- 18-a036597
- Pièce
- 1967-1968
Fait partie de Ed Eckley collection
Item is a photograph of a section of a Nuu-chah-nulth totem pole from the Ehattesaht nation on Esperanza Inlet (Vancouver Island)
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Fait partie de Ed Eckley collection
Item is a photograph of a section of a Nuu-chah-nulth totem pole from the Ehattesaht nation on Esperanza Inlet (Vancouver Island)
Esperanza Inlet, Graveyard Bay
Fait partie de Anthony Carter fonds
Image of the lower portion of a totem pole at the Ehahsitaht Village site.
Sans titre
Fait partie de William McLennan (MOA Curator) fonds
File mainly contains historical images of the Heiltsuk, Nuxalk, and Wuikinuxv First Nations. These images depict village life, architecture and house posts, and regalia. The file contains images of a group of Nuxalk who traveled to Berlin to perform there. Images that are not historical depict a ceremony happening in the Great Hall at UBC MOA, unidentified artists working on a set of drawings, and what appears to be the Acwsalcta High School in Bella Coola. Non textual records include photocopies of photographs, and photocopies of museum catalogue cards.
Fait partie de Anthony Carter fonds
Image of totem poles, canoes, and longhouses(?) in the Nass River valley of BC.
Sans titre
Last pole at Aiyansh on Nass [River]
Fait partie de Harry B. Hawthorn fonds
Pole is largely uncarved, except for a bird perched on top. Mountains are visible in the background.
Ketchikan and Kitwancool Totems and Views
Fait partie de Minn Sjolseth fonds
File consists of slides depicting totems and views labeled as in Kispiox, Kitwancool, Ketchikan, Haida, Kitseguckla, Skedans, and Kingcome. File also consists of slides documenting two of Minn Sjolseth's paintings entitled "En av de Siste" (sp?) and "Peace."
Totem pole being secured in the Great Hall
Fait partie de MOA General Media collection
A worker on a ladder secures a totem pole that has recently been moved in the Museum of Anthropology's Great Hall.
Fait partie de William McLennan (MOA Curator) fonds
File mainly contains historical images of the Nisga'a villages, peoples, and of Nisga'a totem poles. Other images are of modern day Nisga'a totem poles housed in museums in Canada and the United States. The textual records contained in this file are catalogue cards which provide some of the photograph's context, providing information such as the location of the photograph, the people in the photographs, which museum and/or archive collection the image belongs to, and/or the image's catalogue number.
Fait partie de E. Polly Hammer fonds
(Replica) Tsimshian memorial poles #9, 10, Thunderbird Park, Victoria, B.C.
Fait partie de E. Polly Hammer fonds
Tsilhqot'in/Secwepemc/Stl'al'lmx/Nlaka'pamux
Fait partie de William McLennan (MOA Curator) fonds
The majority of the file contains historical images of the Tsilhqot'in, Secwepemc, Stl'al'lmx, and the Nlaka'pamux peoples. The photographs depict village life, including images of building structures in the BC interior, fish processing techniques such as fish drying, and carvings such as mortuary poles. Some of the images also depict First Nations people, some in regalia. The other images are official photographs taken by various museums in Canadian and American museums of Tsilhqot'in, Secwepemc, Stl'al'lmx, or Nlaka'pamux artifacts. The textual records contained in this file consist of a photocopy of a magazine article titled "Upstairs, downstairs: the early years," written by Heather Pringle, and published in the June 1996 (Volume 111, number 5) edition of the magazine Saturday Night.
University of British Columbia (UBC) series
Fait partie de Vickie Jensen and Jay Powell fonds
Series consists of photographs documenting totem pole raising or restoration and other events held at the University of British Columbia (UBC) Museum of Anthropology (MOA).
In 1976 Jensen was hired by MOA to document the installation of totem poles into the new building. Jensen did not keep the negatives for these photographs (MOA did in this instance). She was hired again in 1981 to create a slide loop of images to be featured in the museum. After working with the museum, she felt welcome there and often gave talks or did training. Most of the subsequent photographs in this series were taken at public events such as book launches or pole raisings.
Initial carving stages at Haida Gwaii
Fait partie de William McLennan (MOA Curator) fonds
File contains images showing artists beginning to work on Bill Reid's pole..
Carving and installation at MOA
Fait partie de William McLennan (MOA Curator) fonds
File contains images showing the final touches being done on the pole as well as ceremony and raising the pole at the Museum of Anthropology.
Fait partie de William McLennan (MOA Curator) fonds
File contains images showing the ceremony and pole raising at the Museum of Anthropology.
Fait partie de William McLennan (MOA Curator) fonds
File contains images showing the Respect to Bill Reid Pole being unloaded from the flat bed truck.
Respect to Bill Reid pole slides
Fait partie de William McLennan (MOA Curator) fonds
File contains a slides of work being done on the Respect to Bill Reid Pole.
Fait partie de William McLennan (MOA Curator) fonds
This file contains images of totem poles taken by Edward Malin and used in the Quatsino source book.
Jacquie Gijssen’s slides of R. Davidson’s Pepsi-Co Commission
Fait partie de William McLennan (MOA Curator) fonds
File contains slides of Davidson working on and carving his totem poles for the Pepsi-Co commission project.
Fait partie de William McLennan (MOA Curator) fonds
File contains images of totem poles and other Northwest Coast artifacts, such as weavings and carvings, housed at the Peabody Museum in Boston.