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Sub-series consists of textual records of the two-man show of art by Lyle Wilson and Doug Cranmer, two native artists of the region. Includes biographies of the artists, the opening speech from the exhibit, a news release and a museum brochure.
Sub-series consists of textual records from the one-man show of Northwest Coast First Nations artist Robert Davidson. Records include exhibit correspondence, newspaper articles and a copy of the Canadian Conservation Institute Journal (vol. 3, 1978) that contains an article by Davidson.
Jeff Thomas Curator- Where are the Children
Pasifika Opening and National Aboriginal Day
Parte deHindaleah (Hindy) Ratner fonds
Series relates to public programming activities associated with museum exhibits, including the museum exhibits committee, organizing of traveling exhibits and public programming related to exhibits and participation in other exhibit related activities.
Series consists of memoranda, correspondence, proposals, news releases, clippings, inventories, publications, photographs, circulars, budgets, programme descriptions, schedules, staff guidelines and other textual material.
This series is arranged into 3 sub-series:
A. Exhibits Committee (1982-1985): Sub-Series relates to Ratner’s participation in the museums exhibits committee.
B. Coordinating (1974-1986): Sub-series reflects the organizing of traveling
exhibits, and participation in other exhibit related activities other than public
programming.
C. Programming (1977-1987): Sub-series reflects activities related to public
programming associated with museum exhibits.
Sin título
Joe David / Ron Hamilton Summer '78
Parte deHindaleah (Hindy) Ratner fonds
Parte deHindaleah (Hindy) Ratner fonds
The Hunt Family May 26 - August 30 ["Hunt Family Heritage: Contemporary Kwakiutl Art"]
Parte deHindaleah (Hindy) Ratner fonds
Parte deHindaleah (Hindy) Ratner fonds
Cedar Tree Exhibit Sept.'84 - Dec. '84
Parte deHindaleah (Hindy) Ratner fonds
Parte deHindaleah (Hindy) Ratner fonds
Parte deHindaleah (Hindy) Ratner fonds
Conversations: The D. Miguel and Julia Tecson Philippine Collection (Anth 432)
Parte deDarrin Morrison fonds
The exhibit was created by the Anthropology 432 class and highlights work from Dr. and Mrs. Tecson’s collection of ceramics from the Philippines.
A Break in the Ice: Inuit Prints from the Linda T. Lemmens Collection (Anth 432)
Parte deDarrin Morrison fonds
This exhibit was created by Anthropology 432 class and highlights recently donated prints and drawings by 10 Inuit artists that reflect ideas about community and history.
Written in the Earth: Coast Salish Art
Parte deDarrin Morrison fonds
This exhibit presents examples of antler, stone and wood carvings from archaeological sites in Coast Salish territory on the south coast of BC, as well as contemporary works by First Nations artists.
Recalling the Past: Early Chinese Art from the Victor Shaw Collection
Parte deDarrin Morrison fonds
This exhibit features Early Chinese art from the private collection of Victor Shaw, which includes 4, 500 years of Chinese Art from the Neolithic through the Han, Tang and Song dynasties.
High Slack: An Installation by Judith Williams
Parte deDarrin Morrison fonds
This exhibit by Vancouver Artist and UBC Fine Arts Professor Judith Williams included installations of paintings, sculptures, photographs and bookworks at MOA as a series of proposals for future directions in our relations with “other.”
Wearing Politics, Fashioning Commemoration: Factory Printed Cloths in Ghana
Parte deDarrin Morrison fonds
This exhibit was created by UBC graduate student Michelle Willard, and housed a collection of printed cloths that Ghanaians’ considered to be highly significant and shows how they are worn in Ghana to proclaim political loyalties and commemorate important events.