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Sharon Fortney fonds

  • 78
  • Fonds
  • 2006 - 2008

The fonds consists of one file titled Interview Transcripts, which contains recorded interviews, transcripts, and printed copies of transcribed interviews of research done by Sharon Fortney towards her PhD thesis titled Forging New Partnerships: Coast Salish Communities and Museums. Forney's thesis explores what motivates Coast Salish communities to participate in museum representations; considers the legal implications of such representations with respect to aboriginal rights; and analyzes of the diverse experiences of Coast Salish individuals in specific museum projects and partnerships with the goal of progressing museum and community interactions along a path to equal partnership.

The audiotapes in the fonds contain interviews with Coast Salish community members and artists regarding museums. The CD-R contains transcripts of interviews and is located in the temporary CD storage box. Sharon Fortney's curriculam vitae, thesis abstract, and 10 interviewee consent forms are located in the case file.

Sharon Fortney

Tlingit Long-tail canoe

File mainly contains textual records related to the Tlingit Long-tail Canoe Exhibit. Textual records mainly consist of photocopies of historical photographs of Tlingit canoes. Other textual records include copies of correspondence between McLennan and the Royal British Columbia Museum, where many of the images were obtained from, and information about the exhibit, including a promotional handout, and a project report.

The images contained in this file are historic photographs of Tlingit canoes.

Project research

File contains the research materials for the project where McLennan acted as an adviser for the project. In addition, are images of Ruby Peter showing the process of mat making.

MOA Magazine, Issue 06, Fall 2018

This issue contains articles on current and upcoming exhibitions, Great Hall seismic upgrade renovations, Carol E. Mayer's trip to the island of Erub, volunteer Marcie Powell's work on textiles, contemporary art in the Multiversity Galleries, Debra Sparrow's weaving at the museum, the raising of a new Raven Pole at Wuikinuxv Village, the Volunteer Associates enrichment trip, the Native Youth Program, and an interview with Ann Stevenson, retiring Information Manager.

Haida history spoken by Chief William Matthews of Masset Part 1

Item is a sound recording of Chief William Matthews of Massett, Haida Gwaii, British Columbia discussing various topics including: the formation of Native Brotherhood of British Columbia, which was established in 1931 and is recognized as Canada’s oldest active Native organization, and a senior BC fishing organization; proceeding years of the organization’s existence including who had governance in the organization, descriptions of various delegates, which villages were represented in the organization and the growth of the organization in subsequent years; personal stories about his family; history and social structure of the village he grew up in and of Haida peoples more broadly.

Haida history spoken by Chief William Matthews of Masset Part 2

[rr_0024t1a] Item is a sound recording of Chief William Matthews of Masset, Haida Gwaii, British Columbia discussing Haida history. Topics include: the history of Haida villages, particularly the village of Masset; carver Robert Davidson who lived in Masset during his infancy; and traditional forms of fishing and agriculture.

[rr_0024t2a] Item is a sound recording of William Matthews discussing Haida history. Topics include: stories about fishing and hunting expeditions as a child; how he became involved in Council work in Masset; impact of the work done by Council on the village and improvements made; specific individuals involved in Council; differences in the approach between Council now and during his tenure; observations about life in Masset now and then.

MOA Magazine, Issue 08, Fall 2019

This issue contains articles on current and upcoming exhibitions, the Great Hall seismic upgrades, the UBC President's Staff Award for Community Engagement recipient Salma Mawani, the beginning of a project to decolonize MOA's Africa collections, funding from Canadian Heritage's Museum Assistance Program, Playing with Fire: Ceramics of the Extraordinary, the history of the museum and the Hawthorns, fast fashion and sustainable textiles, highlights from the Multiversity Galleries, the return of a Haida mortuary pole, the Native Youth Program, the MOA shop, artist-in-residence Sharon Reay, and the MOA Director's Advisory Council.

