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Distant view of many individuals on horseback. A large building stands behind the riders, as well as trees and mountains in the distance.

Several women and children, wearing native clothing, look toward the right side of this print. Other individuals are visible behind them.

This is a group portrait of many individuals standing outside. Some wear native dress; some appear on horseback; still others stand next to horses.

This group shot depicts a man on horseback, women standing, and several other horses. Most appear to be wearing native dress.

An individual, possibly a young man, in native dress sits astride a horse. Several other individuals on horseback are visible behind him.

Several men wearing native clothing sit astride horses, facing away from the camera. Other men stand in a field near them. A tipi can be seen copy right and mountains are visible in the distance.

Several men wearing native clothing sit astride horses in a large open field. Mountains are visible in the distance.

Portrait of three men wearing western clothing. Horses and mountains are visible in the distance.

A row of men in native clothing sit astride horses in the background. Two other men, also in native clothing sit on horseback in front of the others. The two are interacting with a woman in western clothing who faces away from the camera. A man in western clothing faces the camera as well.

Four men in native clothing sit astride horses and appear to be in motion, moving toward the left side of the copy print. Other horses are visible in the background.

View of a government building displaying both the Canadian and British Columbia flags. People on horseback are visible copy right; other people are visible copy left. Mountains and trees can be seen in the background.

View of many people gathered outside in an open field. Structures and flags are visible, as are trees and hills in the distance.

Nine men, some in native dress and others in western clothing, pose for the camera on horseback, standing, and kneeling. A building is visible copy right in the background.

Photograph of Chief James Sewid (Kwakwaka'wakw), in ceremonial dress and holding a carved and painted staff, and Tom Ohmeid(?) of Fort Rupert.

Photograph of a woman identified as Mrs. Sewid and four younger women identified as her daughters. All five of them are in ceremonial dress. They are standing outside, with a group of spectators behind them. It is not clear what type of event they are at. A stamp on the verso of the print indicates that it was printed in 1958.

Photograph of a totem pole in Alert Bay, BC. This pole has been called the world's tallest totem pole, though this is a disputed fact since it is actually comprised of two pieces. The pole is not specific to a particular family, but represents multiple tribes of the Kwakwaka'wakw. The pole was completed in the late 1960's and raised in 1973. It is located near the Big House.

Photograph of the exterior of the longhouse in Alert Bay, BC.

Image of two old house posts on Hope Island, BC. The post on the right appears to be the same as a post now housed at the Museum of Anthropology, that was collected from Hope Island in 1956. Both posts feature a human figure with large eyes. On one post, the figure is holding a small face near its waist. On the other post, the figure is holding what appears to be an animal of some kind. The Museum of Anthropology's website provides the following description of the posts: "The posts of the unfinished house of Ha'm'cit were carved by a man from Smith Inlet called Si.wit who moved to Xu'mtaspi and married Tom Omhyid's mother. Ha'm'cit died before the house was finished. (Information provided to Prof. Wilson Duff by Mungo Martin). The artist's potlatch name was P'aczsmaxw. Wayne Suttles places the Xu'mtaspi village as Nahwitti, in historic times, however it was occupied jointly by the Nahwitti, the Yalhinuxw, and the Noqemqilisala (of Hanson Lagoon)."