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The collection consists of eight photographs likely taken in the Nuu-chah-nulth community in the 1920's. Some of the photographs may have been taken by Catherine, the daughter of an early Indian Agent named Augustus Cox. They include a number of images that appear to be a Samiilth or Saatlsaach ceremony, with K'aanaatla mimicking wolves. Some of these images are taken near a seaside village, which shows various types of structures and canoes. Other images taken on a beach show canoe runs, as well as two images of individuals in robes and headdresses. Another image shows a detailed view of two headdresses. There are also images of what seem to be preparations for a parade, with individuals dressed in costumes and decorated motorcars nearby.

Fonds consists of physical and intellectual descriptions of objects in the form of photographs and textual records that provide relevant background information and bibliographic citations relating to Koerner’s personal collections. Fonds consts of two series: W. and M. Koerner ceramics collection and Northwest Coast Indian art.

Collection consists of ten audio reel tapes and eight audio cassette tapes with recordings of stories, obtained by Karen J. Clark and Tahltan community members in the 1960s, 70s, and 80s. Along with Tahltan Native Studies Committee members, including Rose Quash, Rachel Joseph, Anne Gleason, and Judy Joseph, Karen J. Clark traveled around the Telegraph Creek area to record stories of the Elders and procure photographs. This work became the "Tahltan Native Studies" book, produced in 1976.

Documentation includes a lists of recordings with tape descriptions, a short biography of Karen J. Clark, and letters and documents related to her awards and publications.

Textual materials include three "Tahltan Native Studies" books, two sets of accompanying job cards, one set of activity cards, one set of photograph cards, and a course outline. The collection also includes the three book set "Sun, Moon and Owl" and the accompanying reading workbook and teacher's guide. "Sun, Moon and Owl" was written by Karen J. Clark, with grant funding from the B.C. Teacher's Federation, and published in 1975.

Collection consists of six compact discs with recordings of Hakka Mountain songs and laments, sung by Mrs. Yau Chan Shek-ying in 1976, along with accompanying documentation. Documentation includes lists of recordings with song descriptions, song translations/transcriptions, a photograph and bio of the singer, and articles collected by Elizabeth Lominska Johnson. The songs were sung in an older dialect of Hakka. Song types include marriage laments, mountain songs, and funeral laments.

Hakka mountain, or Hakka hill songs, are rural songs sung in the Hakka language by the Hakka people of Southern China. The songs vary in theme/subject, and exist as a kind of oral literature and/or communication at a distance.

Fonds consists of matted prints of engravings made from sketches created by John Webber as official artist on Captain James Cook’s third voyage. Prints depict landscapes, animals, people, clothing styles, architecture, and events that were encountered on the voyage in places such as New Zealand, the Friendly Islands (Tonga), the Sandwich Islands (the Hawaiian Islands), Nootka Sound (Vancouver Island, BC), and Van Dieman’s Land (Tasmania).

Collection consists of one leatherbound book which reads “The Camden”…“presented by Francis Westley to the Rev. John Williams” from circa 1838 with signatures of people who attended Williams’ fundraising talks for the Polynesian mission on the Camden. In addition, there are five letters from 1837 and six contemporary photographs of the book, pages of signatures within the book, and the letters.

The fonds reflects the religious work and family history of Rev. George Stallworthy and his descendants. The fonds consists of correspondence and drawings related to the family's time in the South Pacific; 20 photographic portraits of family members; sermons, article reprints, and correspondence related to George Burnett Stallworthy's religious work and life; and a scrapbook containing memoranda, correspondence, photographs, clippings, pamphlets, genealogical research, and other ephemera from the Stallworthy family up to 1925.

The fonds is arranged into files based on the content and medium of the records.

Collection consists of five albums of photos from Meiji period Japan including a few photos from Scotland, one album of photos from China, and two lacquer-framed photographs. It consists mostly of albumen hand-coloured Japanese photographs. These Japanese photographs belong to the genre known as souvenir photography or Yokohama photography. The subject of these photographs in this collection echoed those found in the Japanese ukiyo-e prints of the so-called “floating-world” of the late Edo Period, from around 1780 until the 1860s. The delicate hand colouring of the albumen silver prints is one of the characteristics of photographs of Japan from this period.

There were mainly two media to disseminate souvenir photos from Yokohama during Meiji period (1868 –1912): photo prints and lantern slides (see the James Davidson collection), but other materials were also used. These hand tinted photo prints were usually bound in albums with lacquer covers lavishly decorated in makie (蒔絵), a technique of applying adhesive metal such as gold and silver or colour powder in soft lacquer to create designs.