MOA Magazine, Issue 07, Spring 2019

This issue contains articles on current and upcoming exhibitions, the new Collections Access Grant program, the release of the book People Among the People: The Public Art of Susan Point, Shadows, Strings and Other Things: The Enchanting Theatre of Puppets and related programs, Javanese puppeteer Sutrisno Hartana, the Ninini (Earthquake) dance at the Frank Nelson Memorial Potlatch, MOA's conservators Miriam Clavir and Heidi Swierenga, highlights from the MOA archives, the book Divine Threads: The Visual and Material Culture of Cantonese Opera by April Liu, and how to leave a gift to MOA in your will.

Tsimshian songs recorded by Dr. Viola Garfield

Item is a recording of Tsimshian songs recorded by the American anthropologist Dr. Viola Garfield (1899-1983) of the University of Washington. The songs in this recording were sung by Matthew Johnson (ca. 1867 - ?) who was one of the leading lineage heads of the G-spaxlo-‘ts tribe, and a great admirer of the lineage of the Tsimshian chief, Legaic” (Legaik, Legex). The title Legaic was carried by at least four chiefs of the Tsimshian Eage Clan. The last-known individual to carry the title took it in 1938.The cylinder numbers referenced during the recording are #14561, #14562, #14563, #14564 .

The Dr. Viola Garfield fonds is housed at the University of Washington Special Collections. She carried out field work in the summer of 1932, 1935 and 1937 at the Tsimshian village of Port Simpson, British Columbia. An Ediphone machine provided by the University of Washington Anthropology Department was used to record and store the songs on wax cylinders, which were deposited at the University. The recordings were transferred to the open reel format in 1971. More information is available in Dr. Viola Garfield's book Tsimshian Clan and Society (1939), available in the MOA Reading Room, call number 12.7 TSI GAR.

A document that accompanied this recording contains the following text:
Document text:
Cylinder 14561
000 - Song # 1 - Matthew Johnson - marriage song composed for the wedding of Legaik’s sister to ni•s nawa•
030 - Song # 2 - Matthew Johnson - entertainment and potlaching song, a song belonging to Legaik
080 - Song #3 - Matthew Johnson - supernatural power song ni•s nawa, Sky Spirit
137 - Song #4 - Matthew Johnson - a winant secret society power song belonging to ni•s nawa• Kilutsan chief
168 - Song #5 - Matthew Johnson – a secret society song or ludzista•l song
Cylinder 14562
190 - Song #6 - Matthew Johnson, a dog eater society song. nute•m, ni•s nawa, giluska’u
255 - Song #7 - Matthew Johnson –
300 - Song #8 - Matthew Johnson - boasting song for potlatch of Legaic’s tribe
Cylinder 14563
385 - Song #10 - Matthew Johnson - supernatural power song. Legaik, wiskani•st
475 - Song #11 - Matthew Johnson - dirge ni•s nawa• limkoi
530 - Song #12 - Matthew Johnson - dirge gispaxbts, gilutsa’u
588 - Song #13 - Matthew Johnson - dirge
Cylinder 14564
614 - Song #14 - Mrs. Marsden (sp.?) – wolf clan song of kitsees
665 - Song #15 - Mrs. Marsden - song belonging to the supernatural power name lugaxli’bam laxha belonging to ni•syagane•t
774 - Song #16 - Mrs. Marsden - ni•sgune (gitsecs) supernatural power song
825 - Song #17 - Mrs. Marsden – supernatural (naxnog) power song, house of welk

Audrey Hawthorn discusses the work of Mungo Martin

Item is a sound recording of Audrey Hawthorn discussing the work of Mungo Martin as he provides a carving demonstration. Mungo Martin does not speak during the recording. Audrey Hawthorn provides a brief biography of Mungo Martin, a description of his work carving the totem poles that stand at UBC’s totem park, the tools he uses, his design process and lastly describes the the intricate steps required to create Kwakiutl wood carvings.

