Great Hall at the Museum of Anthropology
- 132-1-C-E-a043081
- Item
- [197-?]
Parte deMOA General Media collection
Totem poles in the Great Hall at the Museum of Anthropology.
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Great Hall at the Museum of Anthropology
Parte deMOA General Media collection
Totem poles in the Great Hall at the Museum of Anthropology.
School group at the Museum of Anthropology
Parte deMOA General Media collection
School group at the Museum of Anthropology.
Ramp of the Museum of Anthropology
Parte deMOA General Media collection
Ramp with totem poles at the Museum of Anthropology.
Leaning totem pole in front of house
Parte deHarry B. Hawthorn fonds
Parte deHarry B. Hawthorn fonds
Image of a section of a totem pole, featuring a beaver, on Anthony Island, Haida Gwaii. This appears to be a pole now housed at the Museum of Anthropology (museum item #A50013). This museum item has the following description: "Base section of a wooden totem pole, crescent shaped in cross section and carved in shallow and deep relief. Depicted is a seated beaver with one potlatch ring between erect ears; protruding upper incisors; raised forepaws and hind paws grasping chewing sticks. Below its rectangular shaped crosshatched tail is a human face with large circular eyes. Traces of blue in eye sockets and around nostrils... Beaver was one of crests owned by the lineage of Chief Ninstints (Tom Price), 'Those Born Up the Inlet', of the Eagle moiety... Remainder of pole, except top figure, burned when the village was burned in 1892 by the Koskimo and the crew of a sealing schooner. ."
Totem pole or house post, Anthony Island
Parte deHarry B. Hawthorn fonds
Parte deHarry B. Hawthorn fonds
Parte deHarry B. Hawthorn fonds
Parte deRobert Reford fonds
Item is an image of a group of people by a building and a totem pole, other buildings and poles visible in the background. According to annotations, photograph was taken in G?aw (also known as Old Massett) in the Haida Gwaii archipielago
Parte deRobert Reford fonds
Item is an image of fifteen people around a totem pole. There are two buildings in the background. People in the photograph are identified in annotations.
Woman next to thunderbird totem pole
Photograph of a woman posing next to an unidentified totem pole in Alert Bay, BC. The pole features two figures: a human figure on the bottom with outstretched arms, and a thunderbird on top.
Woman next to short totem pole
Photograph of a woman posing next to an unidentified short totem pole in Alert Bay, BC. The pole features a single human figure with a hat.
Parte deMinn Sjolseth fonds
File consists of slides depicting totems in what the file annotation refers to as Alert Bay and Kingcome.
Henry Speck carving house posts for Bighouse in Alert Bay
Photograph of Henry Speck carving a house posts for a Bighouse in a carving shed in Alert Bay, BC.
Doug Cranmer standing on the Haida House
Parte deMOA General Media collection
Photo of artists Doug Cranmer guiding a roof beam into place. This photograph was taken during the original construction of the Haida house in Totem Park.
Doug Cranmer on UBC working on a totem pole
Parte deMOA General Media collection
Doug Cranmer working on a totem pole on the UBC campus.
A totem pole lying on the floor of the Museum of Anthropology
Parte deMOA General Media collection
A totem pole lying on the floor of the Museum of Anthropology as it is being moved from Totem Park to the new Museum of Anthropology building.
This pole was carved by George Hunt Sr. The pole is now part of the museum's collection. This pole was originally carved for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters." The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.
Workers raising a totem pole in the Museum of Anthropology
Parte deMOA General Media collection
Workers raising a totem pole in the new Museum of Anthropology as it was being moved from Totem Park to the new Museum of Anthropology building.
This pole was carved by George Hunt Sr. The pole is now part of the museum's collection. This pole was originally carved for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters". The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.
Workers securing a totem pole in the Museum of Anthropology
Parte deMOA General Media collection
Workers securing a totem pole in the new Museum of Anthropology as it was being moved from Totem Park to the new Museum of Anthropology building.
This pole was carved by George Hunt Sr. The pole is now part of the museum's collection. This pole was originally carved for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters." The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.
Workers securing a totem pole in the Museum of Anthropology
Parte deMOA General Media collection
Workers securing a totem pole in the new Museum of Anthropology as it was being moved from Totem Park to the new Museum of Anthropology building.
This pole was carved by George Hunt Sr. The pole is now part of the museum's collection. This pole was originally carved for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters." The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.