Doug Cranmer, Roy Hanuse, UBC 1973
- 51-01-33-a035245
- Stuk
- 1973
Part of Harry B. Hawthorn fonds
Image of Doug Cranmer and Roy Hanuse carving two totem poles at the University of British Columbia.
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Doug Cranmer, Roy Hanuse, UBC 1973
Part of Harry B. Hawthorn fonds
Image of Doug Cranmer and Roy Hanuse carving two totem poles at the University of British Columbia.
Part of Harry B. Hawthorn fonds
Image of Doug Cranmer and another person (likely Roy Hanuse) carving a totem pole at the University of British Columbia.
Part of Harry B. Hawthorn fonds
Image of Doug Cranmer carving two totem poles at the University of British Columbia.
Part of Harry B. Hawthorn fonds
N.W.C. Gallery, Centennial Museum - Project from this side
Part of Harry B. Hawthorn fonds
Stephen Inglis - Indian village crafts
Part of Harry B. Hawthorn fonds
Eskimo Art - Binqitte Rammon folk
Part of Harry B. Hawthorn fonds
Fonds consists of eight slides of totem poles being raised in the Haida Village at the University of British Columbia (UBC). The slides are dated May, 1962. The photographs were taken by George Szanto, the son-in-law of Geoffrey Andrew who was the Dean and Deputy President of UBC from 1947 to 1962.
The totem poles represented in the images were carved by Haida artist Bill Reid and 'Namgis artist Doug Cranmer. They were originally situated at UBC's Totem Park. They are now located on the grounds behind the Museum of Anthropology, and modelled on a 19th century Haida village.
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Kitty (Cathy) Ferry: Fish Taxonomy
Kitty (Cathy) Ferry talks about fish taxonomy with Martine de Widerspach-Thor (Reid) in English and Kwakwala. Recorded at Mrs. Kitty Ferry's house in Vancouver. Item was labelled as tape number III.
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The collection consists of nine large watercolour illustrative panels commissioned by the UBC Museum of Anthropology, eight of which were commissioned for the exhibit "The Four Seasons: Food Getting in British Columbia Prehistory," which ran from April to November 1979. The other watercolour is from an unidentified exhibit or sourcebook.
The collection also contains one painting that was commissioned by the museum for a publication (Museum Note, no.12, "Ninstints: World Heritage Site"), as well as a blueprint reproduction of a related drawing. These are renderings of how the houses and poles on a beach at the Ninstints village site might have looked when they were in use. The rendering is based on George MacDonald's map.
Collection consists of the following items:
001: The Four Seasons – Spring – Interior [1979?]
002: The Four Seasons – Spring – Coast [1979?]
003: The Four Seasons – Summer – Interior [1979?]
004: The Four Seasons – Summer – Coast [1979?]
005: The Four Seasons – Autumn – Interior [1979?]
006: The Four Seasons – Autumn – Coast [1979?]
007: The Four Seasons – Winter – Interior [1979?]
008: The Four Seasons – Winter – Coast [1979?]
009: Haida six beam house 1993
010: [Ninstints village painting] 1983
011: [Ninstints village, drawing for Museum Note] 1983
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The fonds consists of one file titled Interview Transcripts, which contains recorded interviews, transcripts, and printed copies of transcribed interviews of research done by Sharon Fortney towards her PhD thesis titled Forging New Partnerships: Coast Salish Communities and Museums. Forney's thesis explores what motivates Coast Salish communities to participate in museum representations; considers the legal implications of such representations with respect to aboriginal rights; and analyzes of the diverse experiences of Coast Salish individuals in specific museum projects and partnerships with the goal of progressing museum and community interactions along a path to equal partnership.
The audiotapes in the fonds contain interviews with Coast Salish community members and artists regarding museums. The CD-R contains transcripts of interviews and is located in the temporary CD storage box. Sharon Fortney's curriculam vitae, thesis abstract, and 10 interviewee consent forms are located in the case file.
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Chief Dan George at centennial opening at Vancouver Public Library
Part of Anthony Carter fonds
File consists of images from a centennial celebration at the Vancouver Public Library, featuring Chief Dan George speaking.
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Chief Dan George at Centennial opening of display at Van Public Library, Vancouver BC
Part of Anthony Carter fonds
Image of a group at dinner in a restaurant, as part of the activities around the Centennial opening of display at Vancouver Public Library.
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Chief Dan George at Centennial opening of display at Van Public Library, Vancouver BC
Part of Anthony Carter fonds
Image of Chief Dan George talking at what appears to be the opening.
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Chief Dan George at Centennial opening of display at Van Public Library, Vancouver BC
Part of Anthony Carter fonds
Image of a group at dinner in a restaurant, as part of the activities around the Centennial opening of display at Vancouver Public Library. Chief Dan George is seated at the corner of the table by the window.
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Chief Dan George at Centennial opening of display at Van Public Library, Vancouver BC
Part of Anthony Carter fonds
Image of a group at dinner in a restaurant, as part of the activities around the Centennial opening of display at Vancouver Public Library. Chief Dan George is seated at the corner of the table by the window.
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Chief Dan George at Centennial opening of display at Van Public Library, Vancouver BC
Part of Anthony Carter fonds
Image of Chief Dan George standing near a microphone at what appears to the opening.
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Chief Dan George at Centennial opening of display at Van Public Library, Vancouver BC
Part of Anthony Carter fonds
Image of Chief Dan George holding a framed work, standing in front of a microphone with another man. This scene is at what appears to be the opening.
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Docked fishing boats, Vancouver
Part of Anthony Carter fonds
Image of docked fishing boats in Vancouver. The North Shore Mountains are visible across the water.
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Part of Anthony Carter fonds
Image of Chief Dan George cutting a ribbon at the opening of Centennial display at Vancouver Public Library.
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