Teslin traditional storytelling and singing by George Johnson

Item is an audio recording of George Johnston (Tlingit name was Kaash KlaÕ) at age 80 singing and speaking in either Haida or Tlingit. He was a hunter, trapper, entrepreneur and photographer and was known for documenting his family life and the Yukon community of Teslin, where he lived. For biographical information see http://www.nutaaq.com/productions/georgejohnston.html

Gitxsan

Series documents Jensen and Powell’s work with and visits to the Gitxsan speaking villages in North Western British Columbia. Jensen and Powell worked with the Gitxsan to produce language and culture material.

Jensen’s first visit to Gitxsan territory was in 1975, before they began to work with the communities. Jensen was asked to accompany Dr. Marjorie Halpen of the Museum of Anthropology, Amelia Sussman Schultz (a former student of anthropologist Franz Boas) and UBC grad student Carol Sheehan McLaren to Prince Rupert and various Gitxsan villages. The impetus for the journey was that Schultz was interested in recovering her old dissertation notes that she left with William Beynon, a hereditary Tsimshian chief who served as ethnographer, translator, and linguistic consultant to anthropologists including Boas. Although she had never completed her dissertation, in her retirement she regretted leaving the information. During this trip Jensen photographed the Gitxsan villages through which they travelled, making special note of the burial houses and totems she encountered.

Two years later the Gitxsan band approached Jensen and Powell to create language and culture materials. Powell secured the funding through the BC Ministry of Education and the federal government.

Powell and Jensen lived and worked with the Gitxsan in the summers from 1977 to 1981. The first three years were spent focussing on what they have termed the Eastern dialect. In this period they lived and worked in Kispiox, staying in a teacherage the first year (a small apartment built for housing teachers), and moving in the second year to the back room of the house of one of their linguistic informants, Clara Harris. The third year they again lived with Clara Harris until halfway through the summer when they decided to expand the project to include the Western dialect: at this time they moved to Kitwancool (now known as Gitanyow) where they again lived in a teacherage. The final two summers they returned to Kispiox to live with Clara Harris.

Powell worked with a number of linguistic informants, including Clara Harris, Edith Gawa, and Mary Johnson for the Eastern dialect, and Solomon Marsden, with the help of Ivan Good, Maggie Good, Cindy Morgan, Edith and Abel Campbell, David Milton, Olive Mulwain, Fred Johnson and Jeffrey Morgan for the Western. The materials produced throughout the Gitxsan project are divided into Eastern and Western Gitxsan. The books produced for the Eastern dialect were called Gitxsan for Kids. The books for the Western dialect were called Learning Gitxsan. In addition to the educational material, other resources were developed including illustrated alphabet sheets, the Northwest Coast Word List (which was intended as the basis for a full dictionary, a goal that did not transpire), and the Gitxsan Teacher’s Manual.

As was the case with all the communities they lived in, Powell and Jensen found that work and recreation in small Indigenous communities blended together, and many of the activities they took part in were incorporated into the language materials produced. Jensen photographed the cultural activities they attended, and they made audio and photographic records of Elders reminiscing about what they referred to as the “old ways.” Both Jensen and Powell were adopted into Gitxsan tribes during their time living in the region: Jensen to the Firweed Clan, and Powell to the Lax Gibuu, or Wolf Clan, both of Kispiox. This series comprises all the records created during their stays in Gitxsan villages.

The series consists of nine sub-series:
A. Field notes and correspondence
B. Research
C. Published educational materials
D. Unpublished manuscripts
E. Tsimshian-Gitxsan materials
F. Eastern and Western Gitxsan recordings
G. Eastern Gitxsan photographs
H. Western Gitxsan photographs
I. Doreen Jensen
J. Gitxsan artist photographs

House of Chief Albert Edward Edenshaw

Item is an image of two totem poles by two buildings. According to annotations, photograph is of the house of Chief Albert Edward Edenshaw, G?aw (also known as Old Massett) in the Haida Gwaii archipielago.

People in G?aw

Item is an image of a group of people sitting for the photograph. Other people, buildings, and totem poles are visible in the background. According to annotations, photograph was taken in G?aw (also known as Old Massett) in the Haida Gwaii archipielago

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