- 110-5-1-4-a035685
- Pièce
- June 12, 1977
Fait partie de Public Programming and Education fonds
A perfomer in a Tengu mask stands next to a drum in the Great Hall with audience members in the background
101 résultats avec objets numériques Afficher les résultats avec des objets numériques
Fait partie de Public Programming and Education fonds
A perfomer in a Tengu mask stands next to a drum in the Great Hall with audience members in the background
Fait partie de Public Programming and Education fonds
A performer in a dragon costume leans on a drum
Fait partie de Public Programming and Education fonds
A drummer performs Ryujin daiko in the Great Hall
Fait partie de Public Programming and Education fonds
A mask of a dragon head sits on top of a drum in the foreground, while two costumed performers play a second drum as spectators watch in the background.
Fait partie de Harry B. Hawthorn fonds
Crowd in Great Hall at museum opening?
Fait partie de Harry B. Hawthorn fonds
Man and woman in Great Hall at museum opening?
Fait partie de Harry B. Hawthorn fonds
Fait partie de Harry B. Hawthorn fonds
Image of a totem pole lying on its back on a truck, being transported to the Museum of Anthropology. The museum building is behind the pole.
Fait partie de Harry B. Hawthorn fonds
Image from the move of totem poles to the Museum of Anthropology in 1975.
Fait partie de Harry B. Hawthorn fonds
Image from the move of totem poles to the Museum of Anthropology in 1975.
Fait partie de MOA Publications and Ephemera collection
File consists of reports of the museum's activities from 1947 onward. These reports were generally produced at the end of each fiscal year beginning in 1978. Most reports cover a single year, while some span multiple years. In some years, multiple reports were produced. The file does not contain reports for the fiscal years ending in 1992, 1996, 1997, 1998, 2000, 2001, 2002, 2004, 2005, 2006, 2008, 2013, 2014, 2017, or 2018.
The reports in this file give information on the museum's activities, attendance, administration, funding, renovations, security, volunteer associates, curatorial work, exhibitions, acquisitions and donations, interactions with the university, outreach, programs such as the Native Youth Project and the Prison Outreach Program, educational activities, marketing, VIP visitors, and special events, among other topics.
President's Planning and Coordinating Committee fonds
The fonds consists of minutes, correspondence, contracts, and reports relating to the Planning of the Museum of Man (later Museum of Anthropology). The fonds includes information pertaining to the planning for the new museum, building needs, museum function, and the Functional Program which outlines the results of decisions the committee made.
Sans titre
Fait partie de MOA Publications and Ephemera collection
Michael Ames with guests in Great Hall
Fait partie de Anthony Carter fonds
Image in the Museum of Anthropology's Great Hall. Michael Ames (MOA Director) is on the left. Prime Minister Pierre Elliot Trudeau in on the right. The third individual is unidentified.
Fait partie de Harry B. Hawthorn fonds
Fait partie de Harry B. Hawthorn fonds
Fait partie de Harry B. Hawthorn fonds
Model of new museum and installation images
Fait partie de Harry B. Hawthorn fonds
Sans titre
Great Hall interior, Museum of Anthropology
Fait partie de Harry B. Hawthorn fonds
Image of poles in the Great Hall at the Museum of Anthropology.
Fait partie de Audrey Hawthorn (MOA Curator) fonds
Subseries consists of files relating to nine special events: the Indian Costume Show (1950), Open House Day (1955), the opening of Totem Park, the Henry Speck (Ozistalis) show (1964), a talk given on aboriginal medicine (1966), Bill Holm’s Indian Dance Group (1967), the opening ceremony for the new museum (1974-1979), the Raven Celebration (1980), the ‘Ksan Poleraising (1980-1981), and the dedication of the museum doors (1976). The records in this subseries consist of correspondence, newspaper clippings, memoranda, photographic negatives, ephemera, plans, budgets, financial statements, receipts, a copy of the June 9, 1976 edition of UBC Reports, and a copy of Canadian Art Review VI/I/1979.