Fonds consists of various photographic materials and a small number of textual records. Glass plate negatives document totem poles, house fronts, street scenes, church groups, school groups, weddings, the local store and maritime subjects in Alert Bay. Textual records include a Christmas card from Alert Bay Radio and two small pamphlets of photography instructions printed by "J. Mennie, Developing & Printing Service." The oldest negative dates from 1862, though the identity of its photographer is unknown.

The records in this fonds pertain to Rev. Crosby’s missionary activities and personal life in British Columbia, Canada. Personal life and missionary activity records include: photographs, bibles, hymns, scriptures, and one textile object.

Fonds consists of 45 glass-plate lantern slides featuring scenes from Osterhout's work with B.C. First Nations, including Haida, Tsimshian and Kwakwaka'wakw. Images document First Nations individuals, communities, totem poles and landscapes of British Columbia.

Collection consists of the media -including photographs, sound recordings, and video recordings - that is about, by, or related to the Museum of Anthropology (MOA) and its collections. Media can be found in many collections and fonds in the MOA Archives; the media in this General Media collection are those that do not belong to a more specific archival collection, usually because their provenance is not known.

The collection is divided into three series based on media type:

1. Photographs
2. Video recordings
3. Sound recordings

Fonds consists of a diary. It appears the diary was written by Josephine Gladstone between 1888 and 1895. The content of the diary includes: Bible references, notes on events, money annotations, stories, songs, personal annotations, and transcription of correspondence written/received by Josephine and her relatives. The correspondence includes several letters to and from missionary G. Hopkins.

Fonds contains scanned images from two photo albums attributed to Robert Reford. One album shows images from his time in British Columbia (1889-1891). These photographs were likely taken by Reford. The second album contains images from the Arctic. It is not clear who took these photos, as there is no record of Reford having spent time in the Arctic.

Fonds consists of 71 black and white photographs of the Hopi, the Zuni, and Inscription Rock. The fonds is divided into threes series: Donation Letter (1977), Hopi Images [189-?], and Zuni and Inscription Rock Images [189-?].

The fonds consists of records created and collected by Harry B. Hawthorn in a number of different capacities: as researcher, professor, Dean of Anthropology and Director of the Museum of Anthropology. Textual records in the fonds include correspondence, transcripts, research notes and clippings from publications. Much of the graphic materials relate to Harry Hawthorn’s interactions with Indigenous communities as an anthropologist, a professor, and as the Director of MOA. Other images relate to his personal life, documenting his youth in New Zealand, his life as a father and anthropologist, and his later established professional roles.

Collection consists of Japanese hand-coloured glass lantern slides collected by James Davidson in Formosa (present day Taiwan), and possibly also in Japan, between 1894 and 1902. Davidson used these slides for his lectures. All the photographs except 10 belong to the genre known as souvenir photography. The subject of these photographs in this collection echoed those found in the Japanese ukiyo-e prints of the so-called “floating-world” of the late Edo Period, from around 1780 until the 1860s. The delicate hand colouring of the albumen silver prints is one of the characteristics of photographs of Japan from this period.

Additionally, there are nine glass lantern slides showing images of the aftermath of the 1891 Mino–Owari earthquake in Japan. These are mostly copies of images published in the book "The Great Earthquake of Japan, 1891" by John Milne and W.K. Burton, and most of these photographs were taken by William Kinnimond Burton, a Scottish engineer and photographer who worked in Japan. A copy of "The Great Earthquake of Japan, 1891" is available in the MOA Library.

The collection consists of slides, photographs and negatives, all copies of Curtis’ most extensive work, “The North American Indian.” The collection is divided into two series: slides and photographs.

Fonds consists of papers that appear to be the beginning of a catalogue of Chinese charms and coins that were hand drawn. It is not clear whether they are specific to the Campbell-Brown collection of Chinese coins that were acquired by the Museum of Anthropology. However, they were acquired in the same trunk as the Campbell-Brown collection of Chinese coins.

The fonds reflects Cunningham’s function as Manager, Design/Exhibits for MOA; his role in MOA facility planning and renovations; his position as an instructor in the Department of Anthropology at UBC; and involvement in other projects for MOA and external organizations. The records are arranged in the following series:

1. Education records (1988 - [ca. 2004])
2. Exhibit records (1987 - 2005)
3. Renovation records ([19-?] - 2014)
4. Miscellaneous project records (1987 - 2002)
5. CFI Partnership of peoples project (1990 - [2012])
6. Photographs (1990 - [2005])

The records include artists’ statements and artwork; banners; blueline prints; calligraphy; case lists; contact prints/proofs; contracts; correspondence; diagrams; exhibition catalogues; exhibition panels; exhibition proposals; exhibition text; guidelines; invitations; labels; lecture notes; loan agreements; manuals; measurements; memoranda; minutes; negatives; object lists; photographs; plans; policies; reports; syllabi; and tender drawings.