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description archivistique
Canada Haida
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Interview with Haida Elder Percy Brown

Item is an audio recording of an interview with Percy Brown, a Haida Elder and well-known singer, about birds, animals, fish, whaling and trapping terminology on Haida Gwaii, British Columbia. He is interviewed by two unidentified women. In the first half of the recording, he is asked questions about local birds, for example, partridges, puffins and sea gull, in order to determine Haida names for the birds and to determine if the birds are native to Haida Gwaii. He is asked similar questions about various types of vegetation, for example, plant roots. He also provides information about historic uses of trading and trapping in Haida Gwaii. Percy Brown is featured in the 1979 LP Songs from Masset, referenced in the publication Northern Haida Songs by John Enrico and Wendy Bross Stuart which is available in the MOA Reading Room, call number 12.7c HAI ENR.

Research

The series consists primarily of material accumulated and/or created by Gillian Darling Kovanic during her travels abroad, both as a student of anthropology and a filmmaker. This series includes field research conducted by Kovanic with the Kalash in Pakistan, the Kom/Kati tribes in Pakistan and Afghanistan, the Orissa in India, the Haida on the Queen Charlotte Islands [Haida Gwaii], British Columbia and the Kwakwaka’wakw in Alert Bay, British Columbia. Much of her fieldwork is made up of a study of the languages and cultural practices of the people being studied.

Included in the series are eleven field notebooks, a handwritten Kalash’a dictionary, a notebook containing information on the ethnographic materials collected by Darling, which now reside with the Royal Ontario Museum, and approximately 4502 photographs, including slides, negatives, prints and digital photos. Also included are a number of academic and popular articles collected by Kovanic, which compliment her field research, including a unique, handwritten article by Wazir Ali Shah, secretary to the last ruler of Chital, Mehtar, in 1977, which was written after the original manuscript was lost. The series also contains published material, comprised of a teaching kit titled “Kalash Bread-making: From Field to Feast” and the Wakhi Language Book by Haqiqat Ali.

Sans titre

Examples from How to Write the Haida Language

Item is an audio recording of Mrs. Gertrude Kelly providing Skidegate Haida translations of words to an interviewer, Randy Bouchard as part of the How to Write the Haida Language project. According to the recording, Mrs. Gertrude Kelly was formerly of Skidegate and at the time of the recording was living in Vancouver. Randy Bouchard co-founded the BC Indian Language Project in 1968 (https://www.memorybc.ca/british-columbia-indian-language-project) and is the author of numerous books pertaining to First Nations subject matter.

(Replicas)?, mortuary poles (Haida), dwelling house and sea wolf, Totem Park, UBC, Vancouver

MOA Object ID numbers correspond to poles in the image from left to right.

A50030 carved by Bill Reid and Doug Cranmer (1961-62) as the frontal pole for the front of the Haida house, at the University of British Columbia, for display in Totem Park. Moved to the new Museum of Anthropology grounds in 1978. Pole was removed from the Haida House in 2000-09 and placed in a greenhouse tent for conservation treatment and drying. Pole was then re-raised in the Great Hall of the Museum on Oct. 31, 2002.

First Nations community members

File consists of images of First Nations adults and children in Bella Coola, Klemtu, Bella Bella, Haida Gwaii, and Hartley Bay, BC.

Sans titre

George Szanto fonds

  • 138
  • Fonds
  • May 1962

Fonds consists of eight slides of totem poles being raised in the Haida Village at the University of British Columbia (UBC). The slides are dated May, 1962. The photographs were taken by George Szanto, the son-in-law of Geoffrey Andrew who was the Dean and Deputy President of UBC from 1947 to 1962.

The totem poles represented in the images were carved by Haida artist Bill Reid and 'Namgis artist Doug Cranmer. They were originally situated at UBC's Totem Park. They are now located on the grounds behind the Museum of Anthropology, and modelled on a 19th century Haida village.

Sans titre

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