Image of a totem pole being moved at the Museum of Anthropology. The pole is lying on the ground, wrapped in fabric. A number of workers are standing next to it.
View of several totem poles in Nimpkish Band Cemetery. Totem on the far right of image is a memorial to Billie Moon, carved by Willie Seaweed and Joe Seaweed in 1931. The pole second from the right, carved by Doug Crammer, Richard Hunt, Bruce Alfred, Donna Ambers, Fish Ambers, and Richer Sumner, is a memorial to Dan Crammer.
File contains a combination of historical photographs depicting village life of the Coast Salish people, and modern day photographs of Salish artifacts housed in various museums around the world. The historical photographs contain images of Coast Salish peoples, totem poles, house posts, canoes, and petroglyphs. The modern day photographs contain images of Coast Salish artifacts such as blankets, spindle whorls, masks, carvings, house posts and totem poles, and household items such as combs and bowls. The textual records contained in this file are photocopies of images of Coast Salish artifacts housed in various museums around the world.
A scaffolding surrounds a totem pole that is being moved from Totem Park to the new Museum of Anthropology building. Staff wrap the pole in padding. The totem pole was originally carved by Charlie James and was later restored by Mungo Martin.
Scaffolding surrounds a totem pole standing in Totem Park in preparation for moving it to the new Museum of Anthropology building. This pole was carved by Mungo Martin and later restored by him at the University of British Columbia in 1950-51. It stood in Totem Park until it was moved to the new Museum of Anthropology building in 1975.
A scaffolding surrounds a totem pole that is being moved from Totem Park to the new Museum of Anthropology building. Staff wrap the pole in padding. The totem pole was originally carved by Charlie James and was later restored by Mungo Martin.
A scaffold surrounds a totem pole in preparation for moving it from Totem Park to the new Museum of Anthropology. This pole was carved by George Hunt Sr. The pole is now part of the museum's collection. This pole was originally carved for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters." The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.
Scaffolding surrounds a totem pole standing in Totem Park in preparation for moving it to the new Museum of Anthropology building. This pole was carved by Mungo Martin and later restored by him at the University of British Columbia in 1950-51. It stood in Totem Park until it was moved to the new Museum of Anthropology building in 1975.
A scaffold surrounds a totem pole in preparation for moving it from Totem Park to the new Museum of Anthropology. This pole was carved by George Hunt Sr. The pole is now part of the museum's collection. This pole was originally carved for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters." The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.
Scaffolding surrounds two totem poles in totem park in preparation for moving them from Totem Park to the new Museum of Anthropology building. The pole on the viewer's right was originally carved by Charlie James and later restored by Mungo Martin. The pole on the viewer's left was carved by Mungo Martin and later restored by him in 1950-51. Both poles stood in Totem Park from 1951 until they were moved to the new Museum of Anthropology building in 1975.
