item number A50009 a-c). The poles are described on the museum's catalogue: "Two upright posts and crossbeam that were part of a large interior house frame (also see records d-f and g-h). The uprights depict sea lions carved in high relief and painted (parts a-b). Their heads are equal size to their bodies. Both part a and b have an eagle in profile within the sea lions front flippers. Part a has a top portion of a face painted on the back of its head that is part of a sisiutl that runs down the seal lions back and into its hind flipper with a serpent's head in each. The cross-beam (part c) is painted and carved as a supernatural double-headed sea lion. All parts are painted black and white with Northwest Coast stylized forms... The Klix'ken (sea lion) House was commissioned by Tza'kyius around 1906, and was the last old style house erected in Xwatis. The beams and figures stood as part of a house frame, and acted as structural supports. Figures represented on house frames were supernatural beings which the family living in the house had the right, through their history and origins, to represent."

Interior house post

Image of a bear shaped interior house post. This appears to be a house post that was transferred from Hope Island to the Museum of Anthropology in 1956.

Interior house post

Image of a bear shaped interior house post. This appears to be a house post that was transferred from Hope Island to the Museum of Anthropology in 1956.

Interior house posts

Image of interior house posts in an abandoned settlement. These appear to be the house posts that were transported from Hope Island to the Museum of Anthropology in 1956.

Interior house posts

Image of interior house posts in an abandoned settlement. These appear to be the house posts that were transported from Hope Island to the Museum of Anthropology in 1956.

Interview with Haida Elder Percy Brown

Item is an audio recording of an interview with Percy Brown, a Haida Elder and well-known singer, about birds, animals, fish, whaling and trapping terminology on Haida Gwaii, British Columbia. He is interviewed by two unidentified women. In the first half of the recording, he is asked questions about local birds, for example, partridges, puffins and sea gull, in order to determine Haida names for the birds and to determine if the birds are native to Haida Gwaii. He is asked similar questions about various types of vegetation, for example, plant roots. He also provides information about historic uses of trading and trapping in Haida Gwaii. Percy Brown is featured in the 1979 LP Songs from Masset, referenced in the publication Northern Haida Songs by John Enrico and Wendy Bross Stuart which is available in the MOA Reading Room, call number 12.7c HAI ENR.

Jimmie John

Portrait of Jimmie John with one of his carvings. A similar image is pictured on page 97 of Carter's book "From History's Locker," with the caption: "Jimmie John, one of the best of the Nootka carvers, shown here displaying a piece of his work, a replica of the famous Chief Maquinna mask."

Anthony Carter

Jimmie John & carvings

Portrait of Jimmie John with one of his carvings. A similar image is pictured on page 97 of Carter's book "From History's Locker," with the caption: "Jimmie John, one of the best of the Nootka carvers, shown here displaying a piece of his work, a replica of the famous Chief Maquinna mask."

Anthony Carter

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