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Signed without signature

Subseries consists of records related to the <i>Signed Without Signature: Works by Charles and Isabella Edenshaw</i> exhibit curated by McLennan for MOA. In this exhibition, McLennan focused on showcasing Charles Edenshaw’s metalwork and painting, and Isabella Edenshaw’s basketry, to illustrate how each artist created a recognizable “signature” through art and not by physically signing their names, and how it evolved through their long careers. Records include research on the Edenshaws, exhibit photos, reviews, notes, correspondence, artifact loans, and files relating to individual museums and heritage institutions which hold Edenshaw artifacts.

Sidi Ameur seance

Photograph of a group of men at a seance in Sidi Ameur, Sahel, Tunisia taken by Nadia Abu-Zahra.

Side view of totem in front of door

Image depicts a side view of a small-scale totem pole in front of a door. The pole depicts several figures--possibly three Thunderbirds with a seated human figure at the base. See items a034476 - a034482 for other views of this pole.

[Side profile of face carving]

Image is a side angle view of a large face carving. The carving is propped against the side of a shed on a small pile of firewood.

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