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Sub-series consists of textual records related to Halpin’s work on a number of videos. Included is the narrative for the video “Introduction to Totem Poles” and notes and photographic research for the U’mista project.

Subseries consists of records relating to an Asian art exhibition of the Victor Shaw Collection at the Museum of Anthropology. Records include exhibition budgets, memoranda, and exhibition cost estimates.

Subseries consists of records relating to Skooker Broom’s responsibilities as the Museum of Anthropology liaison and coordinator for the development of a Vancouver Virtual Museum consortium and for the creation and development of proposals for a virtual museum. Records include correspondence, memoranda, reports, agendas, business cards, guidelines, confidential reports, confidential and proprietary documents, Vancouver Virtual Museum Society’s Act, minutes, grant applications (copies), expense lists, estimates, draft letters, grant notifications, agreement guides, drafts & final proposals, terms of projects, licensing agreements booklet, budgets, agreements, corporate reports, and consultation reports.

Sub-series consists of textual records relating to Duff's work for the Vancouver Centennial Museum as a member of the Professional Advisory Committee and as a consultant curator for a display in the Vancouver Centennial Museum at its opening. Documents include policy drafts for the museum, minutes of meetings, correspondence and notes.

Subseries consists of records relating to a joint project of the Vancouver Art Gallery and the Museum of Anthropology to send a travelling exhibition of Emily Carr’s work and related material on a tour of Asia. The records consist of correspondence, financial records, invitations, 2 maps, business cards, reports, newspaper photocopies, itineraries and memoranda.

Subseries consist of records relating to work done by Volunteer Associates primarily dealing with aspects of collections management. Areas of focus include records associated with collections management. Records include correspondence, instruction sheets, photographs, and reports.

This committee was appointed by the Planning and Coordinating Committee to do the detailed work of planning. The Museum Programme Committee was sub-committee of the User’s Committee.

Includes a number of versions of the unpublished manuscript titled "Chinook Jargon: The Language of Northwest History." Also included are the lessons prepared for the Chinook Jargon classes taught by Powell at Langara College, 1974 – 75.

This exhibit was developed with the Traditional Parenting Skills Program of the Indian Homemaker’s Association of British Columbia. The project was created to show the evolution of the Association. The quilt serves as a visual symbol that represents the unity of Aboriginal people as well as the distinctiveness of each individual’s nation, community and family.

Subseries consists of correspondence and accompanying photographs collected in anticipation of a potential metals project that never occurred at the Museum.

Subseries consists of one file relating to an exhibition, proposed by Ulli Steltzer to Elizabeth Johnson, on the subject of a photograph exhibit representing indigenous and ethnic minorities in China. The subseries includes a project proposal: stage 1, correspondence, and memoranda.

Subseries consists of images of the artist who created Ukrainian Easter eggs for the exhibit <i>Symbol of New Hope: The Ukrainian Easter Egg</i>

Subseries consists of material which relates to courses taught at UBC and the students that took them. Subseries consists of correspondence, letters of recommendation, memoranda, and a report from the Graduate Studies Review Committee, and teaching material and notes.

Consists of records relating to the development and opening of the U’Mista Cultural Centre in Alert Bay.