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Image depicts a frontal view of the base of a totem pole. From this perspective one possibly human figure can be seen. The figure at the base of the pole appears to have only a head and be wearing a mask.. Views of this pole can be seen in items a034487 - a034492.

Image depicts a frontal view of a totem pole which appears to have a Thunderbird on the top. Several other creatures, one possibly human, can be seen from this perspective. Views of this pole can be seen in items a034487 - a034492.

Image depicts a front and side view of a Thunderbird totem pole with Douglas Cranmer seated next to the pole. Views of this pole can be seen in items a034487 - a034492.

Image depicts an offside view of a totem pole which appears to have a Thunderbird on the top. Views of this pole can be seen in items a034487 - a034492.

Image depicts a partially carved pole, highlighting the top figure which appears to be a Thunderbird.

Image depicts the top portion of what may be a small scale totem pole. The image depicted seems to be a Thunderbird, painted in black, white, red, green, and gold. There is another figure below this, but it is not discernible in this photo.

Image depicts a large carving, possibly of a Thunderbird. Painted in black, white, green, and tan, the wings are spread out wide.

Image depicts the exhibition The Pacific Passage installed at the Vancouver International Airport. The focal point of the photograph is Hetux, a large Thunderbird sculpture created by artist Connie Watts (Nuu-chah-nulth, Gitxsan and Kwakwaka'wakw).

An early photograph of the Museum of Anthropology. Two totem poles are visible on the museum grounds.

Image depicts Doug Cranmer preparing to make a rubbing image (using kraft paper and crayon) of the carving on a totem pole. Another person, possibly Godfrey Hunt, assists by holding the paper.

Photograph of a totem pole in Alert Bay, BC. This pole has been called the world's tallest totem pole, though this is a disputed fact since it is actually comprised of two pieces. The pole is not specific to a particular family, but represents multiple tribes of the Kwakwaka'wakw. The pole was completed in the late 1960's and raised in 1973. It is located near the Big House.

Image depicts Douglas Cranmer on a break from carving. He smokes a cigarette as his chain saw rests on the ground.

Workers affixing supports to a totem pole in Totem Park in advance of it being moved from Totem Park to the new Museum of Anthropology building.
This pole was carved by George Hunt Sr. The pole is now part of the museum's collection. This pole was originally carved for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters." The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.

Image depicts a frontal view of a sun mask.

Stone sculptures, a frog figure, and other items on display in Montréal for the Museum of Anthropology's Northwest Coast exhibit for "Man and His World".

Workers stand on a scaffold to wrap a totem pole in padding to prepare it for being moved from its position in Totem Park to the new Museum of Anthropology building. This totem pole was originally carved by Charlie James and later restored by Mungo Martin.

Workers stand on a scaffold to wrap a totem pole in padding to prepare it for being moved from its position in Totem Park to the new Museum of Anthropology building. This totem pole was originally carved by Charlie James and later restored by Mungo Martin.