Łingít (Tlingit)

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        Łingít (Tlingit)

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          Łingít (Tlingit)

          • UF Taku

          • UF Lingít

          • UF Taku

          • UF Łingít

          • UF Tlingit

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          Łingít (Tlingit)

            39 Archival description results for Łingít (Tlingit)

            39 results directly related Exclude narrower terms
            Weaving display
            132-1-C-C-a041610 · Item · [197-?]
            Part of MOA General Media collection

            Display of weaving techniques, possibly of Tlingit peoples, from an unidentified museum, possibly the American Museum of Natural History.

            Village People
            1-4-C-11 (66.3-4) · File · [199-?]
            Part of William McLennan (MOA Curator) fonds

            File contains images of various First Nations Cultural groups from the Pacific Northwest. The images include negatives and slides of Northwest Coast villages, totem poles, longhouses, and First Nations peoples dressed in regalia.

            Various museum displays
            25-05-02 · File · 1969
            Part of Anthony Carter fonds

            File consists of images of displays at the Museum of Anthropology at UBC. Objects shown include Haida carvings, a Chilkat blanket, and unidentified masks.

            Anthony Carter
            Tlingit/Tahltan/North
            1-4-C-6 (63.2-3) · File · [199-?]
            Part of William McLennan (MOA Curator) fonds

            The majority of this file contains historical images of the Tlingit and Tahltan First Nations and their respective villages. The other images are of Tlingit or Tahltan artifacts housed in various museums in Canada and the United States. The historic images are of Tlingit or Tahltan villages which include images of Northwest Coast architecture, houses posts and totem poles, canoes, and other household items such as bowls, weavings, and bentwood boxes. There are also some images of the Tlingit people in regalia. The textual records contained in this file is a paper titled "The History of the Babine Carriers," written by Wilfred Adam for the class Education 479, Cross Cultural Education.

            Tlingit war helmet
            132-1-C-C-a041611 · Item · [197-?]
            Part of MOA General Media collection

            Image of a Tlingit war helmet. The caption for this slide says it is from the "Milwaukee Museum," possibly the Milwaukee Public Museum.

            Tlingit material
            104-7-13 · File · ca. 2005 - 2007
            Part of Pam Brown fonds

            Includes correspondence and research related to Tlingit collection at MOA; one disc of photos of items in eth collection; and a copy of "Opening the Curtain: Tlingit and Haida Elders and Spiritual Leaders Discuss the Meanings and Classifications of Cultural Artifacts and Human Remains in Museum Collections" (February 1998).

            Tlingit Long-tail canoe
            1-1-VVV-1 (56.9) · File · 2009
            Part of William McLennan (MOA Curator) fonds

            File mainly contains textual records related to the Tlingit Long-tail Canoe Exhibit. Textual records mainly consist of photocopies of historical photographs of Tlingit canoes. Other textual records include copies of correspondence between McLennan and the Royal British Columbia Museum, where many of the images were obtained from, and information about the exhibit, including a promotional handout, and a project report.

            The images contained in this file are historic photographs of Tlingit canoes.

            132-3-B-1-MAN-030 · Item · [19--]
            Part of MOA General Media collection

            Item is an audio recording of George Johnston (Tlingit name has been identified as K'aashtl'áa or Kaash KlaÕ) at age 80 singing and speaking in either Haida or Tlingit. He was a hunter, trapper, entrepreneur and photographer and was known for documenting his family life and the Yukon community of Teslin, where he lived. For biographical information see http://www.nutaaq.com/productions/georgejohnston.html

            Photographs from album
            1-1-YYY-12 (58.8) · File · [ca.1997]
            Part of William McLennan (MOA Curator) fonds

            File contains images of the First Nation artists involved with the Through My Eyes exhibit. The images show them looking at objects in the Vancouver Museum's collection. The artists shown in the photographs are Cyril Carpenter, Ben Davidson, Robert Davidson, Norman Tait, Isabel Rorick, Doreen Jensen, Judge Alfred Scow, Lyle Wilson, Dolly Watts, Bill Reid, Glen Tallio, Richard Hunt, Terry Starr, Tim Paul, Richard Summer, Dempsey Bob, Jim Hart, and William White.

            Laura Greenberg
            29-2-15 · File · 1973-1974
            Part of Wilson Duff fonds

            This file contains correspondences to Wilson Duff from Laura Greenberg, a doctoral student in the Dept. of Anthropology at UBC. The majority of correspondences appear to be from her time as a pre-doctoral fellow at the Smithsonian Institution. Many letters are personal correspondences, although there are discussions of job searches, copies of Greenberg's curriculum Vitae (CV) and application letters, among other content. Other letters deal specifically with her thesis research into Northwest Coast art, and the file includes various photocopied, sketched, and annotated images of objects, some with multiple overlays on transparency sheets. Most are from the Renwick Gallery at the Smithsonian, and primarily represent bentwood bowls and dishes or horned spoons. Although little information is provided about communities or artists, catalogue IDs are listed. The interpretive focus of these objects in their correspondences emphasize themes of transformation and sexual readings of Northwest Coast motifs. Several pages also discuss research on Hopi and Chinese art.

            Joyce Wilke
            29-2-43 · File · 1940-1960
            Part of Wilson Duff fonds

            This file contains letters and texts written by Joyce Wilke to Wilson Duff. The letters largely discuss the topic of publication, including revision notes and comments on errors made in other authors' texts. Texts included in the file focus on Coast Salish dancing and dance traditions, as well as economic relationships between Indigenous Nations of the Northwest Coast and European traders.

            Texts on the theme of Coast Salish dances include Wilkes' typed summary of a Winter Dance that took place in Esquimalt in 1943, and handwritten notes about Spirit Dances at the Swinomish Reservation in 1940-41. The latter also includes language notes about community terms relevant to these dances. There is also a published article by David F. Aberle that theorizes about a so-called Prophet Dance movement.

            Wilkes' more extensive manuscript represents her doctoral dissertation concerning maritime trade between various coastal First Nations and European traders, which focuses on the European demand for sea otter fur, and the interest of First Nations in obtaining iron, copper, firearms, and textiles. The author also discusses food and liquor as part of trade relations. A photocopy and original version of Wilkes' bibliography are also included.